Jake Carmody teams up with Savoi for crisp new track ‘Alone’

Deadmau5 is set to release ‘We Are Friends 11’ compilation, featuring a new single from the artist himself. The compilation has been highly anticipated, following the release of ‘XYZ’ in the latter half of last year. Deadmau5, known for leading the mau5trap label, has worked with SHOTTY HORROH in the past to incorporate hip hop elements into his music. In his latest release, he teams up with YTCracker on a new single. “YTCracker is a formerly notorious computer hacker who stopped hacking everyone’s gibson and started rapping about it instead. Recognized as a forefather of the ‘nerdcore’ genre[…]” – deadmau5 The new collaboration with YTCracker exhibits many of the same sonic and rhythmic elements as deadmau5’s past work with SHOTTY, while also maintaining the unique, nerdy style that fans have come to adore. Deadmau5, whose real name is Joel Thomas Zimmerman, is a Canadian musician and producer known for creating a range of electronic music within the progressive house genre and beyond. The highly anticipated ‘We Are Friends 11’ compilation album arrives later this year. Keep an eye out for more information on the release date and track list. In the meantime, be sure to follow deadmau5 on social media to stay updated on all the latest news and releases. We can’t wait to hear what’s in store on this new album.

Maya Jane Coles releases the next project under her Nocturnal Sunshine alias, joining forces with mysterious rapper CHA$EY JON£S on brand-new EP ‘LDN’, out now. Growing up in west London in the mid-00s, much of Maya’s influences were within the rap and hip-hop worlds, something reflected in this latest EP, ‘LDN’ which offers fans a rarely-seen glimpse into what Maya might sound like if she hadn’t pursued a career in electronic music. Under the Nocturnal Sunshine moniker, Maya explores grittier musical themes and on ‘LDN’ has teamed up with rapper, actor (Top Boy, I May Destroy You), and childhood friend CHA$EY JON£S, to redress the balance. Having originally made music together while at school in London, ‘LDN’ represents a full circle moment for both artists. The pair previously connected on the 2019 Nocturnal Sunshine album Full Circle, on tracks such as ‘Fuck Fame’, ‘Dash’ and ‘Bandit’. A five-track release, ‘LDN’ is a slick, downbeat hip-hop record. Kicking things off, the title track immediately sets the tone, pairing smooth production with even smoother bars courtesy of Cha$ey. Continuing with this energy is ‘No Smoke’, while ‘Really Really’ brings darker, menacing energy. ‘Tralalala’ is the most maximalist track on the EP, before ‘CHA$EY’ ensures things close out on a memorable note. “It feels amazing to finally be able to share this EP with you all,” says Maya. “The Nocturnal Sunshine x CHA$EY JON£S project is something very close to my heart. I was producing hip-hop years before I ever got into electronic/club music, it was my first musical love. Not only that but Cha$ey and I used to make music together when we were 15 and we even started a rap duo back then. Years later, to be making music again with one of my best mates feels like magic. ‘LDN’ is a collection of the first tracks we made when we started working together again. We’ve been working on so much material and this is only the beginning of what’s to come.” It’s been more than ten years since British-Japanese artist Maya Jane Coles unleashed the modern house classic ‘What They Say’. She has since shifted the focus towards her Nocturnal Sunshine project, collaborating with the likes of Peaches, Miss Kittin and Young M.A. among others. Maya Jane Coles demonstrates her versatility as an artist with this slick collaborative EP released under her Nocturnal Sunshine alias.

After a whirlwind fourteen years in the dance music industry, famed Festival Trap founder Carnage has announced his retirement at the age of 31. Carnage’s groundbreaking work in the early 2010s helped usher in a new genre called “festival trap,” a thunderous, 808-heavy twist on the saturated electro music that dominated festivals at the time. Buoyed by a thriving SoundCloud community, festival trap quickly became a movement—and Carnage was its vanguard. While dance music was his primary focus, Carnage’s brushstroke painted a far more colorful mosaic in the music community. He operated as a prolific hip-hop producer, collaborating with a myriad of the world’s top rappers, such as Mac Miller, Migos, Rick Ross, Wiz Khalifa, Young Thug and Meek Mill, among many others. Lunar Electric is set to host the final two performances from Carnage after he announced his farewell to the dance music community earlier this month. Lunar Electric will take place in Parramatta Park in Sydney on June 4, followed by Doug Jennings Park on the Gold Coast on June 11, 2022. Also on the bill with Carnage’s history-making set is a heart-thumping lineup featuring the likes of Pendulum, Darude, Sunset Bros, Tigerlily, Enschway, Dimatik, Hooligan Hefs and many more. Thank You pic.twitter.com/RYkF5tiwT5— GORDO (@djcarnage) May 5, 2022 Lunar Electric 2022 Festival Dates Saturday June 4 – Parramatta Park, Sydney NSW Saturday June 11 – Doug Jennings Park, Gold Coast QLD Tickets – secure your tickets online here. DJ Carnage · BRICKS (feat. Migos) [Original] DJ Carnage · Hardwell – Spaceman (Carnage Festival Trap Remix) DJ Carnage · Carnage – WDYW Feat. Lil Uzi Vert, A$AP Ferg, Rich The Kid ZB the local boy · 7. Carnage – Break The Fucking Walls Down (BTFWD) Feat. Junkie Kid

Australia’s rising star Moss returns with a heavy-hitting follow up to ‘SABRE TEETH’, releasing ‘SPEED DIAL (feat. BRIA)’ via October Records. After making a splash with his triple j Unearthed DIY Supergroup winning track, Moss picks up where ‘SABRE TEETH (feat. Genesis Owusu)’ left off, introducing the single with subtle didgeridoo vibrations before the foot is pressed down on the sonic gas pedal. The Indigenous producer’s aptitude for utilising dynamic drums and powerful bass to evoke atmospheric and emotive narratives is on full display. He teams with Brisbane-based up-and-coming singer/songwriter BRIA who’s pertinent vocals centred around the uncertainty and instability of online dating, provide the perfect hook. Moss discusses the single and the direction of his sound saying, “I’ve teamed up on this record with powerhouse singer/ songwriter BRIA and we’ve built something very special. SPEED DIAL is the sonic infusion of the ups and downs of online dating – especially when they don’t text back. This single represents a development of my sound and I can’t wait for you to hear it. All gas, no brakes.” On the narrative behind the record, BRIA said, “The idea for SPEED DIAL came out of the 2020 Brisbane COVID lockdown. After everyone was exclusively online dating, I found hookup culture was more present than ever. Moss’ dramatic production was the perfect accompaniment for my narrator’s situationship.” Brisbane talent BRIA, who amassed a sizable online following across TikTok and Instagram, recently released her debut single ‘Taking It Off’. The track has seen airplay on triple j and acclaim from Declan Byrne, Tommy Faith, Abby Butler, and Dave Ruby Howe on triple j Unearthed. Embracing femininity and sensuality within her craft, she takes influences from the likes of Charli XCX, Lorde, and Caroline Polachek. Sydney-based producer, Moss rose to prominence earlier this year after taking out the triple j Unearthed DIY Supergroup competition, with his release ‘SABRE TEETH’, before announcing his signing to October Records. Sampling the likes of Alison Wonderland, Touch Sensitive, San Cisco, Vallis Alps, and Genesis Owusu, the latter of which jumped on as a feature artist, Moss crafted a very Australian moment, yet it was his iconic didgeridoo bass drop that impressed triple j presenters and listeners alike. The track went on to become one of the most played on the station, with Moss appearing on triple j’s Friday Mix, and Mix Up as part of NAIDOC week, while the single’s momentum carried it to the top of the Australian Shazam Chart. While ‘SABRE TEETH’ showcased Moss’ talent to a wider audience, the bass producer has been honing his craft with singles such as ‘From The Start’ and ‘Shimmer’ both of which premiered on triple j and rose the triple j Unearthed Electronic charts. Having already played alongside some of the heaviest hitters in the industry – Skrillex, RL Grime, Flosstradamus, Marshmello, just to name a few – Moss has positioned himself as a producer capable of rubbing shoulders with some of the world’s best.

Fresh off being crowned champion of triple j Unearthed’s 2021 DIY Supergroup, Brisbane-based, Indigenous producer Moss officially releases ‘SABRE TEETH (feat. Genesis Owusu)’ and announces his signing to October Records. Impressing peers alike, the highly anticipated release captured the attention of the triple j audience from the first listen, with Genesis Owusu coming on board as an official feature artist. The bass-heavy single utilises samples from Touch Sensitive, San Cisco, Vallis Alps, Alison Wonderland, and the hard-hitting intensive vocals of Genesis Owusu, combining them with intensive breakdowns and a distinctive didgeridoo-infused bass drop. Moss elevates the defiant raps of Genesis Owusu, leaning into his Indigenous heritage for a dramatic production that finds its home on October Records. On the response to ‘SABRE TEETH’, Moss said, “The response to SABRE TEETH so far has been mind blowing. From the triple j text line to Instagram comments, everyone has shown such love for the track. Genesis Owusu’s vocals hit with such a powerful message and I wanted to connect that with my Indigenous heritage. I’m so glad everyone who’s listening is also connecting with that too.” Moss has combined his flair for emotive production and his passion for storytelling with the release of ‘SABRE TEETH’’, which received critical acclaim among many in the industry. triple j Breakfast presenter Ebony Boadu said, “This is easily the sickest drop I’ve heard this year.” While the upload on Unearthed received high praise from the likes of Lucy Smith, Dave Ruby Howe, Declan Byrne, and many more. The track has quickly become one of the most played on the station, while also receiving online support from the likes of NME and The Music Network. Beyond ‘Sabre Teeth’ his debut single ‘Lullabye’ surpassed 200,000 streams in its first month, following up with ‘idek’ which was supported by some of the industry’s finest including Marshmello, Yellow Claw, Jauz, Ghastly, and Zeds Dead among others. His recent discography in the form of ‘From The Start (feat. Kember Gold)’ and ‘Shimmer’ both received airplay on triple j, and also made their way to the top of the triple j Unearthed Electronic charts. In a few short years, Moss has already played alongside some of the world’s biggest artists that have had a great impact on Moss’ own artistry, the likes of Skrillex, RL Grime, Flosstradamus, Baauer, and Nero. Moss is far from an overnight success, but if this short warm-up is anything to go by, Moss’ name will be embedded on the world’s stage in years to come. Moss releases ‘SABRE TEETH (feat. Genesis Owusu)’ via October Records.  

Musical trailblazer and an international icon David Guetta teams up with Marten Hørger, one of the leading forces in the global Bass House movement to release their new single, ‘The Freaks’, a powerful future rave track complete with low-pitched, distorted vocals, and gigantic builds perfect for the dancefloor and beyond. In early September 2022, Hørger tested the first demo of ‘The Freaks‘ at Burning Man. The following day, he performed it at David Guetta’s show in Essen, Germany.  Guetta and Hørger had been in touch for a while, and had long wanted to collaborate on a track – finally, with ‘The Freaks’, an idea was born that was musically tangible for both of them. They started sharing their ideas on it, making tweaks, sending demos back and forth, testing the record during their tours over the following months. After David’s performance at the FIFA World Cup in Doha, Qatar, they felt the track was finished and quickly found a home for it with What A DJ / Spinnin’ Records. Whilst having recently received the title of ‘Producer Of The Year’ at the BRIT Awards, David Guetta is on a hot string of club releases. He has gone from strength to strength with his underground-focused Future Rave project alongside MORTEN; the duo released their eagerly awaited Future Rave EP ‘Episode 2’ in November, which featured the powerful lead single ‘You Can’t Change Me’ with Raye. In addition, David has massively impacted the club scene with his collaboration ‘It’s Ours’ with ARTBAT and Idris Elba, his acid-fuelled remix of Sam Smith & Kim Petras’ ‘Unholy’, and a huge remix of the hit single ‘Bad Memories’ by Meduza. ‘The Freaks’ with Marten Hørger is another great addition to this impressive string of club hits. Already reaching the #1 potion on 1001 Tracklists trending chart, ‘The Freaks’ which will definitely be heard in the festival season to come. Available now on all platforms, get  your first listen to ‘The Freaks’ below!

Australian duo Teddy Cream are back in full force with a hip hop flavoured dance track that screams party. ‘Dancer’ is a collab with Atlanta’s Benji Reyes; the renowned producer who has made a name for himself flipping tunes and going viral with millions of hits across YouTube and TikTok. Lending his vocals to ‘Dancer’ is artist, rapper, and singer-songwriter Truent, whose style is inspired by chart-topping rappers such as Drake, Lil Wayne, Eminem and many more. “Dancer is one of our favourite records and collaborations with artists living over 15,000 kms away,” explain Teddy Cream. “We all have a little dancer in us and we hope this song we loved making can help people get up and get dancing, especially as it comes into spring/summer in Australia.” “I always wanted to make a dance song with some hip hop elements sprinkled in,” says Benji Reyes. “My favourite part is definitely the drop. When the hook comes in and you hear the catchy line, added with the groovy bass line, it’s hard not to want to bob your head or get up and dance.” Vocalist Truent adds, “Me and Benji have worked on previous records together and I loved how those came out, so I knew it would be easy to make another hit. Teddy Cream added their sauce and gave us that extra push to turn our demo into a hit record!” Teddy Cream is Brandon Mangion and Vincent Calderone, two lifelong friends who began producing together at 13, touring at 18, and dominating dance music not long after. In 2017, their reworks of Sonia Dada’s ‘Lover’ and Daryl Braithwaite’s hit ‘Horses’ climbed the ARIA Club Charts and Spotify Viral Chart and amassed over 4.5 million combined streams. Their 2019 release ‘Summer Jam’ has over 5 million streams and charted across Europe, with follow up singles ‘Home’ and ‘Better Now’ proving them a force to be reckoned with in the dance music landscape. Known for their high energy DJ sets, their live videos have already amassed over 6 million likes on TikTok and tens of millions more views on Facebook. Benji Reyes is a music producer/DJ from Atlanta, Georgia. He started his music career a few years ago by doing unofficial remixes of popular songs namely Drake’s ‘Hotline Bling’ and Post Malone’s ‘Congratulations’ which went viral on Vine and TikTok alike amassing millions of streams. Following on from his successful remixes he began releasing original music independently in 2018 and his first song, ‘Double Tap’ gained millions of views on YouTube. Truent is a recording artist, rapper, and singer-songwriter from Cartersville, Georgia. He started writing raps at the age of 15 and recording original songs at 18. Truent is known for his versatility, melodic style, catchy hooks, and intricate flows which culminate to the qualities of a true hit maker. A dance pop tune sprinkled with dark hip-hop elements like ‘Dancer’ is bound to make crowds go wild, and with Teddy Cream returning to the touring circuit in early 2022, dancefloors won’t know what hit them.

Multiplatinum cross-genre phenomenon, artist, producer, and DJ ILLENIUM unveils his latest single entitled “Wouldn’t Change A Thing” featuring Thirty Seconds To Mars. The song notably marks the first new music from legendary, record breaking band Thirty Seconds To Mars in three years. “Wouldn’t Change A Thing” sets the stage for the Deluxe Edition of ILLENIUM’s fourth full-length album, FALLEN EMBERS, on October 22, 2021. It will be the inaugural release under his newly minted deal with Warner Records. The single fuses ILLENIUM’s immersive and cinematic production with a heavenly and hypnotic vocal melody from Thirty Seconds To Mars frontman Jared Leto. Backed by Shannon Leto’s powerful drums, icy synths pulsate in the background before a shuddering dancefloor-ready groove takes hold. Meanwhile, Jared Leto projects the hook loud and clear, “No matter what happens, she’s a fatal attraction to me. I wouldn’t change a thing.” In the accompanying Visualizer, images of flames, rain, and sparks underline the track’s emotional intensity, bringing the words to life. For the Deluxe Edition, ILLENIUM notably reupped, reloaded, and recharged this opus with five new songs. Among the new material, Virtual Riot expands “Blame Myself” featuring Tori Kelly with a new Remix, heightening the tension and release with an unpredictable glitchy breakdown. From the frenetic bounce of “Hurt Like This” to the guitar-laden crunch of “Superhero,” ILLENIUM presents the most complete and comprehensive vision of Fallen Embers now. Tallying over 400 million streams, the original FALLEN EMBERS boasted a series of anthems, including “Nightlight” (150M global streams), “Hearts on Fire” with Dabin feat. Lights (60M global streams), “First Time” feat. iann dior (50M global streams), “Sideways” with Valerie Broussard and Nurko (25M global streams), and “Heavenly Side” with Matt Maeson (5M global streams). Impressively, his career total streams have now eclipsed 5 billion and counting. Earlier this year, ILLENIUM performed a four-set show at The Las Vegas Raiders’ Allegiant Stadium, making him the first artist to ever perform at the venue. The first three sets at the show commemorated his previous 3 albums – Ashes, Awake, and Ascend. The night ended with a final set, bringing closure to the story of the previously mentioned albums and starting a new one with Fallen Embers. Throughout the summer, he also shined at festivals such as Lollapalooza, Breakaway Music Festival, Life Is Beautiful, and more. Now, he illuminates electronic music brighter than ever with Fallen Embers Deluxe Edition and much more to come.  

Nicky Romero, MARF and Wulf’s summertime hit “Okay” receives a dancefloor-friendly remix from none other than dance music veteran Afrojack. Taking the original’s emotive vocals and gentle melodies, Afrojack turns the track on its head with a goosebump-inducing buildup and driving, rhythmic bassline that will drive crowds into a frenzy at the next festival or club night. The addition of classic big-room sounds and deep, growling bass is a testament to what has made Afrojack a fan favorite for over a decade. His sound fuses perfectly with fellow Dutch veteran Nicky Romero, making the remix of “Okay” a real treat for any dance music fan. More great remixes of “Okay” will be released on Protocol soon. It’s also worth mentioning that 2 months ago Nicky Romero remixed Afrojack & David Guetta’s hit “Hero.” After taking the world by storm with early hits such as “Legacy” with Krewella and #1 single “I Could Be The One” with Avicii, Nicky Romero quickly proved that his talent is ever-evolving and here to stay. After launching his Protocol Recordings imprint in 2012, the renowned performer, producer, and label head continued his personal successes with a string of high-profile releases, ranging from collaborations with Armin van Buuren, David Guetta, Mike Williams & Amba Shepherd, Dimitri Vegas & Like Mike, W&W, DallasK & XYLØ, Timmy Trumpet and Steve Aoki & Kiiara to remixes for the likes of Robin Schulz, Kygo, Rita Ora, Steve Aoki, Martin Garrix, Jess Glynne and more. While showcasing his label’s roster via his weekly Protocol Radio show, Nicky Romero continues to innovate and evolve during these unprecedented times in the music industry. In 2020 he launched his alter ego Monocule, which is dedicated to Nicky’s never-ending passion for darker and underground vibes. Nicky Romero keeps proving his ability to turn into gold everything he touches. Since he exploded onto the scene with his hit single “Take Over Control” with Eva Simons over a decade ago, Afrojack has become one of the most influential music names in electronic dance music today. It’s no wonder – with an impressive resume of originals and remixes as well as headlining sets at some of the world’s major clubs and festivals, he has made a massive imprint on the culture we know and love today. His career has seen gold star working with David Guetta, Timmy Trumpet, Martin Garrix, Hardwell, Sia, Chris Brown, Pitbull, Nicki Minaj, Beyonce, Madonna, Lady Gaga, Dimitri Vegas & Like Mike, Steve Aoki, Ty Dolla $ign, Luis Fonsi, and Rae Sremmurd among others. He also serves as the head of his own record label Wall Recordings and is a constant fixture as the Top 10 of DJ Mag’s annual Top 100 DJs poll. Out now via Beatport and all popular streaming platforms, get your first listen to Afrojack’s remix of “Okay” below! Article photo by Rukes

After teaming up with Swedish DJ and producer Alesso on ‘Leave A Little Love’, five-time #1 DJ in the world Armin van Buuren is set to turn heads with his next high-magnitude collab. Together with Australian, award-winning, multi-platinum-selling recording artist Timmy Trumpet, the Dutchman is delivering a tequila-flavoured, Ibiza-tailored smash that makes your heart go like crazy… just like ‘Anita’. Unlikely collaborations produce stunning results more often than not, and Armin van Buuren and Timmy Trumpet first-ever creative get-together is a testament to that. From the colourful intro and catchy vocals to Timmy Trumpet’s infectious trademark trumpets and Armin van Buuren’s devastating drops, ‘Anita’ is one of the most playful and impactful anthems you’ll be hearing this decade. “I’ve long been a big fan of Timmy’s work”, Armin van Buuren says. “His trumpet performances brought something fresh to the scene, and I always love to see that kind of creativity, especially when you mix in those energetic dance moves. I loved working together with him on this track and I can’t wait to play it live during a sunny festival day somewhere soon. That way, everyone can party like ‘Anita’!  “I love collaborating with artists and Armin is an inspiration, someone I’ve looked up to since the very beginning”, Timmy Trumpet adds. “To be finally working with him on a release of our own is surreal! This is a really fun record and I’m very happy we were able to capture the energy we both bring to the table. Can’t wait to play this one live!” Armin van Buuren was voted the #1 DJ in the world for an unprecedented five times. He has ranked in the Top 100 of U.K. magazine DJ Mag for twenty years in a row now with nineteen consecutive top 10 spots, has seven full-length artist albums to his name and recently hit the incredible milestone of 1000 episodes with his A State Of Trance radio show, through which he reaches 40 million listeners from 80 different countries on a weekly basis. In non-COVID times, Armin van Buuren headlined more than 150 shows per year at leading festivals and venues around the world, including Electric Daisy Carnival (Las Vegas, New York), Ultra Music Festival (Miami) and Tomorrowland (Belgium) plus residencies on Ibiza and in Las Vegas. DJ, producer and live instrumentalist, Timmy Trumpet is undoubtedly one of the most explosive performers in the music scene. His impressive catalogue, including his breakout single ‘Freaks’, has reigned in more than 2 billion streams. Last year was gigantic for Timmy. In April, Timmy livestreamed from his Sydney apartment for the very first time, clocking over 7 million views and becoming one of the most watched electronic performances of the year. In the same month, Timmy released ‘Diamonds’ accompanied by the world’s first music video to be entirely shot and directed in isolation, later going on to win awards at various international film festivals. Currently ranked #10 in the DJ Mag Top 100, Timmy’s debut artist album ‘Mad World’ recently surpassed 200 million streams in its first 9 months of release. Out now on all popular streaming platforms, get your first listen of ‘Anita’ by Armin van Buuren and Timmy Trumpet below!