Illenium Releases Third Studio Album ASCEND.

Flux Pavilion brings the wobble back to life with ‘Paradise’. Flux Pavilion, the distinguished British producer known for his influential and innovative contributions to the electronic music scene, welcomes 2023 with his latest single “Paradise.” With a track record of chart-topping releases, collaborations with some of the industry’s biggest names, and headlining performances at major festivals across the globe, this new single is a testament to Flux Pavilion’s continued skill and creativity after more than a decade in the scene. ‘Paradise’ is his latest in a run of singles following ‘Lore’ and ‘(Never Gonna) Be Alone,’ all of which are leaning on the heavier side he’s gravitated towards since his .wav album. Fed by the force of letting yourself be present in the moment and to savor experiences, enjoying paradise means taking the time to appreciate the beauty around you and disconnect from the digital world. Put down your phone and take in the sights, sounds, and smells of a special place. ‘Paradise’ showcases a blend of Flux Pavilion’s signature sound with a unique mix of melodic bass and upbeat rhythms. The track progresses with a catchy euphoric vocal before switching into a weighty anthem. ‘Paradise’ arrives on all digital platforms today, with Flux Pavilion kicking off 5 consecutive shows with UKF in New Zealand from March 17th. Flux Pavilion Tour Dates March 17 – UKF NZ Tour – Brewton, Wellington March 18 – UKF NZ Tour – Lilyworld, Auckland March 23 – UKF NZ Tour – Union Hall, Dunedin March 24 – UKF NZ Tour – The Factory, Hamilton March 25 – UKF NZ Tour – Bexley Park, Christchurch April 8 – Ministry of Sound, London May 4 – Sol Fest Pre Party, Bama Slam Water Park, New Brockton, AL May 6 – Bloom Nightclub, San Diego May 20 – Global Dub Festival, Red Rocks, Morrison CO

Excision and Wooli join forces once again for “Titans,” the highly anticipated follow-up to their hit collaboration “Lockdown.” In 2019, before the pandemic was even a concern, Excision and Wooli joined forces for their collaborative EP, “Evolution.” The EP featured four tracks, including the opening track “Lockdown.” Fast forward over three years later, the duo has reunited for the highly-anticipated follow-up, “Titans.” While “Titans” is not the first collaboration between Excision and Wooli since “Lockdown,” it is a clear sequel, featuring some of the same samples (check out 2:30). With this release, the duo veered more towards bass house rather than dubstep, creating a highly energetic and enjoyable experience that has been receiving a positive response at recent live shows. Out now on all streaming platforms, get your first listen to “Titans” below!

Subtronics’ 24-track album ‘ANTIFRACTALS’ receives huge praise and excitement from fans. After much anticipation, Subtronics has dropped his album ‘ANTIFRACTALS’ on his label Cyclops Recordings. The album features 14 remixes from top artists such as Kai Wachi, Wooli, Grabbitz, Kompany, among others, and includes 10 VIP versions of Subtronics’ own tracks. The release comes after the announcement of his North American ANTIFRACTAL Tour in September. The 24-track album ‘ANTIFRACTALS’ is yet another impressive addition to Subtronics’ extensive body of work, following the release of his previous album FRACTALS. Known for his tireless work ethic and consistent output, the Philadelphia-based producer continues to support the underground music scene by featuring up-and-coming artists on tour and at shows like Cyclops Cove. His dedication and passion for his craft is evident throughout the album’s runtime. In January of 2022, Subtronics dropped his debut album ‘FRACTALS’ which came in at #4 on Billboard’s Dance/Electronic Album Chart, and had dedicated billboards in Times Square and Los Angeles. The album coincided with his massive 50+ date sell-out national headline FRACTAL TOUR, which featured state-of-the-art production and ground-breaking visuals. The tour traveled with a custom-built stage, featuring a floating DJ table within a reflective black hole, dubbed ‘The Wormhole.’ Notable venues on the run included Gila River Arena, WaMu Theater, Coca Cola Roxy, Avant Gardner, Echostage, and more. With more music on the way, Subtronics shows no signs of slowing down. Stream ‘ANTIFRACTALS’ now on Cyclops Recordings.

Skrillex is releasing a double album in 2023, which is sure to make a big impact in the dance music world. On New Year’s Day, Skrillex, whose real name is Sonny Moore, posted an announcement on social media about the release of two albums, abbreviated as “QFF/DGTC 23,” in 2023. The next day, he shared a preview of the project’s first single, titled “Rumble,” a collaboration with Fred again.. and Flowdan. The single has a tense and ominous sound. The announcement of the album release was met with great excitement from the electronic music community. Tchami wrote, “2023 looking great already,” and other bass artists such as Subtronics, Ray Volpe, Peekaboo, and tk expressed their excitement with exclamatory phrases like “HYPERVENTILATING,” “H O L Y S H I T B A L L S,” and “i’m f—ing WEEPING.” Missy Elliot, who previously collaborated with Skrillex on an unreleased track in 2018, also expressed her excitement. These albums will be Skrillex’s first studio albums since the release of “Recess” in 2014, which reached No. 4 on the Billboard 200 chart. Skrillex has continued to have success in the music industry, winning two Grammys with Diplo as part of their duo, Jack Ü, in 2016. Diplo has described Skrillex as “probably the best producer of electronic music” he has ever met and praised his ability to transform any sound into something unique. Listen to the first two tracks off the highly anticipated album below! Skrillex, Fred again.. & Flowdan – Rumble Skrillex, PinkPantheress & Trippie Redd – Way Back  

Amid his first ever headline tour, Trivecta returns to Ophelia Records with the official remix pack for his debut album The Way Back Up Remixes. Tapping into bass tastemakers TYNAN, Soltan SubDocta, Hi I’m Ghost, and Ravenscoon, along with melodic trailblazers STAR SEED, Mazare, Xavi, KEPIK, and The Arcturians. The album covers multiple corners of dance music including melodic dnb, to experimental bass to trap, and melodic dubstep. Often working with other songwriters, producers, and vocalists, Trivecta stays true to his collaborative spirit as he continuously explores new ways to create music with other talent. With the self-described goal of “making dubstep beautiful again,” he’s made a name for himself ever since with tracks that land in a compelling place between melodic dubstep, trance, bass and drumstep. In addition to receiving support from artists like Excision, The Chainsmokers and Don Diablo, he’s joined melodic bass connoisseurs such as Illenium, Seven Lions, Dabin, Kill The Noise, and Wooli on tour and landed official remixes with them. Out now, get your first listen to the ‘The Way Back Up’ remixes album below!

Musical trailblazer and an international icon David Guetta teams up with Marten Hørger, one of the leading forces in the global Bass House movement to release their new single, ‘The Freaks’, a powerful future rave track complete with low-pitched, distorted vocals, and gigantic builds perfect for the dancefloor and beyond. In early September 2022, Hørger tested the first demo of ‘The Freaks‘ at Burning Man. The following day, he performed it at David Guetta’s show in Essen, Germany.  Guetta and Hørger had been in touch for a while, and had long wanted to collaborate on a track – finally, with ‘The Freaks’, an idea was born that was musically tangible for both of them. They started sharing their ideas on it, making tweaks, sending demos back and forth, testing the record during their tours over the following months. After David’s performance at the FIFA World Cup in Doha, Qatar, they felt the track was finished and quickly found a home for it with What A DJ / Spinnin’ Records. Whilst having recently received the title of ‘Producer Of The Year’ at the BRIT Awards, David Guetta is on a hot string of club releases. He has gone from strength to strength with his underground-focused Future Rave project alongside MORTEN; the duo released their eagerly awaited Future Rave EP ‘Episode 2’ in November, which featured the powerful lead single ‘You Can’t Change Me’ with Raye. In addition, David has massively impacted the club scene with his collaboration ‘It’s Ours’ with ARTBAT and Idris Elba, his acid-fuelled remix of Sam Smith & Kim Petras’ ‘Unholy’, and a huge remix of the hit single ‘Bad Memories’ by Meduza. ‘The Freaks’ with Marten Hørger is another great addition to this impressive string of club hits. Already reaching the #1 potion on 1001 Tracklists trending chart, ‘The Freaks’ which will definitely be heard in the festival season to come. Available now on all platforms, get  your first listen to ‘The Freaks’ below!

Australian duo Teddy Cream are back in full force with a hip hop flavoured dance track that screams party. ‘Dancer’ is a collab with Atlanta’s Benji Reyes; the renowned producer who has made a name for himself flipping tunes and going viral with millions of hits across YouTube and TikTok. Lending his vocals to ‘Dancer’ is artist, rapper, and singer-songwriter Truent, whose style is inspired by chart-topping rappers such as Drake, Lil Wayne, Eminem and many more. “Dancer is one of our favourite records and collaborations with artists living over 15,000 kms away,” explain Teddy Cream. “We all have a little dancer in us and we hope this song we loved making can help people get up and get dancing, especially as it comes into spring/summer in Australia.” “I always wanted to make a dance song with some hip hop elements sprinkled in,” says Benji Reyes. “My favourite part is definitely the drop. When the hook comes in and you hear the catchy line, added with the groovy bass line, it’s hard not to want to bob your head or get up and dance.” Vocalist Truent adds, “Me and Benji have worked on previous records together and I loved how those came out, so I knew it would be easy to make another hit. Teddy Cream added their sauce and gave us that extra push to turn our demo into a hit record!” Teddy Cream is Brandon Mangion and Vincent Calderone, two lifelong friends who began producing together at 13, touring at 18, and dominating dance music not long after. In 2017, their reworks of Sonia Dada’s ‘Lover’ and Daryl Braithwaite’s hit ‘Horses’ climbed the ARIA Club Charts and Spotify Viral Chart and amassed over 4.5 million combined streams. Their 2019 release ‘Summer Jam’ has over 5 million streams and charted across Europe, with follow up singles ‘Home’ and ‘Better Now’ proving them a force to be reckoned with in the dance music landscape. Known for their high energy DJ sets, their live videos have already amassed over 6 million likes on TikTok and tens of millions more views on Facebook. Benji Reyes is a music producer/DJ from Atlanta, Georgia. He started his music career a few years ago by doing unofficial remixes of popular songs namely Drake’s ‘Hotline Bling’ and Post Malone’s ‘Congratulations’ which went viral on Vine and TikTok alike amassing millions of streams. Following on from his successful remixes he began releasing original music independently in 2018 and his first song, ‘Double Tap’ gained millions of views on YouTube. Truent is a recording artist, rapper, and singer-songwriter from Cartersville, Georgia. He started writing raps at the age of 15 and recording original songs at 18. Truent is known for his versatility, melodic style, catchy hooks, and intricate flows which culminate to the qualities of a true hit maker. A dance pop tune sprinkled with dark hip-hop elements like ‘Dancer’ is bound to make crowds go wild, and with Teddy Cream returning to the touring circuit in early 2022, dancefloors won’t know what hit them.

Multiplatinum cross-genre phenomenon, artist, producer, and DJ ILLENIUM unveils his latest single entitled “Wouldn’t Change A Thing” featuring Thirty Seconds To Mars. The song notably marks the first new music from legendary, record breaking band Thirty Seconds To Mars in three years. “Wouldn’t Change A Thing” sets the stage for the Deluxe Edition of ILLENIUM’s fourth full-length album, FALLEN EMBERS, on October 22, 2021. It will be the inaugural release under his newly minted deal with Warner Records. The single fuses ILLENIUM’s immersive and cinematic production with a heavenly and hypnotic vocal melody from Thirty Seconds To Mars frontman Jared Leto. Backed by Shannon Leto’s powerful drums, icy synths pulsate in the background before a shuddering dancefloor-ready groove takes hold. Meanwhile, Jared Leto projects the hook loud and clear, “No matter what happens, she’s a fatal attraction to me. I wouldn’t change a thing.” In the accompanying Visualizer, images of flames, rain, and sparks underline the track’s emotional intensity, bringing the words to life. For the Deluxe Edition, ILLENIUM notably reupped, reloaded, and recharged this opus with five new songs. Among the new material, Virtual Riot expands “Blame Myself” featuring Tori Kelly with a new Remix, heightening the tension and release with an unpredictable glitchy breakdown. From the frenetic bounce of “Hurt Like This” to the guitar-laden crunch of “Superhero,” ILLENIUM presents the most complete and comprehensive vision of Fallen Embers now. Tallying over 400 million streams, the original FALLEN EMBERS boasted a series of anthems, including “Nightlight” (150M global streams), “Hearts on Fire” with Dabin feat. Lights (60M global streams), “First Time” feat. iann dior (50M global streams), “Sideways” with Valerie Broussard and Nurko (25M global streams), and “Heavenly Side” with Matt Maeson (5M global streams). Impressively, his career total streams have now eclipsed 5 billion and counting. Earlier this year, ILLENIUM performed a four-set show at The Las Vegas Raiders’ Allegiant Stadium, making him the first artist to ever perform at the venue. The first three sets at the show commemorated his previous 3 albums – Ashes, Awake, and Ascend. The night ended with a final set, bringing closure to the story of the previously mentioned albums and starting a new one with Fallen Embers. Throughout the summer, he also shined at festivals such as Lollapalooza, Breakaway Music Festival, Life Is Beautiful, and more. Now, he illuminates electronic music brighter than ever with Fallen Embers Deluxe Edition and much more to come.  

Nicky Romero, MARF and Wulf’s summertime hit “Okay” receives a dancefloor-friendly remix from none other than dance music veteran Afrojack. Taking the original’s emotive vocals and gentle melodies, Afrojack turns the track on its head with a goosebump-inducing buildup and driving, rhythmic bassline that will drive crowds into a frenzy at the next festival or club night. The addition of classic big-room sounds and deep, growling bass is a testament to what has made Afrojack a fan favorite for over a decade. His sound fuses perfectly with fellow Dutch veteran Nicky Romero, making the remix of “Okay” a real treat for any dance music fan. More great remixes of “Okay” will be released on Protocol soon. It’s also worth mentioning that 2 months ago Nicky Romero remixed Afrojack & David Guetta’s hit “Hero.” After taking the world by storm with early hits such as “Legacy” with Krewella and #1 single “I Could Be The One” with Avicii, Nicky Romero quickly proved that his talent is ever-evolving and here to stay. After launching his Protocol Recordings imprint in 2012, the renowned performer, producer, and label head continued his personal successes with a string of high-profile releases, ranging from collaborations with Armin van Buuren, David Guetta, Mike Williams & Amba Shepherd, Dimitri Vegas & Like Mike, W&W, DallasK & XYLØ, Timmy Trumpet and Steve Aoki & Kiiara to remixes for the likes of Robin Schulz, Kygo, Rita Ora, Steve Aoki, Martin Garrix, Jess Glynne and more. While showcasing his label’s roster via his weekly Protocol Radio show, Nicky Romero continues to innovate and evolve during these unprecedented times in the music industry. In 2020 he launched his alter ego Monocule, which is dedicated to Nicky’s never-ending passion for darker and underground vibes. Nicky Romero keeps proving his ability to turn into gold everything he touches. Since he exploded onto the scene with his hit single “Take Over Control” with Eva Simons over a decade ago, Afrojack has become one of the most influential music names in electronic dance music today. It’s no wonder – with an impressive resume of originals and remixes as well as headlining sets at some of the world’s major clubs and festivals, he has made a massive imprint on the culture we know and love today. His career has seen gold star working with David Guetta, Timmy Trumpet, Martin Garrix, Hardwell, Sia, Chris Brown, Pitbull, Nicki Minaj, Beyonce, Madonna, Lady Gaga, Dimitri Vegas & Like Mike, Steve Aoki, Ty Dolla $ign, Luis Fonsi, and Rae Sremmurd among others. He also serves as the head of his own record label Wall Recordings and is a constant fixture as the Top 10 of DJ Mag’s annual Top 100 DJs poll. Out now via Beatport and all popular streaming platforms, get your first listen to Afrojack’s remix of “Okay” below! Article photo by Rukes

After teaming up with Swedish DJ and producer Alesso on ‘Leave A Little Love’, five-time #1 DJ in the world Armin van Buuren is set to turn heads with his next high-magnitude collab. Together with Australian, award-winning, multi-platinum-selling recording artist Timmy Trumpet, the Dutchman is delivering a tequila-flavoured, Ibiza-tailored smash that makes your heart go like crazy… just like ‘Anita’. Unlikely collaborations produce stunning results more often than not, and Armin van Buuren and Timmy Trumpet first-ever creative get-together is a testament to that. From the colourful intro and catchy vocals to Timmy Trumpet’s infectious trademark trumpets and Armin van Buuren’s devastating drops, ‘Anita’ is one of the most playful and impactful anthems you’ll be hearing this decade. “I’ve long been a big fan of Timmy’s work”, Armin van Buuren says. “His trumpet performances brought something fresh to the scene, and I always love to see that kind of creativity, especially when you mix in those energetic dance moves. I loved working together with him on this track and I can’t wait to play it live during a sunny festival day somewhere soon. That way, everyone can party like ‘Anita’!  “I love collaborating with artists and Armin is an inspiration, someone I’ve looked up to since the very beginning”, Timmy Trumpet adds. “To be finally working with him on a release of our own is surreal! This is a really fun record and I’m very happy we were able to capture the energy we both bring to the table. Can’t wait to play this one live!” Armin van Buuren was voted the #1 DJ in the world for an unprecedented five times. He has ranked in the Top 100 of U.K. magazine DJ Mag for twenty years in a row now with nineteen consecutive top 10 spots, has seven full-length artist albums to his name and recently hit the incredible milestone of 1000 episodes with his A State Of Trance radio show, through which he reaches 40 million listeners from 80 different countries on a weekly basis. In non-COVID times, Armin van Buuren headlined more than 150 shows per year at leading festivals and venues around the world, including Electric Daisy Carnival (Las Vegas, New York), Ultra Music Festival (Miami) and Tomorrowland (Belgium) plus residencies on Ibiza and in Las Vegas. DJ, producer and live instrumentalist, Timmy Trumpet is undoubtedly one of the most explosive performers in the music scene. His impressive catalogue, including his breakout single ‘Freaks’, has reigned in more than 2 billion streams. Last year was gigantic for Timmy. In April, Timmy livestreamed from his Sydney apartment for the very first time, clocking over 7 million views and becoming one of the most watched electronic performances of the year. In the same month, Timmy released ‘Diamonds’ accompanied by the world’s first music video to be entirely shot and directed in isolation, later going on to win awards at various international film festivals. Currently ranked #10 in the DJ Mag Top 100, Timmy’s debut artist album ‘Mad World’ recently surpassed 200 million streams in its first 9 months of release. Out now on all popular streaming platforms, get your first listen of ‘Anita’ by Armin van Buuren and Timmy Trumpet below!  

Kevin Silvester and JVCQUI Come Together For Their Huge Pop Release ‘Be The One’. Melbourne-based dance-pop artist Kevin Silvester returns with a new heart-wrenching single ‘Be The One’. The fourth single from Silvester’s upcoming debut album “Sleepwalker” is a collaboration with fellow Melbourne-based Pop and R&B singer/songwriter JVCQUI. The song is accompanied by a laceratingly emotional music video that tells the story of a toxic relationship through dramatic neon-metropolitan visuals. This song integrates multiple genres to express the core emotions of hatred and longing. Silvester enchants and lures you into a forest of melodies, only to cast you into an electric confrontation of vocals matched with a punchy bass line and a triplet-swing drum beat. The ethereal vocal performance by JVCQUI displays her longing and highlights the back and forth between Silvester and herself, painting the picture of a couple fighting, leaving listeners with empathy for JVCQUI as she pleads for validation. In July 2021, the song was born from a conversation between the two: they became friends after chatting about kinks at a local RSL. Written right before Melbourne’s lockdown, the finishing touches were completed over a phone call. Listeners are treated to an explosive chorus of gang vocals by the pair imitating signature celebrity voices – Britney Spears, Olivia Rodrigo and Momo from TWICE.

Today, iconic Sydney duo Flight Facilities return to share a two-track EP, Lost Forever available now via Future Classic. As a pseudo-epilogue to their sophomore album FOREVER, both tracks represent the duo’s journey 12 months since its release. Having eclipsed the nation with their headline tour, alongside executing their own mammoth festival juggernaut, Airfields, that saw some of the brightest local and international acts perform to an open-air crowd, Hugo Gruzman and Jimmy Lyell now reveal and celebrate some of their favourite unreleased moments from the FOREVER era. First debuted during the duo’s pre-album NEVER FOREVER livestream, “Feel It” is a historic house heater starring a ceremonious arrangement of Flight Facilities synths that are warm, airy and arresting in unity. The coolly transposed beat and sampled vocals direct a clubbier mood before Owl Eyes delivers a melody of haunting beauty. The accompanying visualiser from Babekuhl pastiches a transfixing array of grainy 70s film footage of a child and his family. Flight Facilities fans will recognise that second track, “Planet Claire” has become a mainstay in the duo’s dynamic live shows. A dedication to an electronic great in their eyes, Booka Shade, the journeyed song is punctuated by evolving jabs of modular synths and analog rhythms. Layered with delicate and infectious complexity, the track receives a fitting visualiser from Babekuhl. Laced with neon green FF logos, a fast-moving rotation of shapes in kaleidoscopic form becomes hypnotic. Flight Facilities say on Lost Forever: “It’s already been 12 months since we released our last album. Several tracks were left on the cutting room floor of FOREVER, but it felt wrong to leave them unreleased. ‘Planet Claire’ has formed an integral part of our live show in the past 6-12 months, and it’s our little homage to a favourite artist, Booka Shade. ‘Feel It’ was one of the first demo’s we wrote after Down To Earth. We’ve sat on it for years, constantly updating and picking at it, eventually adding vocals from Owl Eyes. There’s a certain magic in this tune that captures the nostalgia of us messing around in the studio together.” Flight Facilities’ second studio album, FOREVER is the culminating result of many years of experimentation between the Sydney pair. Starring a string of 2021 releases, including “Lights Up” feat. Channel Tres, “Move” feat. DRAMA, club-ready cut “The Ghost”, and “Forever” feat. Broods, the record received praise and recognition from GQ, Rolling Stone, 10 Magazine, before being named Spotlight Album by triple j. The pair soon after hit the road for their FOREVER national tour, showcasing the record in the Australian live arena before travelling to America for an epic run of dates. Never to slow down, the pair next made their way to Europe for a series of dates and appearances across the summer season. Having come a long way from their 2010 singles “Crave You” feat. Giselle Rosselli and “Foreign Language”, Flight Facilities have sold more than 150,000 tickets and accumulated over a billion streams globally, and scored three ARIA nominations and gold certification for their debut album Down To Earth in 2014. The pair have seen eight Hottest 100 placings, an ARIA-Award for their 2015 live album Live With The Melbourne Symphony Orchestra, and enduring appreciation for consistently defying sonic trends in their feel-good, dance floor beckoning tunes that have seen them collaborate with superstars and blazing up-and-comers alike, including Aloe Blacc, Kylie Minogue and Reggie Watts. Consistently smashing goals, the pair featured in Apple’s iPhone 13 announcement advertisement with “Lights Up”. On the live stage, Flight Facilities have gained notoriety for bringing together the crowds of Coachella, Japan’s Fuji Rock, the UK’s Bestival, Sydney’s Field Day, and 2019’s Australian Open among many more. As Flight Facilities reflect on an incredible past 12 months, dive into the finale of their sophomore album with the duo’s Lost Forever EP, out now via Future Classic. LOST FOREVER EP TRACKLIST 1. Feel It 2. Planet Claire FLIGHT FACILITIES TOUR DATES 26 November – Wine Machine – Perth, WA 17 December  – Wine Machine – Adelaide, SA 30 December – Beyond the Valley – VIC 31 December – NYE in the Park – Sydney, NSW 14 January – Wine Machine – Hobart, TAS (DJ set)

Grammy Award winning musician Elderbrook has today unveiled details of his forthcoming album “Little Love”, as well as sharing his new single “Beautiful Morning”. Combining flickering synths, poignant breakdowns and powerful lyrics that capture the feeling of love in its purest form, “Beautiful Morning” evokes the kind of awe-inspiring sunsets that the track title alludes to. It follows on from “Howl”, a euphoric recent single in collaboration with fellow Grammy winner Tourist. Elderbrook will also be embarking on a mammoth headline tour next year, including Australian tour dates in Sydney and Melbourne in January. “Beautiful Morning” is simply about two people spending time together,” Elderbrook explains. “A day where nothing matters other than each other. When I first wrote the song I had pictured it being two people in love. Between now and then the song has definitely taken on multiple meanings for me. It now reminds me of early mornings with my children. The quiet of 4am wake ups and the calmness of knowing we are the only ones in (what feels like) the world.” A live phenomenon, self-taught multi-instrumentalist, producer and singer-songwriter, Elderbrook is known for his collaborations with some of the biggest names in dance music, including Diplo, Camelphat, Black Coffee, Bob Moses, The Martinez Brothers and Carnage. Meanwhile his acclaimed debut album “Why Do We Shake In The Cold?” included sleeper hits “Numb” and “Something About You”, and his most recent EP “Innerlight” included a collaboration with Bob Moses and the resultant tour saw him sell out shows all over the world.  With over 1 billion streams to date, and tours alongside the likes of Friendly Fires, Jungle, Rufus Du Sol and Odesza, Elderbrook is only just getting started. The release of “Beautiful Morning” and the announcement of “Little Love” marks the start of an exciting new chapter in the story of an electronic artist who continues to grow. ELDERBROOK AUSTRALIA TOUR DATES Thursday 12 Jan 2023 – 170 Russell, Melbourne VIC Friday 13 Jan 2023 – Metro Theatre, Sydney NSW Tickets on sale now via Secret Sounds  

Today, triple-platinum Sydney-born, now LA-based producer Hayden James shares his newest single, “Good Life” featuring Emie out via Future Classic. A piano house record purpose-built to elevate, “Good Life” is a prescription for chasing away bad moods. Written alongside Nathan Nicholson (Kygo, Gryffin, Calum Scott, Claptone), the track also features a standout vocal performance from London-based single Emie. Soft claps dab between synth jabs and a driving kick in pure harmony. A heightened pre-chorus starring Emie’s ethereal vocals builds to a euphoric breakdown of irresistible house, ready to melt down your worries. Hayden says of the release: “It’s all about being present in the moment and allowing that positive force in your life to lift you up when you’re feeling down. Nathan, Emie and I wrote this record in the summer this year over a couple of zoom sessions from Nashville to London then finished the track off in Ibiza for the summer vibes. I hope you love it. This one feels special.” “Good Life” lands in the wake of Hayden James’ Australian tour, a six-date run celebrating the arrival of his applauded sophomore album LIFTED earlier this year. Supported by Boo Seeka and Memphis LK, Hayden performed to illustrious arena and auditorium-sized venues across the country throughout August and September, delivering his high energy, high emotion live show. After delivering on some of his largest performances to dates, including a packed-out bucket list Coachella set, Hayden James now continues his career legacy by relocating to the US. He spends the next few months meeting his new neighbours at packed shows across America throughout October and November, before a brief return to Australia for a tour with Spilt Milk festival. Hayden’s sophomore album, LIFTED infused the same emotion of his applauded live shows into every moment, fueled by a desire to create an energetic and uplifting collection that could help bring people together, and deliver a slice of joy to his fans after much time spent apart over the past few years. The record enlisted a slew of special guests including Elderbrook, Boo Seeka, Jem Cooke, SIDEPIECE, YAEGER and Cassian, as Hayden expended rippling energy via lush production, vocal textures and consistently addictive dance cuts. Representing hours of collaboration, emotion, and an expansion of his enduring legacy in dance music, LIFTED received national praise from tastemakers and community radio, alongside being awarded triple j’s Feature Album on release, with tracks from the album accumulating over 36 million streams since release. Since breaking out in 2013 with “Permission to Love” and going on to release revered platinum certified hits “Numb” feat. GRAACE, and “Just Friends”, the producer has continued to be at the forefront of the Australian house music scene, carrying on his run of hits with his ARIA-nominated debut album Between Us in 2019 which sits at over half a billion collective streams. His production mastery on tracks like “Waves of Gold” feat. Azteck as well as “Right Time” with Icona Pop has also landed in the international spotlight, receiving love from Zane Lowe on Beats 1, triple j, as well as Rolling Stone, Pitchfork, NME and many more. In the live arena, Hayden has enjoyed success touring across the globe, hitting major venues including NY’s Webster Hall, LA’s Fonda Theatre, Amsterdam’s Paradiso, as well as lighting up national tours and festivals, including Melbourne’s Beyond The City and Sydney’s 2022 Field Day.  From one of Australia’s dance heavyweights, sink into the soul warming groove of “Good Life” from Hayden James today, as he continues to lift us all with his unique brand of emotion-fuelled house.

Today, two-time Grammy-nominated producer and globally renowned artist, Steve Aoki, unites with one of the most exciting artists in the Mexican urban music scene, Santa Fe Klan, and featuring top-charting Mexican artist and rapper, Snow Tha Product, for the release of his latest song, ‘Ultimate,’ via Aoki’s Dim Mak Records. The song and its official music video are available to stream on all digital platforms today. With ‘Ultimate,’ Aoki shows off his masterful versatility as a global artist, giving his audience around the world a different sense of his musical dexterity. A seamless tropical fusion intertwining with a trap-heavy beat, the esteemed producer experiments a new sound that pairs perfectly with the vibe and force of Santa Fe Klan’s wordplay while meshing Snow’s signature flow and dynamic vocalization. Carefully curating and maintaining the essence of all artists in this certified hit, Steve Aoki brought to life the ultimate banger. “On HiROQUEST: Genesis, I knew I wanted to highlight the global sounds that continue to inspire me – ’Ultimate’ is the perfect fusion of rap, cumbia and reggaeton rhythms. It’s become a staple in my shows this summer, lighting up clubs around the world. Santa Fe Klan and Snow Tha Product were both incredible to work with and made this a legendary one turning it into the Ultimate,” shared Steve Aoki.  “This is very different from the music my fans generally get to hear from me and I was really excited to tap into the electronic scene with none other than the best of the best, Steve Aoki. I had a great time creating the song and recording the video alongside Steve and Snow and I’m excited to finally share it with the world,” commented Santa Fe Klan. “Very excited to work with two legends, Steve Aoki and Santa Fe Klan, honored to be on such an awesome fusion of sounds,” said Snow Tha Product.  Uniting two of the strongest and most unique forces in this exhilarating anthem, the video effortlessly captures the energy and feel of the song. Entering the scene of a lively house party, ‘Ultimate’ sees Santa Fe Klan immediately indulge into his potent verses surrounded by vibrant socialites. Taking a turn and making his presence known, the video showcases Steve’s ability to be the life of the party as he joins the celebration while Snow Tha Product dominates the scene as she performs through her verses. The video was produced by Maliik Morales and directed by Mariah Morgenstern, New Royalty Films. ‘Ultimate’ follows in the footsteps of Aoki’s latest release ‘Kong 2.0’ alongside Natanael Cano. A follow up to their previous ‘Nataaoki’ off of Cano’s album NataKong, ‘Kong 2.0’ sees Steve fuse catchy rhymes with a mesmerizing melody that quickly kicks up the energy in this Latin dance hit. When mixed with Aoki’s musical acumen, Cano’s powerful yet effortless corridos vocals provide a new layer of excitement and nuance to the song. Last month, the visionary producer and artist also teamed up with English singer-songwriter HRVY for their song ‘Save Me,’ as well as the manically furious and guitar heavy track ‘KULT’ with grandson and Jasiah. Earlier this year, Aoki launched A0K1VERSE, a new ecosystem bridging real-world experiences with web 2.0 and web3, continuing to pave a path towards the future as one of the top leading innovators in the NFT space. Currently, Steve Aoki is putting the final touches on the highly anticipated release of his upcoming album, slated for release in the upcoming months.