JAUZ – Feel The Volume [ Joyryde ‘Stick It In Reverse’ Mix ]

Flux Pavilion brings the wobble back to life with ‘Paradise’. Flux Pavilion, the distinguished British producer known for his influential and innovative contributions to the electronic music scene, welcomes 2023 with his latest single “Paradise.” With a track record of chart-topping releases, collaborations with some of the industry’s biggest names, and headlining performances at major festivals across the globe, this new single is a testament to Flux Pavilion’s continued skill and creativity after more than a decade in the scene. ‘Paradise’ is his latest in a run of singles following ‘Lore’ and ‘(Never Gonna) Be Alone,’ all of which are leaning on the heavier side he’s gravitated towards since his .wav album. Fed by the force of letting yourself be present in the moment and to savor experiences, enjoying paradise means taking the time to appreciate the beauty around you and disconnect from the digital world. Put down your phone and take in the sights, sounds, and smells of a special place. ‘Paradise’ showcases a blend of Flux Pavilion’s signature sound with a unique mix of melodic bass and upbeat rhythms. The track progresses with a catchy euphoric vocal before switching into a weighty anthem. ‘Paradise’ arrives on all digital platforms today, with Flux Pavilion kicking off 5 consecutive shows with UKF in New Zealand from March 17th. Flux Pavilion Tour Dates March 17 – UKF NZ Tour – Brewton, Wellington March 18 – UKF NZ Tour – Lilyworld, Auckland March 23 – UKF NZ Tour – Union Hall, Dunedin March 24 – UKF NZ Tour – The Factory, Hamilton March 25 – UKF NZ Tour – Bexley Park, Christchurch April 8 – Ministry of Sound, London May 4 – Sol Fest Pre Party, Bama Slam Water Park, New Brockton, AL May 6 – Bloom Nightclub, San Diego May 20 – Global Dub Festival, Red Rocks, Morrison CO

Excision and Wooli join forces once again for “Titans,” the highly anticipated follow-up to their hit collaboration “Lockdown.” In 2019, before the pandemic was even a concern, Excision and Wooli joined forces for their collaborative EP, “Evolution.” The EP featured four tracks, including the opening track “Lockdown.” Fast forward over three years later, the duo has reunited for the highly-anticipated follow-up, “Titans.” While “Titans” is not the first collaboration between Excision and Wooli since “Lockdown,” it is a clear sequel, featuring some of the same samples (check out 2:30). With this release, the duo veered more towards bass house rather than dubstep, creating a highly energetic and enjoyable experience that has been receiving a positive response at recent live shows. Out now on all streaming platforms, get your first listen to “Titans” below!

Subtronics’ 24-track album ‘ANTIFRACTALS’ receives huge praise and excitement from fans. After much anticipation, Subtronics has dropped his album ‘ANTIFRACTALS’ on his label Cyclops Recordings. The album features 14 remixes from top artists such as Kai Wachi, Wooli, Grabbitz, Kompany, among others, and includes 10 VIP versions of Subtronics’ own tracks. The release comes after the announcement of his North American ANTIFRACTAL Tour in September. The 24-track album ‘ANTIFRACTALS’ is yet another impressive addition to Subtronics’ extensive body of work, following the release of his previous album FRACTALS. Known for his tireless work ethic and consistent output, the Philadelphia-based producer continues to support the underground music scene by featuring up-and-coming artists on tour and at shows like Cyclops Cove. His dedication and passion for his craft is evident throughout the album’s runtime. In January of 2022, Subtronics dropped his debut album ‘FRACTALS’ which came in at #4 on Billboard’s Dance/Electronic Album Chart, and had dedicated billboards in Times Square and Los Angeles. The album coincided with his massive 50+ date sell-out national headline FRACTAL TOUR, which featured state-of-the-art production and ground-breaking visuals. The tour traveled with a custom-built stage, featuring a floating DJ table within a reflective black hole, dubbed ‘The Wormhole.’ Notable venues on the run included Gila River Arena, WaMu Theater, Coca Cola Roxy, Avant Gardner, Echostage, and more. With more music on the way, Subtronics shows no signs of slowing down. Stream ‘ANTIFRACTALS’ now on Cyclops Recordings.

Skrillex is releasing a double album in 2023, which is sure to make a big impact in the dance music world. On New Year’s Day, Skrillex, whose real name is Sonny Moore, posted an announcement on social media about the release of two albums, abbreviated as “QFF/DGTC 23,” in 2023. The next day, he shared a preview of the project’s first single, titled “Rumble,” a collaboration with Fred again.. and Flowdan. The single has a tense and ominous sound. The announcement of the album release was met with great excitement from the electronic music community. Tchami wrote, “2023 looking great already,” and other bass artists such as Subtronics, Ray Volpe, Peekaboo, and tk expressed their excitement with exclamatory phrases like “HYPERVENTILATING,” “H O L Y S H I T B A L L S,” and “i’m f—ing WEEPING.” Missy Elliot, who previously collaborated with Skrillex on an unreleased track in 2018, also expressed her excitement. These albums will be Skrillex’s first studio albums since the release of “Recess” in 2014, which reached No. 4 on the Billboard 200 chart. Skrillex has continued to have success in the music industry, winning two Grammys with Diplo as part of their duo, Jack Ü, in 2016. Diplo has described Skrillex as “probably the best producer of electronic music” he has ever met and praised his ability to transform any sound into something unique. Listen to the first two tracks off the highly anticipated album below! Skrillex, Fred again.. & Flowdan – Rumble Skrillex, PinkPantheress & Trippie Redd – Way Back  

Amid his first ever headline tour, Trivecta returns to Ophelia Records with the official remix pack for his debut album The Way Back Up Remixes. Tapping into bass tastemakers TYNAN, Soltan SubDocta, Hi I’m Ghost, and Ravenscoon, along with melodic trailblazers STAR SEED, Mazare, Xavi, KEPIK, and The Arcturians. The album covers multiple corners of dance music including melodic dnb, to experimental bass to trap, and melodic dubstep. Often working with other songwriters, producers, and vocalists, Trivecta stays true to his collaborative spirit as he continuously explores new ways to create music with other talent. With the self-described goal of “making dubstep beautiful again,” he’s made a name for himself ever since with tracks that land in a compelling place between melodic dubstep, trance, bass and drumstep. In addition to receiving support from artists like Excision, The Chainsmokers and Don Diablo, he’s joined melodic bass connoisseurs such as Illenium, Seven Lions, Dabin, Kill The Noise, and Wooli on tour and landed official remixes with them. Out now, get your first listen to the ‘The Way Back Up’ remixes album below!

Deadmau5 is set to release ‘We Are Friends 11’ compilation, featuring a new single from the artist himself. The compilation has been highly anticipated, following the release of ‘XYZ’ in the latter half of last year. Deadmau5, known for leading the mau5trap label, has worked with SHOTTY HORROH in the past to incorporate hip hop elements into his music. In his latest release, he teams up with YTCracker on a new single. “YTCracker is a formerly notorious computer hacker who stopped hacking everyone’s gibson and started rapping about it instead. Recognized as a forefather of the ‘nerdcore’ genre[…]” – deadmau5 The new collaboration with YTCracker exhibits many of the same sonic and rhythmic elements as deadmau5’s past work with SHOTTY, while also maintaining the unique, nerdy style that fans have come to adore. Deadmau5, whose real name is Joel Thomas Zimmerman, is a Canadian musician and producer known for creating a range of electronic music within the progressive house genre and beyond. The highly anticipated ‘We Are Friends 11’ compilation album arrives later this year. Keep an eye out for more information on the release date and track list. In the meantime, be sure to follow deadmau5 on social media to stay updated on all the latest news and releases. We can’t wait to hear what’s in store on this new album.

Maya Jane Coles releases the next project under her Nocturnal Sunshine alias, joining forces with mysterious rapper CHA$EY JON£S on brand-new EP ‘LDN’, out now. Growing up in west London in the mid-00s, much of Maya’s influences were within the rap and hip-hop worlds, something reflected in this latest EP, ‘LDN’ which offers fans a rarely-seen glimpse into what Maya might sound like if she hadn’t pursued a career in electronic music. Under the Nocturnal Sunshine moniker, Maya explores grittier musical themes and on ‘LDN’ has teamed up with rapper, actor (Top Boy, I May Destroy You), and childhood friend CHA$EY JON£S, to redress the balance. Having originally made music together while at school in London, ‘LDN’ represents a full circle moment for both artists. The pair previously connected on the 2019 Nocturnal Sunshine album Full Circle, on tracks such as ‘Fuck Fame’, ‘Dash’ and ‘Bandit’. A five-track release, ‘LDN’ is a slick, downbeat hip-hop record. Kicking things off, the title track immediately sets the tone, pairing smooth production with even smoother bars courtesy of Cha$ey. Continuing with this energy is ‘No Smoke’, while ‘Really Really’ brings darker, menacing energy. ‘Tralalala’ is the most maximalist track on the EP, before ‘CHA$EY’ ensures things close out on a memorable note. “It feels amazing to finally be able to share this EP with you all,” says Maya. “The Nocturnal Sunshine x CHA$EY JON£S project is something very close to my heart. I was producing hip-hop years before I ever got into electronic/club music, it was my first musical love. Not only that but Cha$ey and I used to make music together when we were 15 and we even started a rap duo back then. Years later, to be making music again with one of my best mates feels like magic. ‘LDN’ is a collection of the first tracks we made when we started working together again. We’ve been working on so much material and this is only the beginning of what’s to come.” It’s been more than ten years since British-Japanese artist Maya Jane Coles unleashed the modern house classic ‘What They Say’. She has since shifted the focus towards her Nocturnal Sunshine project, collaborating with the likes of Peaches, Miss Kittin and Young M.A. among others. Maya Jane Coles demonstrates her versatility as an artist with this slick collaborative EP released under her Nocturnal Sunshine alias.

After a whirlwind fourteen years in the dance music industry, famed Festival Trap founder Carnage has announced his retirement at the age of 31. Carnage’s groundbreaking work in the early 2010s helped usher in a new genre called “festival trap,” a thunderous, 808-heavy twist on the saturated electro music that dominated festivals at the time. Buoyed by a thriving SoundCloud community, festival trap quickly became a movement—and Carnage was its vanguard. While dance music was his primary focus, Carnage’s brushstroke painted a far more colorful mosaic in the music community. He operated as a prolific hip-hop producer, collaborating with a myriad of the world’s top rappers, such as Mac Miller, Migos, Rick Ross, Wiz Khalifa, Young Thug and Meek Mill, among many others. Lunar Electric is set to host the final two performances from Carnage after he announced his farewell to the dance music community earlier this month. Lunar Electric will take place in Parramatta Park in Sydney on June 4, followed by Doug Jennings Park on the Gold Coast on June 11, 2022. Also on the bill with Carnage’s history-making set is a heart-thumping lineup featuring the likes of Pendulum, Darude, Sunset Bros, Tigerlily, Enschway, Dimatik, Hooligan Hefs and many more. Thank You pic.twitter.com/RYkF5tiwT5— GORDO (@djcarnage) May 5, 2022 Lunar Electric 2022 Festival Dates Saturday June 4 – Parramatta Park, Sydney NSW Saturday June 11 – Doug Jennings Park, Gold Coast QLD Tickets – secure your tickets online here. DJ Carnage · BRICKS (feat. Migos) [Original] DJ Carnage · Hardwell – Spaceman (Carnage Festival Trap Remix) DJ Carnage · Carnage – WDYW Feat. Lil Uzi Vert, A$AP Ferg, Rich The Kid ZB the local boy · 7. Carnage – Break The Fucking Walls Down (BTFWD) Feat. Junkie Kid

Australia’s rising star Moss returns with a heavy-hitting follow up to ‘SABRE TEETH’, releasing ‘SPEED DIAL (feat. BRIA)’ via October Records. After making a splash with his triple j Unearthed DIY Supergroup winning track, Moss picks up where ‘SABRE TEETH (feat. Genesis Owusu)’ left off, introducing the single with subtle didgeridoo vibrations before the foot is pressed down on the sonic gas pedal. The Indigenous producer’s aptitude for utilising dynamic drums and powerful bass to evoke atmospheric and emotive narratives is on full display. He teams with Brisbane-based up-and-coming singer/songwriter BRIA who’s pertinent vocals centred around the uncertainty and instability of online dating, provide the perfect hook. Moss discusses the single and the direction of his sound saying, “I’ve teamed up on this record with powerhouse singer/ songwriter BRIA and we’ve built something very special. SPEED DIAL is the sonic infusion of the ups and downs of online dating – especially when they don’t text back. This single represents a development of my sound and I can’t wait for you to hear it. All gas, no brakes.” On the narrative behind the record, BRIA said, “The idea for SPEED DIAL came out of the 2020 Brisbane COVID lockdown. After everyone was exclusively online dating, I found hookup culture was more present than ever. Moss’ dramatic production was the perfect accompaniment for my narrator’s situationship.” Brisbane talent BRIA, who amassed a sizable online following across TikTok and Instagram, recently released her debut single ‘Taking It Off’. The track has seen airplay on triple j and acclaim from Declan Byrne, Tommy Faith, Abby Butler, and Dave Ruby Howe on triple j Unearthed. Embracing femininity and sensuality within her craft, she takes influences from the likes of Charli XCX, Lorde, and Caroline Polachek. Sydney-based producer, Moss rose to prominence earlier this year after taking out the triple j Unearthed DIY Supergroup competition, with his release ‘SABRE TEETH’, before announcing his signing to October Records. Sampling the likes of Alison Wonderland, Touch Sensitive, San Cisco, Vallis Alps, and Genesis Owusu, the latter of which jumped on as a feature artist, Moss crafted a very Australian moment, yet it was his iconic didgeridoo bass drop that impressed triple j presenters and listeners alike. The track went on to become one of the most played on the station, with Moss appearing on triple j’s Friday Mix, and Mix Up as part of NAIDOC week, while the single’s momentum carried it to the top of the Australian Shazam Chart. While ‘SABRE TEETH’ showcased Moss’ talent to a wider audience, the bass producer has been honing his craft with singles such as ‘From The Start’ and ‘Shimmer’ both of which premiered on triple j and rose the triple j Unearthed Electronic charts. Having already played alongside some of the heaviest hitters in the industry – Skrillex, RL Grime, Flosstradamus, Marshmello, just to name a few – Moss has positioned himself as a producer capable of rubbing shoulders with some of the world’s best.

Fresh off being crowned champion of triple j Unearthed’s 2021 DIY Supergroup, Brisbane-based, Indigenous producer Moss officially releases ‘SABRE TEETH (feat. Genesis Owusu)’ and announces his signing to October Records. Impressing peers alike, the highly anticipated release captured the attention of the triple j audience from the first listen, with Genesis Owusu coming on board as an official feature artist. The bass-heavy single utilises samples from Touch Sensitive, San Cisco, Vallis Alps, Alison Wonderland, and the hard-hitting intensive vocals of Genesis Owusu, combining them with intensive breakdowns and a distinctive didgeridoo-infused bass drop. Moss elevates the defiant raps of Genesis Owusu, leaning into his Indigenous heritage for a dramatic production that finds its home on October Records. On the response to ‘SABRE TEETH’, Moss said, “The response to SABRE TEETH so far has been mind blowing. From the triple j text line to Instagram comments, everyone has shown such love for the track. Genesis Owusu’s vocals hit with such a powerful message and I wanted to connect that with my Indigenous heritage. I’m so glad everyone who’s listening is also connecting with that too.” Moss has combined his flair for emotive production and his passion for storytelling with the release of ‘SABRE TEETH’’, which received critical acclaim among many in the industry. triple j Breakfast presenter Ebony Boadu said, “This is easily the sickest drop I’ve heard this year.” While the upload on Unearthed received high praise from the likes of Lucy Smith, Dave Ruby Howe, Declan Byrne, and many more. The track has quickly become one of the most played on the station, while also receiving online support from the likes of NME and The Music Network. Beyond ‘Sabre Teeth’ his debut single ‘Lullabye’ surpassed 200,000 streams in its first month, following up with ‘idek’ which was supported by some of the industry’s finest including Marshmello, Yellow Claw, Jauz, Ghastly, and Zeds Dead among others. His recent discography in the form of ‘From The Start (feat. Kember Gold)’ and ‘Shimmer’ both received airplay on triple j, and also made their way to the top of the triple j Unearthed Electronic charts. In a few short years, Moss has already played alongside some of the world’s biggest artists that have had a great impact on Moss’ own artistry, the likes of Skrillex, RL Grime, Flosstradamus, Baauer, and Nero. Moss is far from an overnight success, but if this short warm-up is anything to go by, Moss’ name will be embedded on the world’s stage in years to come. Moss releases ‘SABRE TEETH (feat. Genesis Owusu)’ via October Records.  

Arky Waters caps the year off with his new single ‘Back To You’ featuring the vocals of Jade Alice. This marks Arky’s first collaboration with another vocalist – Jade’s dream pop roots and catchy hooks move with the emotional depths of the track, capturing us through the tender and darker moments. “We made this track around COVID times, I sent her a DM and I honestly didn’t expect a reply, she ended up being open to working with me even though I had nothing out at the time. I sent over an idea that she vibed with and she sent back the hook that’s currently on the track. Once I heard that hook I basically ended up crafting the song around the vocal. For our first time working together it went super smooth; she’s talented as hell. I’d been a fan of her stuff for a while so it was cool to finally make something together.” The track is paired with a four part visualiser made by upcoming Sydney artist Don Kaiyote; the collaboration explores themes of young love, heartbreak and loneliness. “The most important part of this project was to make something that felt close to us – we wanted to capture beauty in something that was quite real and ordinary, something we’ve all felt before.” The video takes us through the journey of young love as a person of colour growing up in western society, diving into the complexities of the modern-day “situationship” and the feelings that revolve around that behind closed doors. Arky Waters is a Sydney based artist exploring his early love for indie/folk with the electronic textures of rave music. Starting in 2020,it began as an outlet from his usual work with alt-rock band ‘Silvers’, and soon blossomed into its own project as he found his feet in production. The songs act as a soundtrack to his life growing up in the suburbs of Australia, bridging the gap between indie/folk songwriting and the pulse of electronic music.

Get ready to rave with David Guetta’s acid house remix of Sam Smith’s “Unholy.” David Guetta and MORTEN’s unique blend of future rave sound challenges the conventions of mainstream dance music. Their latest remix of “Unholy,” featuring Sam Smith and Kim Petras, is a testament to this innovative approach. The track combines Petras’ seductive vocals with Smith’s emotive lyrics, all set to a dynamic beat that is both energetic and brooding. This remix is a prime example of the power of acid house to drive the future rave genre forward with its euphoric and edgy sound. Earlier this year, David Guetta and MORTEN, two of the leading figures in the  dance music scene, launched a new record label called “Future Rave.” The two pioneers have been at the forefront of the future rave movement since the release of their groundbreaking track “Never Be Alone,” and they have continued to shape and evolve the genre as it gains popularity at festivals worldwide. Don’t miss out on the chance to experience the cutting-edge sound of David Guetta’s acid house remix of “Unholy,” featuring Sam Smith and Kim Petras. This track is a must-listen for fans of the futuristic rave genre and anyone who loves innovative and exciting dance music.  

Today, iconic Sydney duo Flight Facilities return to share a two-track EP, Lost Forever available now via Future Classic. As a pseudo-epilogue to their sophomore album FOREVER, both tracks represent the duo’s journey 12 months since its release. Having eclipsed the nation with their headline tour, alongside executing their own mammoth festival juggernaut, Airfields, that saw some of the brightest local and international acts perform to an open-air crowd, Hugo Gruzman and Jimmy Lyell now reveal and celebrate some of their favourite unreleased moments from the FOREVER era. First debuted during the duo’s pre-album NEVER FOREVER livestream, “Feel It” is a historic house heater starring a ceremonious arrangement of Flight Facilities synths that are warm, airy and arresting in unity. The coolly transposed beat and sampled vocals direct a clubbier mood before Owl Eyes delivers a melody of haunting beauty. The accompanying visualiser from Babekuhl pastiches a transfixing array of grainy 70s film footage of a child and his family. Flight Facilities fans will recognise that second track, “Planet Claire” has become a mainstay in the duo’s dynamic live shows. A dedication to an electronic great in their eyes, Booka Shade, the journeyed song is punctuated by evolving jabs of modular synths and analog rhythms. Layered with delicate and infectious complexity, the track receives a fitting visualiser from Babekuhl. Laced with neon green FF logos, a fast-moving rotation of shapes in kaleidoscopic form becomes hypnotic. Flight Facilities say on Lost Forever: “It’s already been 12 months since we released our last album. Several tracks were left on the cutting room floor of FOREVER, but it felt wrong to leave them unreleased. ‘Planet Claire’ has formed an integral part of our live show in the past 6-12 months, and it’s our little homage to a favourite artist, Booka Shade. ‘Feel It’ was one of the first demo’s we wrote after Down To Earth. We’ve sat on it for years, constantly updating and picking at it, eventually adding vocals from Owl Eyes. There’s a certain magic in this tune that captures the nostalgia of us messing around in the studio together.” Flight Facilities’ second studio album, FOREVER is the culminating result of many years of experimentation between the Sydney pair. Starring a string of 2021 releases, including “Lights Up” feat. Channel Tres, “Move” feat. DRAMA, club-ready cut “The Ghost”, and “Forever” feat. Broods, the record received praise and recognition from GQ, Rolling Stone, 10 Magazine, before being named Spotlight Album by triple j. The pair soon after hit the road for their FOREVER national tour, showcasing the record in the Australian live arena before travelling to America for an epic run of dates. Never to slow down, the pair next made their way to Europe for a series of dates and appearances across the summer season. Having come a long way from their 2010 singles “Crave You” feat. Giselle Rosselli and “Foreign Language”, Flight Facilities have sold more than 150,000 tickets and accumulated over a billion streams globally, and scored three ARIA nominations and gold certification for their debut album Down To Earth in 2014. The pair have seen eight Hottest 100 placings, an ARIA-Award for their 2015 live album Live With The Melbourne Symphony Orchestra, and enduring appreciation for consistently defying sonic trends in their feel-good, dance floor beckoning tunes that have seen them collaborate with superstars and blazing up-and-comers alike, including Aloe Blacc, Kylie Minogue and Reggie Watts. Consistently smashing goals, the pair featured in Apple’s iPhone 13 announcement advertisement with “Lights Up”. On the live stage, Flight Facilities have gained notoriety for bringing together the crowds of Coachella, Japan’s Fuji Rock, the UK’s Bestival, Sydney’s Field Day, and 2019’s Australian Open among many more. As Flight Facilities reflect on an incredible past 12 months, dive into the finale of their sophomore album with the duo’s Lost Forever EP, out now via Future Classic. LOST FOREVER EP TRACKLIST 1. Feel It 2. Planet Claire FLIGHT FACILITIES TOUR DATES 26 November – Wine Machine – Perth, WA 17 December  – Wine Machine – Adelaide, SA 30 December – Beyond the Valley – VIC 31 December – NYE in the Park – Sydney, NSW 14 January – Wine Machine – Hobart, TAS (DJ set)

Sydney’s own Dave Winnel has been going from strength to strength this year. With a string of singles under his belt, a scene-stealing triple j Like A Version, plus touring for Listen Out, there’s no slowing down for the DJ/producer. Now Dave Winnel releases his new single ‘Fly Away’. Co-written with KLP, ‘Fly Away’ combines super catchy vocals (from KLP also) with tribal rhythms, knocking drums and a prominent live trombone – all jammed with Dave’s signature production style. “KLP has always been on top of my ‘Artists I Want To Collab With list’,” explains Dave. “But I was always scared to actually hit her up to make it happen. Luckily though, she Shazamed one of my tunes off the radio and she hit me up instead. I sent her a very rough instrumental idea which featured the big synth horns and strings backed to the big tribal drums. She came back pretty fast with an epic vocal, adding a monster gang vocal chant over the groove and adding a huge thick layer of harmonies to the breaks. Because the vocal is so large and full of layers, I didn’t need to add many more instruments. I did however want to give the track a more organic and natural sound to it, so I had a trombone player, by the name of ’Trombonhero’, to re-record the trombone part. There’s something special about the articulation between each note when played by a real musician that you just can’t get out of a synth.” ‘Fly Away’ is not the first time Dave Winnel and KLP have worked together. KLP featured on Dave’s Like A Version earlier this year when he took on Toto’s undeniable classic ‘Africa’ and KLP also sang on Dave’s mash up of his original tracks ‘CEO’ & ‘Jungle Juice’. Dave and KLP also went head-to-head in helping Hobba & Hing create their own DOY Supergroup entries in May of this year – but for ‘Fly Away’ they have combined their strengths and are on the same team! Dave Winnel has been making waves over the past two years with a string of singles, ‘Real Life’, ‘Method’, ‘CEO’, ‘Jungle Juice’ ft. Alst3n and ‘Freaking Out’, plus ‘Hallucinations’ on Deadmau5’s Hau5trap imprint. If that weren’t enough, he recently smashed out epic sets at Listen Out Festival and supported the Sunset Bros at their sold-out Hordern Pavilion show. Over his career Dave has collaborated with the legendary Armin Van Buuren on ´The Race´, and produced official remixes for Twenty One Pilots, David Guetta, Bastille, Anne-Marie, Clean Bandit, Hardwell, Axwell /\ Ingrosso, Adam Lambert and Galantis, proving himself to be one of Australia’s most prolific electronic acts, racking up over 65 million streams on Spotify alone. Known for his infectious and fun personality that manages to shines through his music, Dave Winnel manages to blend future/tech house with organic quirky instruments. Be sure to catch Dave at one of his upcoming shows this summer. Upcoming  Tour Dates 29 October – Haunted House Bangor Tavern, Bangor 4 November – Woolpack Hotel, Mudgee 11 November – Prohibition, Brisbane 12 November – Hotbox/Exhibition Park, Canberra 26 November – Marlborough Hotel, Sydney 10 December – Beer Deluxe, Albury 17 December – Rhythm Day Club/The Court, Perth 31 December – Good As NYE, The Beachcomber, Toukley 21 January – Lost & Found Festival, Coffs Harbour

GRAMMY® Award-winning, RIAA platinum-certified international icon Tiësto collabs with the legendary Black Eyed Peas for a new version of their chart-topping single “Pump It”. Listen HERE.  Already given the sound a vibe check, “Pump It Louder” has created an undeniable energy in Tiësto’s live sets all summer long. “As a fan and supporter of will.i.am’s work and Black Eyed Peas, I couldn’t be more excited to collaborate directly with them on this project, said Tiësto. “Fans go absolutely crazy when I play this out live in clubs and festivals – I can’t wait to officially release this new version for the world to go wild to!” “We’re so happy and honored to collaborate with Tiësto on this new version of ‘PUMP IT’” said Black Eyed Peas; “to keep the energy PUMPING and blasting LOUD!!!” “Pump It Louder” follows this summer’s success of Tiësto and Charli XCX’s “Hot In It”, the fourth single from Tiësto’s upcoming Atlantic Records label debut album. “Hot In It” swiftly reached the top 10 on Billboard’s Hot Dance/Electronic Song” chart, fueled in part by over 200M views across TikTok and IG Reels, and 97.8M streams to date. Tiësto is a Grammy® Award-winning, platinum-certified, international icon. The DJ and producer is the only artist to ever hold the titles of “The Greatest DJ of All Time” courtesy of Mixmag, and “#1 DJ” according to Rolling Stone. From his underground dance floor bangers to his high-profile Las Vegas residency and crossover success, Tiësto created the blueprint that defines what it means to be a success in today’s dance music world. In Tiësto’s true fashion, he continues to expand across genres, always evolving his craft. With over 36 million albums sold, 10+ billion cumulative streams, and a social platform with an audience exceeding 30 million fans spanning the globe, he continues to revolutionize the dance music landscape. Tiësto’s first release since signing with Atlantic Records, ARIA 5x Platinum”The Business” has dominated airplay and charts worldwide since its September 2020 release, garnering over 1.5 billion streams to date, and was nominated for Best Dance/Electronic Recording at the 64th Annual GRAMMY Awards. It has also held a steady position on Apple & Spotify’s “Today’s Top Hits” & “Today’s Hits” playlists, and hit #1 at US Dance Radio. “The Business” is certified Platinum in 15 countries and gold in 8 countries and has held a place on the Top 10 official singles chart in 10 countries as well as Top 50 on Spotify in 31 countries. Tiësto made history with single “Don’t Be Shy” with Karol G, which marked the first English song ever for Karol G, and the first Latin Artist collaboration for Tiësto, and currently has 830M streams, over 1.2 million TikTok creates, and over 273 million views on the official music video. The third single from Tiësto’s upcoming album, ARIA Gold“The Motto” with Ava Max, is out now with 884M streams to date, and his single “Hot in It” with Charli XCX continues to climb the charts with 97.8M streams.