Zeds Dead & NGHTMRE team up for latest hit ‘Frontlines’ [LISTEN]

REZZ Unveils ‘IT’S NOT A PHASE’ EP, Showcasing a Captivating Blend of Goth-Inspired Rocktronic Sounds. Renowned Canadian producer REZZ has unleashed her latest musical project, ‘IT’S NOT A PHASE’ EP, a mesmerizing exploration of goth-inspired rocktronic compositions that pay homage to her early musical influences. Released under her own label HypnoVizion, the EP ventures beyond the confines of mid-tempo bass music, featuring collaborations with rock and alternative heavyweights such as Silverstein, Grabbitz, Tim Henson of Polyphia, and Johnny Goth. The focus track of the EP, “Dreamstate,” transports listeners to the realm of massive emo hits from the 2000s, infused with a strikingly modern and heavy bassline that only REZZ could conceive. This project signifies the evolution of REZZ as she confidently steps into her “goth era,” pushing creative boundaries and expanding her sonic palette. Reflecting on the inspiration behind ‘IT’S NOT A PHASE,’ REZZ shares, “With this goth EP, I’ve really encapsulated some of my early inspiration musically before I even got into dance music. I grew up listening to bands exclusively, and over time developed an understanding of what it was about those songs that I loved. Lots of use of guitar, eerie melodies, and distorted basses – this is a blend between sounds I’m known for while also expanding on my range with using new vocal styles & instruments.” Having garnered tremendous success throughout her career, REZZ has amassed tens of millions of streams to date and achieved sold-out performances at legendary venues worldwide. She has headlined renowned festivals including Coachella, Austin City Limits, EDC, Electric Forest, Creamfields, Ultra Music Festival, Tomorrowland, and more. Notably, her collaboration with Grabbitz, “Someone Else,” released via RCA Records in 2020, amassed over 50 million streams, reached #15 on the Alternative Radio Chart in the US, and secured the #1 position in Canada. REZZ’s remarkable live performances have enthralled audiences worldwide, with her five consecutive sold-out shows at the iconic Red Rocks Amphitheatre, including two nights scheduled for August 2023. With over 300 performances to her name, REZZ has consistently sold out venues ranging from 3,500 to 10,000 capacity, while also captivating festival crowds of over 50,000 attendees. The ‘IT’S NOT A PHASE’ EP follows the success of previous releases including ‘Blue In The Face,’ ‘Signals,’ and the recent single ‘Embers.’ Through this latest offering, REZZ continues to cement her position as an innovative and genre-defying artist.

PhaseOne, the master of blending bass and metal seamlessly, takes his musical passion to new heights with the launch of his label, Sounds Of Mayhem Recordings, and its inaugural compilation. As a veteran in the art of fusing bass and metal, PhaseOne has fulfilled the fantasies of countless headbangers by bringing together these powerful sonic realms. With a relentless pursuit of perfection in his craft, it is only natural for him to create a space where enthusiasts of “rocktronic” music can congregate and create magic. Now, PhaseOne has transformed his vision into reality, officially announcing the establishment of his label, Sounds Of Mayhem Recordings. Prepare to unleash your inner headbanger, as Sounds Of Mayhem Recordings not only opens its doors but also unveils a tantalizing taste of the heavier sonic energy to come from the label through its first release, “Sounds Of Mayhem: The Uprising.” This compilation features eight brand-new tracks that will captivate your senses. Among them are solo offerings from DVEight and AVEON, as well as collaborations including Akeos & Lusumi, YUSSI & Neotek, Bainbridge & High Zombie, JEANIE & Dino Shadix, and PhaseOne’s highly anticipated track with In Hearts Wake, titled “Bringer Of Death.” Furthermore, if you seek a proper sonic feast, the colossal collaboration “Second Left To Breathe” will satiate your appetite, featuring Fransis Derelle, CRaymak, Tea Timerz, and Frank Zummo. “The word ‘mayhem’ holds great significance for me—it represents the chaos that both metal and bass music embody, providing listeners with a platform to express themselves freely and let loose. This is particularly true in a live setting. To me, ‘mayhem’ symbolizes rebellion, freedom, and anarchy—themes that will strongly resonate in everything we undertake at Sounds Of Mayhem Recordings. I am eager to share what we have in store.” – PhaseOne With a remarkable discography that includes the hard-hitting Double Up EP, PhaseOne possesses the background and experience to match his fervor for running a successful label. Fans can anticipate a plethora of music that embraces forward-thinking sounds intertwined with anarchy and unadulterated fun, reminiscent of the artists’ previous works. Driven by a profound desire to discover and nurture new talents, PhaseOne’s followers can rejoice in the knowledge that more rock-infused bass tracks are on the horizon. Sounds Of Mayhem: The Uprising – Tracklist PhaseOne, In Hearts Wake – Bringer Of Death JEANIE, Dino Shadix – Fatal Flow Bainbridge, High Zombie – Burial Recipe Fransis Derelle, CRaymak, FRANK ZUMMO, Tea Timerz – Second Left To Breathe YUSSI, NEOTEK – Move Over DVEIGHT – Prevail Aveon – Hell Burnt

Five years since the iconic producer’s last performance, Pretty Lights announces his highly anticipated return to music. Renowned electronic artist Pretty Lights has made a comeback after an extended hiatus of almost five years, marked by a dearth of public appearances and musical releases. The DJ and producer, who gained significant traction in the festival circuit of the 2010s with chart-toppers such as “Finally Moving” and “Rainbows and Waterfalls,” has not performed live since 2018 and has not produced any new music since 2017. On Tuesday, April 4, the artist resurfaced on social media to disclose the Soundship Spacesystem Tour and convey a fresh message to his admirers. “I’ve been looking forward to this day for a long time and am immensely grateful to be healthy and happy and surrounded by amazing people,” said Pretty Lights (real name Derek Vincent Smith). “I feel recharged and more ready than ever to launch a new vision of PL music and live events. Can’t wait to share everything that’s coming. And fam, seriously, thank you so much for your endless love and support. Thank you for all the positive energy while I took time to focus mine.  It’s a new dawn and I can’t wait to see you all again shining bright. lfggggggg.” The Soundship Spacesystem Tour, headlined by Pretty Lights, is set to cover nine destinations across North America, including Denver, Lake Dillon, Atlanta, Philadelphia, Brooklyn, Chicago, Pelham, San Francisco, and New Orleans. The itinerary for the tour is yet to be fully disclosed, with the exception of The Caverns in Pelham, Tenn. The tour will consist of 27 shows, with multiple performances by Pretty Lights in each of the nine cities. Additionally, Pretty Lights has been announced as one of the headliners for the upcoming Suwannee Hulaween, a three-day music festival at the Spirit of Suwannee Music Park in Florida scheduled for October 26-29. Although not listed as part of the tour, this event will feature the artist’s performance. In a separate announcement, it was revealed that Pretty Lights will also headline the inaugural Cascade Equinox festival taking place in Redmond, Ore. this September. Produced by the team behind the renowned Gem & Jam festival in Arizona, the new event promises to be another remarkable addition to the artist’s itinerary. Incorporating fresh elements to his performances, Pretty Lights will present two new types of shows during his Soundship Spacesystem Tour: Pretty Lights in Dub and The Fantastic Pretty Lights. The latter is anticipated to be a collaborative effort with long-time friend Michal Menert and The Pretty Fantastics. A new, yet-to-be-titled track that appears to reflect his re-entry into the industry, was performed by Pretty Lights in the tour announcement video. The lyrics state: “I’ll fly a starship across the universe tonight/ And when I reach the other side/ I’ll find a place to rest my spirit if I can/ Perhaps I may become a pretty light again/ Or I may simply be a single drop of rain/ But I will remain/ And I’ll be back again.” The track is available to listen to below. Following his last live appearance at the Red Rocks Amphitheatre in 2018, where he headlined the venue with his live band over two sold-out nights, Pretty Lights, whose real name is Derek Vincent Smith, retreated from the industry without any formal explanation. He erased his social media presence and began an unannounced hiatus, leaving his dedicated fan base in suspense.

Dubstep legend Rusko returns down under for a string of headline shows. Rusko, the legendary dubstep producer and DJ, is back in action and heading to Australia for a highly-anticipated tour in 2023. The British-born artist will bring his signature bass-heavy beats and infectious energy to six cities across Australia and New Zealannd, delivering a series of unforgettable performances that are not to be missed. The tour kicks off on May 5 in Auckland, and from there, he will travel to Christchurch, Sydney, Brisbane, Canberra and Perth, playing some of the biggest venues in each city. With a reputation for throwing some of the wildest parties in the electronic music scene, Rusko promises to turn up the heat and leave crowds begging for more. Rusko’s career spans over two decades, during which he has become a prominent figure in the dubstep and bass music scenes. He has released several critically acclaimed albums, including “O.M.G.!”, “Songs”, and “L!VE”. His music has been featured in movies, TV shows, and video games, and he has collaborated with some of the biggest names in the industry, such as Diplo, Skrillex, and Cypress Hill. Fans of Rusko can expect a show like no other, filled with thumping bass, electrifying drops, and plenty of surprises. His energetic sets are known for getting the crowd moving, and he is sure to bring his A-game to the Australian tour. Tickets for the tour are available now, so grab them while you can. This is an event not to be missed, and it’s sure to sell out quickly. Get ready to experience the raw power and excitement of Rusko’s music, as he takes Australia by storm in 2023. Rusko 2023 Australia & New Zealand Tour Dates Friday May 5 – The Mothership – Auckland, NZ Saturday May 6 – Engineers Bar – Christchurch, NZ Friday May 12 – Eighty Six @ Cult – Sydney, AU Saturday May 13 – Biscuit Factory – Brisbane, AU Friday May 12 – Fiction – Canberra, AU Saturday May 13 – Monarch @ The Court – Perth, AU

Flux Pavilion brings the wobble back to life with ‘Paradise’. Flux Pavilion, the distinguished British producer known for his influential and innovative contributions to the electronic music scene, welcomes 2023 with his latest single “Paradise.” With a track record of chart-topping releases, collaborations with some of the industry’s biggest names, and headlining performances at major festivals across the globe, this new single is a testament to Flux Pavilion’s continued skill and creativity after more than a decade in the scene. ‘Paradise’ is his latest in a run of singles following ‘Lore’ and ‘(Never Gonna) Be Alone,’ all of which are leaning on the heavier side he’s gravitated towards since his .wav album. Fed by the force of letting yourself be present in the moment and to savor experiences, enjoying paradise means taking the time to appreciate the beauty around you and disconnect from the digital world. Put down your phone and take in the sights, sounds, and smells of a special place. ‘Paradise’ showcases a blend of Flux Pavilion’s signature sound with a unique mix of melodic bass and upbeat rhythms. The track progresses with a catchy euphoric vocal before switching into a weighty anthem. ‘Paradise’ arrives on all digital platforms today, with Flux Pavilion kicking off 5 consecutive shows with UKF in New Zealand from March 17th. Flux Pavilion Tour Dates March 17 – UKF NZ Tour – Brewton, Wellington March 18 – UKF NZ Tour – Lilyworld, Auckland March 23 – UKF NZ Tour – Union Hall, Dunedin March 24 – UKF NZ Tour – The Factory, Hamilton March 25 – UKF NZ Tour – Bexley Park, Christchurch April 8 – Ministry of Sound, London May 4 – Sol Fest Pre Party, Bama Slam Water Park, New Brockton, AL May 6 – Bloom Nightclub, San Diego May 20 – Global Dub Festival, Red Rocks, Morrison CO

Renowned DJ CRAZE Embarks on a Highly Anticipated 2023 Australia and New Zealand Tour. The much-acclaimed DJ CRAZE is all set to embark on an electrifying tour across Australia and New Zealand this year. Known for his unparalleled skills on the decks and his unmatched ability to captivate audiences with his music, DJ CRAZE’s tour promises to be an unforgettable experience for music enthusiasts. The tour kicks off on September 8th with a special appearance at the Melbourne DMC Championships hosted at the esteemed Laundry Bar. Following this, DJ CRAZE will take over the stage at Laundry in Melbourne for another energetic performance on the same day. The momentum continues to build as he heads to Perth to headline the Rain Dance Festival on September 9th. The excitement spreads across the Tasman Sea as DJ CRAZE graces New Zealand with his dynamic performances. On September 15th, Queenstown will groove to his beats at Seek, and on September 16th, he takes the stage at Hide in Christchurch. Returning to Australia, DJ CRAZE is set to mesmerize the audience at the Beach Road Hotel Bondi in Sydney on September 21st. The tour then makes its way to Hobart’s Altar on September 22nd, followed by a captivating performance at The Mothership in Auckland, New Zealand, on September 23rd. DJ CRAZE is renowned globally for his unmatched turntablism skills and ability to transcend genres, captivating music aficionados of all tastes. His tour promises to deliver an extraordinary auditory experience, blending cutting-edge mixes, seamless transitions, and an infectious energy that only he can bring. This tour marks an exciting opportunity for fans across Australia and New Zealand to witness DJ CRAZE’s prowess in person and indulge in an unforgettable musical journey. Tickets for the tour are expected to sell out quickly, so fans are encouraged to secure their spots early and not miss the chance to witness a true legend in action. DC CRAZE Tour Dates September 8 – Melbourne, DMC Championships @ Laundry Bar September 8 – Melbourne, Laundry September 9 – Perth, Rain Dance Festival September 15 – Queenstown NZ, Seek September 16 – Christchurch NZ, Hide September 21 – Sydney, Beach Road Hotel Bondi September 22 – Hobart, Altar September 23 – Auckland NZ, The Mothership

Deadmau5 is set to release ‘We Are Friends 11’ compilation, featuring a new single from the artist himself. The compilation has been highly anticipated, following the release of ‘XYZ’ in the latter half of last year. Deadmau5, known for leading the mau5trap label, has worked with SHOTTY HORROH in the past to incorporate hip hop elements into his music. In his latest release, he teams up with YTCracker on a new single. “YTCracker is a formerly notorious computer hacker who stopped hacking everyone’s gibson and started rapping about it instead. Recognized as a forefather of the ‘nerdcore’ genre[…]” – deadmau5 The new collaboration with YTCracker exhibits many of the same sonic and rhythmic elements as deadmau5’s past work with SHOTTY, while also maintaining the unique, nerdy style that fans have come to adore. Deadmau5, whose real name is Joel Thomas Zimmerman, is a Canadian musician and producer known for creating a range of electronic music within the progressive house genre and beyond. The highly anticipated ‘We Are Friends 11’ compilation album arrives later this year. Keep an eye out for more information on the release date and track list. In the meantime, be sure to follow deadmau5 on social media to stay updated on all the latest news and releases. We can’t wait to hear what’s in store on this new album.

Maya Jane Coles releases the next project under her Nocturnal Sunshine alias, joining forces with mysterious rapper CHA$EY JON£S on brand-new EP ‘LDN’, out now. Growing up in west London in the mid-00s, much of Maya’s influences were within the rap and hip-hop worlds, something reflected in this latest EP, ‘LDN’ which offers fans a rarely-seen glimpse into what Maya might sound like if she hadn’t pursued a career in electronic music. Under the Nocturnal Sunshine moniker, Maya explores grittier musical themes and on ‘LDN’ has teamed up with rapper, actor (Top Boy, I May Destroy You), and childhood friend CHA$EY JON£S, to redress the balance. Having originally made music together while at school in London, ‘LDN’ represents a full circle moment for both artists. The pair previously connected on the 2019 Nocturnal Sunshine album Full Circle, on tracks such as ‘Fuck Fame’, ‘Dash’ and ‘Bandit’. A five-track release, ‘LDN’ is a slick, downbeat hip-hop record. Kicking things off, the title track immediately sets the tone, pairing smooth production with even smoother bars courtesy of Cha$ey. Continuing with this energy is ‘No Smoke’, while ‘Really Really’ brings darker, menacing energy. ‘Tralalala’ is the most maximalist track on the EP, before ‘CHA$EY’ ensures things close out on a memorable note. “It feels amazing to finally be able to share this EP with you all,” says Maya. “The Nocturnal Sunshine x CHA$EY JON£S project is something very close to my heart. I was producing hip-hop years before I ever got into electronic/club music, it was my first musical love. Not only that but Cha$ey and I used to make music together when we were 15 and we even started a rap duo back then. Years later, to be making music again with one of my best mates feels like magic. ‘LDN’ is a collection of the first tracks we made when we started working together again. We’ve been working on so much material and this is only the beginning of what’s to come.” It’s been more than ten years since British-Japanese artist Maya Jane Coles unleashed the modern house classic ‘What They Say’. She has since shifted the focus towards her Nocturnal Sunshine project, collaborating with the likes of Peaches, Miss Kittin and Young M.A. among others. Maya Jane Coles demonstrates her versatility as an artist with this slick collaborative EP released under her Nocturnal Sunshine alias.

After a whirlwind fourteen years in the dance music industry, famed Festival Trap founder Carnage has announced his retirement at the age of 31. Carnage’s groundbreaking work in the early 2010s helped usher in a new genre called “festival trap,” a thunderous, 808-heavy twist on the saturated electro music that dominated festivals at the time. Buoyed by a thriving SoundCloud community, festival trap quickly became a movement—and Carnage was its vanguard. While dance music was his primary focus, Carnage’s brushstroke painted a far more colorful mosaic in the music community. He operated as a prolific hip-hop producer, collaborating with a myriad of the world’s top rappers, such as Mac Miller, Migos, Rick Ross, Wiz Khalifa, Young Thug and Meek Mill, among many others. Lunar Electric is set to host the final two performances from Carnage after he announced his farewell to the dance music community earlier this month. Lunar Electric will take place in Parramatta Park in Sydney on June 4, followed by Doug Jennings Park on the Gold Coast on June 11, 2022. Also on the bill with Carnage’s history-making set is a heart-thumping lineup featuring the likes of Pendulum, Darude, Sunset Bros, Tigerlily, Enschway, Dimatik, Hooligan Hefs and many more. Thank You pic.twitter.com/RYkF5tiwT5— GORDO (@djcarnage) May 5, 2022 Lunar Electric 2022 Festival Dates Saturday June 4 – Parramatta Park, Sydney NSW Saturday June 11 – Doug Jennings Park, Gold Coast QLD Tickets – secure your tickets online here. DJ Carnage · BRICKS (feat. Migos) [Original] DJ Carnage · Hardwell – Spaceman (Carnage Festival Trap Remix) DJ Carnage · Carnage – WDYW Feat. Lil Uzi Vert, A$AP Ferg, Rich The Kid ZB the local boy · 7. Carnage – Break The Fucking Walls Down (BTFWD) Feat. Junkie Kid

Australia’s rising star Moss returns with a heavy-hitting follow up to ‘SABRE TEETH’, releasing ‘SPEED DIAL (feat. BRIA)’ via October Records. After making a splash with his triple j Unearthed DIY Supergroup winning track, Moss picks up where ‘SABRE TEETH (feat. Genesis Owusu)’ left off, introducing the single with subtle didgeridoo vibrations before the foot is pressed down on the sonic gas pedal. The Indigenous producer’s aptitude for utilising dynamic drums and powerful bass to evoke atmospheric and emotive narratives is on full display. He teams with Brisbane-based up-and-coming singer/songwriter BRIA who’s pertinent vocals centred around the uncertainty and instability of online dating, provide the perfect hook. Moss discusses the single and the direction of his sound saying, “I’ve teamed up on this record with powerhouse singer/ songwriter BRIA and we’ve built something very special. SPEED DIAL is the sonic infusion of the ups and downs of online dating – especially when they don’t text back. This single represents a development of my sound and I can’t wait for you to hear it. All gas, no brakes.” On the narrative behind the record, BRIA said, “The idea for SPEED DIAL came out of the 2020 Brisbane COVID lockdown. After everyone was exclusively online dating, I found hookup culture was more present than ever. Moss’ dramatic production was the perfect accompaniment for my narrator’s situationship.” Brisbane talent BRIA, who amassed a sizable online following across TikTok and Instagram, recently released her debut single ‘Taking It Off’. The track has seen airplay on triple j and acclaim from Declan Byrne, Tommy Faith, Abby Butler, and Dave Ruby Howe on triple j Unearthed. Embracing femininity and sensuality within her craft, she takes influences from the likes of Charli XCX, Lorde, and Caroline Polachek. Sydney-based producer, Moss rose to prominence earlier this year after taking out the triple j Unearthed DIY Supergroup competition, with his release ‘SABRE TEETH’, before announcing his signing to October Records. Sampling the likes of Alison Wonderland, Touch Sensitive, San Cisco, Vallis Alps, and Genesis Owusu, the latter of which jumped on as a feature artist, Moss crafted a very Australian moment, yet it was his iconic didgeridoo bass drop that impressed triple j presenters and listeners alike. The track went on to become one of the most played on the station, with Moss appearing on triple j’s Friday Mix, and Mix Up as part of NAIDOC week, while the single’s momentum carried it to the top of the Australian Shazam Chart. While ‘SABRE TEETH’ showcased Moss’ talent to a wider audience, the bass producer has been honing his craft with singles such as ‘From The Start’ and ‘Shimmer’ both of which premiered on triple j and rose the triple j Unearthed Electronic charts. Having already played alongside some of the heaviest hitters in the industry – Skrillex, RL Grime, Flosstradamus, Marshmello, just to name a few – Moss has positioned himself as a producer capable of rubbing shoulders with some of the world’s best.

Ben Nicky & Example Sample Tag Team On New Festival Heater ‘There It Is.’ Ben Nicky, the acclaimed DJ/producer with a decade-long rise to fame, makes an impressive debut on Spinnin’ Records with his latest single “There It Is,” featuring the dynamic vocals of fellow UK artist Example. Co-produced by platinum-accredited producer James Angus and UK producer Callum Higby, the creative group masterfully incorporated the famous chorus line from Tag Team’s early 90s hit. Example’s distinctive vocal style adds fire to the mix, while Ben Nicky brings his signature rousing house beats, rhythmic piano chords, and powerful synth hooks, creating a mesmerizing climax destined to dominate festival stages worldwide throughout the year. With a string of club hits under his belt since the early 2010s, Ben Nicky has solidified his status as a multi-genre specialist, fusing house, progressive, techno, and hard dance influences to captivate audiences globally. His 2021 rework of Faithless’ “We Come 1” amassed over 1 billion views worldwide and received consistent radio airplay. Recent hits like “Thank You” and his reimagining of the classic “Adagio For Strings” continue to gain momentum. Additionally, Ben Nicky has collaborated with superstars such as Calvin Harris, Ellie Goulding, David Guetta, Diplo, Steve Aoki, Armin van Buuren, Timmy Trumpet, and legendary rock artist Sting. In a milestone collaboration, Ben Nicky joins forces with London’s notorious singer/rapper/songwriter, Example. Renowned for his flexible yet powerful vocal style, Example has been making waves since the mid-2000s, releasing anthems that bridge electronic, rap, and pop genres, earning platinum albums and headlining festivals like Glastonbury and Creamfields alongside Swedish House Mafia. “There It Is” showcases the distinct vibes of both artists. The track, fueled by infectious piano chords and a firm house beat, sees Example’s straightforward vocal style shine, with unique lyricism against the backdrop of the chorus line from Tag Team’s 1992 hit “Whoomp (There It Is).” The result is a brilliant piece of house music with an invigorating progressive vibe, expertly crafted by these two seasoned artists. Nicky Romero, Mike Williams, Blasterjaxx, Timmy Trumpet, and Lucas & Steve are just a few of the DJs who have already embraced “There It Is.” With its official release on Spinnin’ Records, the song is poised to dominate dancefloors worldwide, making it a must-hear anthem for this year’s festival season. Don’t miss out on experiencing the electrifying collaboration of these industry veterans. Catch “There It Is” as it sets dancefloors ablaze.

Hardwell, the renowned electronic music icon, makes a triumphant return with his latest track, ‘Anybody Out There.’ Following his world-beating tour and the highly acclaimed album REBELS NEVER DIE, Hardwell continues to push boundaries by combining his edgier production style from the album with a more vocal-driven sound. Teaming up with DJ/producer AZTECK and vocalist Alex Hepburn, ‘Anybody Out There’ captures the raw, unfiltered energy that has become synonymous with Hardwell’s recent work while infusing an undeniable pop sensibility that is poised to dominate both dancefloors and airwaves this summer. In Hardwell’s own words, “Although my new sound is much harder-edged and techier, I still love the beauty of vocal-based electronic music. Every genre, from house music and trance to electro and techno, has given the dancefloor magical moments through big vocal tracks. That feeling a big vocal song has on a festival crowd is hard to describe, but when that moment comes, it’s intoxicating.” The collaboration with AZTECK was a natural choice for Hardwell, given their previous work together. Recognized for his exceptional production skills and keen ear for captivating toplines, AZTECK’s recent successful releases attest to his talent. Hardwell shares his excitement about the collaboration, stating, “Azteck and I have known each other for a while, having previously worked together on music. As his recent run of form proves, he’s a great producer with a fantastic ear for a topline. So, I knew a big vocal collab with Azteck would be a fire release for the summer. But the track needed a specific type of voice to make it work, and the unique raspy quality of Alex’s voice made her the perfect fit for the distorted topline on ‘Anybody Out There’.” ‘Anybody Out There’ holds a special significance for Hardwell as it represents his desire to infuse his new style into a vocal-driven anthem that combines various elements of his sound to create a captivating hybrid track. Reflecting on the process, he explains, “This track is special to me because I’d been longing to repurpose my new style into a vocal-driven anthem that blended other elements of my sound to create a sort of hybrid track. It needed the right emotion in the track, the right chords, and perfect balance in arrangement to fit the current sound.” With its fusion of cutting-edge electronic music and infectious vocals, ‘Anybody Out There’ promises an unparalleled audio experience that pushes the boundaries of live performance. Hardwell’s creative vision, combined with the talents of AZTECK and Alex Hepburn, guarantees an unforgettable musical journey for listeners. ‘Anybody Out There’ signifies Hardwell’s evolution as an artist, showcasing his willingness to experiment and explore new sonic territories while staying true to his core essence. Prepare to be captivated by this edgy vocal anthem that seamlessly blends hard-hitting production and melodic hooks.

Musical trailblazer and an international icon David Guetta teams up with Marten Hørger, one of the leading forces in the global Bass House movement to release their new single, ‘The Freaks’, a powerful future rave track complete with low-pitched, distorted vocals, and gigantic builds perfect for the dancefloor and beyond. In early September 2022, Hørger tested the first demo of ‘The Freaks‘ at Burning Man. The following day, he performed it at David Guetta’s show in Essen, Germany.  Guetta and Hørger had been in touch for a while, and had long wanted to collaborate on a track – finally, with ‘The Freaks’, an idea was born that was musically tangible for both of them. They started sharing their ideas on it, making tweaks, sending demos back and forth, testing the record during their tours over the following months. After David’s performance at the FIFA World Cup in Doha, Qatar, they felt the track was finished and quickly found a home for it with What A DJ / Spinnin’ Records. Whilst having recently received the title of ‘Producer Of The Year’ at the BRIT Awards, David Guetta is on a hot string of club releases. He has gone from strength to strength with his underground-focused Future Rave project alongside MORTEN; the duo released their eagerly awaited Future Rave EP ‘Episode 2’ in November, which featured the powerful lead single ‘You Can’t Change Me’ with Raye. In addition, David has massively impacted the club scene with his collaboration ‘It’s Ours’ with ARTBAT and Idris Elba, his acid-fuelled remix of Sam Smith & Kim Petras’ ‘Unholy’, and a huge remix of the hit single ‘Bad Memories’ by Meduza. ‘The Freaks’ with Marten Hørger is another great addition to this impressive string of club hits. Already reaching the #1 potion on 1001 Tracklists trending chart, ‘The Freaks’ which will definitely be heard in the festival season to come. Available now on all platforms, get  your first listen to ‘The Freaks’ below!

Australian duo Teddy Cream are back in full force with a hip hop flavoured dance track that screams party. ‘Dancer’ is a collab with Atlanta’s Benji Reyes; the renowned producer who has made a name for himself flipping tunes and going viral with millions of hits across YouTube and TikTok. Lending his vocals to ‘Dancer’ is artist, rapper, and singer-songwriter Truent, whose style is inspired by chart-topping rappers such as Drake, Lil Wayne, Eminem and many more. “Dancer is one of our favourite records and collaborations with artists living over 15,000 kms away,” explain Teddy Cream. “We all have a little dancer in us and we hope this song we loved making can help people get up and get dancing, especially as it comes into spring/summer in Australia.” “I always wanted to make a dance song with some hip hop elements sprinkled in,” says Benji Reyes. “My favourite part is definitely the drop. When the hook comes in and you hear the catchy line, added with the groovy bass line, it’s hard not to want to bob your head or get up and dance.” Vocalist Truent adds, “Me and Benji have worked on previous records together and I loved how those came out, so I knew it would be easy to make another hit. Teddy Cream added their sauce and gave us that extra push to turn our demo into a hit record!” Teddy Cream is Brandon Mangion and Vincent Calderone, two lifelong friends who began producing together at 13, touring at 18, and dominating dance music not long after. In 2017, their reworks of Sonia Dada’s ‘Lover’ and Daryl Braithwaite’s hit ‘Horses’ climbed the ARIA Club Charts and Spotify Viral Chart and amassed over 4.5 million combined streams. Their 2019 release ‘Summer Jam’ has over 5 million streams and charted across Europe, with follow up singles ‘Home’ and ‘Better Now’ proving them a force to be reckoned with in the dance music landscape. Known for their high energy DJ sets, their live videos have already amassed over 6 million likes on TikTok and tens of millions more views on Facebook. Benji Reyes is a music producer/DJ from Atlanta, Georgia. He started his music career a few years ago by doing unofficial remixes of popular songs namely Drake’s ‘Hotline Bling’ and Post Malone’s ‘Congratulations’ which went viral on Vine and TikTok alike amassing millions of streams. Following on from his successful remixes he began releasing original music independently in 2018 and his first song, ‘Double Tap’ gained millions of views on YouTube. Truent is a recording artist, rapper, and singer-songwriter from Cartersville, Georgia. He started writing raps at the age of 15 and recording original songs at 18. Truent is known for his versatility, melodic style, catchy hooks, and intricate flows which culminate to the qualities of a true hit maker. A dance pop tune sprinkled with dark hip-hop elements like ‘Dancer’ is bound to make crowds go wild, and with Teddy Cream returning to the touring circuit in early 2022, dancefloors won’t know what hit them.

Multiplatinum cross-genre phenomenon, artist, producer, and DJ ILLENIUM unveils his latest single entitled “Wouldn’t Change A Thing” featuring Thirty Seconds To Mars. The song notably marks the first new music from legendary, record breaking band Thirty Seconds To Mars in three years. “Wouldn’t Change A Thing” sets the stage for the Deluxe Edition of ILLENIUM’s fourth full-length album, FALLEN EMBERS, on October 22, 2021. It will be the inaugural release under his newly minted deal with Warner Records. The single fuses ILLENIUM’s immersive and cinematic production with a heavenly and hypnotic vocal melody from Thirty Seconds To Mars frontman Jared Leto. Backed by Shannon Leto’s powerful drums, icy synths pulsate in the background before a shuddering dancefloor-ready groove takes hold. Meanwhile, Jared Leto projects the hook loud and clear, “No matter what happens, she’s a fatal attraction to me. I wouldn’t change a thing.” In the accompanying Visualizer, images of flames, rain, and sparks underline the track’s emotional intensity, bringing the words to life. For the Deluxe Edition, ILLENIUM notably reupped, reloaded, and recharged this opus with five new songs. Among the new material, Virtual Riot expands “Blame Myself” featuring Tori Kelly with a new Remix, heightening the tension and release with an unpredictable glitchy breakdown. From the frenetic bounce of “Hurt Like This” to the guitar-laden crunch of “Superhero,” ILLENIUM presents the most complete and comprehensive vision of Fallen Embers now. Tallying over 400 million streams, the original FALLEN EMBERS boasted a series of anthems, including “Nightlight” (150M global streams), “Hearts on Fire” with Dabin feat. Lights (60M global streams), “First Time” feat. iann dior (50M global streams), “Sideways” with Valerie Broussard and Nurko (25M global streams), and “Heavenly Side” with Matt Maeson (5M global streams). Impressively, his career total streams have now eclipsed 5 billion and counting. Earlier this year, ILLENIUM performed a four-set show at The Las Vegas Raiders’ Allegiant Stadium, making him the first artist to ever perform at the venue. The first three sets at the show commemorated his previous 3 albums – Ashes, Awake, and Ascend. The night ended with a final set, bringing closure to the story of the previously mentioned albums and starting a new one with Fallen Embers. Throughout the summer, he also shined at festivals such as Lollapalooza, Breakaway Music Festival, Life Is Beautiful, and more. Now, he illuminates electronic music brighter than ever with Fallen Embers Deluxe Edition and much more to come.