Experience What JACK U See During Their HARD Summer Set

The Montreal-based duo and Mexico City’s dubstep powerhouse connect for a festival destroyer. Montreal-based duo Adventure Club and Mexico City native Jessica Audiffred are uniting for a festival-ready dubstep destroyer on Bassrush Records. “HERO” is a relentless rager that mixes classic reese bass builds with raucous riddim. The release marks Jessica’s fifth single on the label and follows her most recent collaboration “Dale” with Riot Ten. Primed for festival season domination, “HERO” is a weapon of track that fuses the talents of Adventure Club and Jessica Audiffred exceptionally. The revving reese basses set the tone, as breakbeat drums and pitched vocals enhance the excitement. As the tension hits its climax, the track descends into a cacophony of drilling industrial sound design, laser synths, punching percussion, and guttural low-end. The explicit out-of-breathe pre-drop vocals match the pace and intensity while distorted chants amplify the anthemic appeal. “HERO” is an impenetrable force with villainous undertones proving that, sometimes to overcome evil, you need to embrace it. Taking listeners on a rollercoaster riddled with heart-pumping highs and sinister drops, the collaboration is primed to take over the summer. Touching on the excitement of their new collab, Adventure Club says, “It’s incredibly exciting to have another release with Jessica! She’s so talented and we hope all our fans enjoy ‘HERO.’ Jessica Audiffred echoes their anticipation, stating, “The followup to our last collab, this one is a lot heavier than the last and very recognizable from our live sets. We already know you guys love it; excited to finally make it available to you all.” Adventure Club is a Grammy-nominated production duo hailing from Montreal. The pair first connected in a pop punk band before refining their vision in the electronic space. The duo have become internationally renowned for their expansive sound that ranges from festival-ready dubstep to melodic EDM. Adventure Club are hot off of their 25-stop ‘Heroes & Villains’ Tour and are gearing up for their headline show at LA Historic Park, as well as festival dates at EDC Las Vegas, Forbidden Kingdom, Beyond Wonderland at the Gorge, and Dancefestopia. Mexico’s crown jewel Jessica Audiffred has risen to the top of the ranks of the dubstep scene with her bass-heavy sound. Her music has gained support from some of the scene’s foremost tastemakers including Excision, Doctor P, Illenium, and Hekler. She is riding high off her debut headline show at Hollywood Palladium, as part of her immersive ‘Mad House’ Tour, and is sitting on a stacked run of festival dates including EDC Las Vegas, Forbidden Kingdom Festival, Beyond Wonderland at the Gorge, Bonnaroo, and Ubbi Dubbi. “HERO” is a destructive dubstep weapon that is built to take over the impending festival season.

The spiritual successor to “FRACTALS” arrives on February 16th, 2024. Subtronics, the maestro of bass music, has once again embarked on a journey into the realm of unstable particles with the announcement of his highly-anticipated sophomore album, “TESSERACT.” Following the success of his debut album, “FRACTALS,” released just over two years ago, Subtronics is gearing up to unveil the next chapter in his musical odyssey. Scheduled to drop on Friday, February 16th, “TESSERACT” not only shares its name with the bass music superstar’s current tour but also promises to redefine the boundaries of his sonic universe. The year 2024 has already proven to be a whirlwind for Subtronics, who recently announced his fourth Red Rocks takeover, “Cyclops Rocks,” and unleashed his second collaboration with Rezz, titled “Black Ice.” Reflecting on “TESSERACT,” Subtronics expressed his vision for the album as a pivotal moment in his artistic evolution. “I hope [TESSERACT] leaves a long-lasting impact on the listener and the dance music community as a whole. It is truly something I can look back on in 30 years and still be proud of because I know that this is the sound I am truly passionate about, and I really gave it my everything. This album is my second child, more than two years in the making, and I poured everything I could into it.” In conjunction with the album, the team behind Cyclops Recordings has meticulously crafted a bespoke audiovisual experience, perfectly complementing the otherworldly essence of “TESSERACT.” Commenting on the album’s sonic landscape, Subtronics elaborated, “Sonically speaking, I believe this wholly represents my personality and sound as best as I can thus far, with the things I have learned over the years, in conjunction with what I have recently been inspired by. ‘TESSERACT’ is a proper sequel to my first album ‘FRACTALS,’ and in the same sense, I once again aimed to demonstrate my range in style, sound, and emotion. Some songs are meant for the dancefloor, some are meant for the car, and some are meant to serenade you to sleep. I am trying as best I can to create an immersive alternative reality with a magical yet sci-fi-esque world of energy and feeling across the entire spectrum.” View this post on Instagram A post shared by Subtronics (@subtronics)  

Australia’s ShockOne announces third studio album ‘Organism Algorithm’ plus announces AU/NZ ‘Organism Algorithm’ Tour. Australian cultivator of bass ShockOne shares the exciting news that his third studio album ‘Organism Algorithm’ will soon be dropping alongside the announcement of his forthcoming ‘Organism Algorithm’ Tour. The album, slated for release via Dark Machine Records on the 23rd February 2024, is set to be a defining moment for ShockOne whose breadth of musical ability and epic live shows have seen him go from a pioneer of the drum & bass scene in Australia and New Zealand to growing his audience right around the globe. Featuring releases ‘Follow Me’, ‘Thinking About’ with Lee Mvtthews, recent single ‘Higher Rush’ with Freaks & Geeks and more, ShockOne’s ability to craft everything from ethereal vocal numbers to nuanced rhythmic heaters is on full display throughout this suite of sweltering anthems. Available to pre-save here. Soon to be hitting the road around Australia and New Zealand, ShockOne will kick off his ‘Organism Algorithm’ Tour on the 21st of February in Wellington, followed by dates in Auckland and Christchurch before he heads to Adelaide, Sydney, Perth and more. Joining him on some dates around Australia will be UK legends Charlie Tee, AC-13 and Issy Cross, plus local drum & bass producer on the rise Don Darkoe. Backing straight up, ShockOne then heads to the UK, taking the stage with Pendulum on their huge arena tour. Since the inception of ShockOne, he has built a dedicated audience of fans that have seen him perform at world renowned festivals including Let It Roll, Drop That, Liquicity, Rampage Open Air, Snow Machine, Spilt Milk, and more recently at Snack Festival in Perth, as well as his own national Dark Machine Warehouse tours. With the drop of ‘Organism Algorithm’ ShockOne is set to have crowds heaving once more with his raw energy and explosive bass weapons. Speaking about the upcoming tour ShockOne says “Having been out of Australia on tour for most of last year, it feels great to kick off 2024 by announcing my new album and an Australian headline tour. The Organism Algorithm tour is a completely new set full of new album material and I can’t wait to get out there performing it.” Perth artist ShockOne, Karl Thomas, has cemented his position as a cornerstone of Australian dance music. Igniting his career with the drum and bass classic ‘Polygon’ taken from the debut ‘ShockOne EP’ released on Viper records, ShockOne has gone from strength to strength as he has honed and refined his sound. Off the success of his critically acclaimed debut album ‘Universus’ in 2013, Karl relocated to London touring the album extensively throughout Europe and the UK, all the while producing a string of singles and remixes for the likes of DJ Snake, Dillon Francis, NGHTMRE & What So Not, to name a few. Non-stop on the move, ShockOne soon shared his sophomore album ‘A Dark Machine’ which saw significant streaming success, all before launching his own record label Dark Machine Records  home to many of his own expertly crafted creations as well as a roster of forward thinking bass music artists. Now with the release of his third studio album ‘Organism Algorithm’, ShockOne continues to push the boundaries of bass. ‘Organism Algorithm’ Tracklist: 1. ShockOne – Alone 2. ShockOne – Open Your Mind 3. ShockOne – Ready To Go feat. Bright Sparks 4. ShockOne – Organism Algorithm 5. ShockOne – Higher Rush feat. Freaks & Geeks 6. ShockOne – Thinkin About 7. ShockOne – Heart On Fire feat. Pauline Herr 8. ShockOne – Hey Boy Hey Girl 9. ShockOne – Follow Me 10. ShockOne – Say Woah 11. ShockOne – Hardwired 12. ShockOne – It’s All Over ORGANISM ALGORITHM TOUR DATES Wed 21st Feb – VUWSA O’Week – Wellington, NZ Fri 23rd Feb – Mothership – Auckland, NZ Sat 24th Feb – Electric Avenue Festival – Christchurch Fri 1st Mar – Hindley Street Music Hall – Adelaide, SA Sat 2nd Mar – ivy Courtyard – Sydney, NSW Sun 3rd Mar – Palm Lane – Perth, WA Fri 8th Mar – La La Land – Brisbane, QLD Sat 9th Mar – Mayberry – Darwin, NT Sun 10th Mar – Laundry Bar – Melbourne, VIC FURTHER 2024 DATES Sun 24th Mar – First Direct Arena – Leeds, UK Mon 25th Mar – Victoria Warehouse – Manchester, UK Tues 26th Mar – Utilita Arena – Cardiff, UK Thurs 28th Mar – Resorts World Arena- Birmingham, UK Fri 29th Mar – The O2 – London, UK Sun 31st Mar – Ovo Hydro – Glasgow, UK

Mark your calendars for an electrifying musical experience this March as Touch Bass, the largest bass music festival in Australia and New Zealand, returns to captivate audiences across Melbourne, Sydney, Adelaide, Perth, Brisbane, and Auckland. The festival, renowned for setting the pace in all things low-end, promises an unforgettable Easter weekend with a lineup that will reverberate through your bones. Headlining the 2024 edition is UK producer and DJ, Wilkinson. Known for his beat-thumping fusion of drum and bass, dubstep, and future jungle, Wilkinson is set to elevate the bass experience to new heights. Joining him from the UK are electronic maestro Kanine and grime sensation Flowdan. Fresh off an unforgettable late-night set at Meredith, Flowdan brings his heavy-hitting rhythms to the Touch Bass stage. Other notable artists on the lineup include Peekaboo, Infekt b2b Jessica Audiffred, SOTA, and Ren Zukii. With such a diverse array of talent, Touch Bass 2024 promises to cater to the varied tastes within the broad spectrum of bass music. “Bass music” is a comprehensive term encompassing various electronic music genres distinguished by their pronounced emphasis on bass frequencies. These genres typically feature deep, powerful basslines and have gained immense popularity in club and dance music scenes worldwide. Key subgenres under the umbrella of bass music include dubstep, drum and bass, trap, future bass, bass house, and grime. Each subgenre brings its own unique characteristics and contributes to the rich tapestry of bass-driven electronic music. As the electronic music landscape continues to evolve, new subgenres and styles consistently emerge within the realm of bass music. The genre remains dynamic, reflecting the creativity and innovation of artists as they push boundaries and redefine the sonic possibilities of bass-driven beats. Touch Bass 2024 not only promises a spectacular showcase of some of the finest talents in bass music but also invites attendees to immerse themselves in the ever-evolving world of electronic beats. Whether you’re a devoted fan or a newcomer to the genre, the festival offers a diverse and exhilarating experience that celebrates the rich tapestry of bass music. Secure your tickets and get ready to feel the bass in your bones at Touch Bass 2024. Touch Bass 2024 Dates March 24 – Shed 10, Auckland March 29 – Melbourne Pavilion, Melbourne March 29 – Entertainment Centre, Adelaide March 30 – Wellington Square, Perth March 31 – Eaton’s Hill Outdoors, Brisbane March 31 – Horden Pavillion, Sydney Ticket Information For ticket registrations, please head to the official website. https://www.youtube.com/watch?v=R7RCWmu5BqQ  

Prepare for a season of bass music euphoria as Sippy, the reigning powerhouse of the bass music scene, embarks on a homecoming tour this Christmas, electrifying stages across Australia and New Zealand. Having honed her craft at Los Angeles’ esteemed ICON Collective, Sippy epitomizes integrity and courage in her music. Having made her mark in Australia’s renowned clubs and festivals, Sippy’s journey catapulted her to global recognition, gracing some of the most illustrious bass music events in the United States. Transitioning from a supporting act for headliners like Zeds Dead and Excision to playing her own headline shows, Sippy is becoming a staple at the biggest bass music events in the US, performing at iconic venues such as Red Rocks Amphitheater and large-scale festivals including Lost Lands and HARD Summer. 
 She’s released on bass music’s most notable labels such as Deadbeats, UKF, while dishing out official remixes for A-list artists including The Chainsmokers, Zeds Dead, NERVO and more. Sippy counts the world’s biggest bass and EDM producers among her most avid and vocal supporters working with household names like Virus Syndicate and Marshmello for his Grammy-nominated album Shockwave. With a global audience and an energy that enchants any stage she sets foot on, Sippy is a force to be reckoned with. Sippy’s homecoming tour promises an unparalleled fusion of energy, bass, and unmatched stage enchantment. Brace yourself for a sonic adventure with Sippy this holiday season! Tour Dates December 22 – The Syndicate @ Amplifier bar, Perth December 23 – SHMEERE @ The Burdekin, Sydney December 29 – Rhythm & Vines Festival, NZ December 30 – Bass inferno @ Fat Controller, Adelaide December 31 – Rolling Meadows Festival, NZ January 1 – Eaton Hill Festival, Brisbane

Renowned DJ CRAZE Embarks on a Highly Anticipated 2023 Australia and New Zealand Tour. The much-acclaimed DJ CRAZE is all set to embark on an electrifying tour across Australia and New Zealand this year. Known for his unparalleled skills on the decks and his unmatched ability to captivate audiences with his music, DJ CRAZE’s tour promises to be an unforgettable experience for music enthusiasts. The tour kicks off on September 8th with a special appearance at the Melbourne DMC Championships hosted at the esteemed Laundry Bar. Following this, DJ CRAZE will take over the stage at Laundry in Melbourne for another energetic performance on the same day. The momentum continues to build as he heads to Perth to headline the Rain Dance Festival on September 9th. The excitement spreads across the Tasman Sea as DJ CRAZE graces New Zealand with his dynamic performances. On September 15th, Queenstown will groove to his beats at Seek, and on September 16th, he takes the stage at Hide in Christchurch. Returning to Australia, DJ CRAZE is set to mesmerize the audience at the Beach Road Hotel Bondi in Sydney on September 21st. The tour then makes its way to Hobart’s Altar on September 22nd, followed by a captivating performance at The Mothership in Auckland, New Zealand, on September 23rd. DJ CRAZE is renowned globally for his unmatched turntablism skills and ability to transcend genres, captivating music aficionados of all tastes. His tour promises to deliver an extraordinary auditory experience, blending cutting-edge mixes, seamless transitions, and an infectious energy that only he can bring. This tour marks an exciting opportunity for fans across Australia and New Zealand to witness DJ CRAZE’s prowess in person and indulge in an unforgettable musical journey. Tickets for the tour are expected to sell out quickly, so fans are encouraged to secure their spots early and not miss the chance to witness a true legend in action. DC CRAZE Tour Dates September 8 – Melbourne, DMC Championships @ Laundry Bar September 8 – Melbourne, Laundry September 9 – Perth, Rain Dance Festival September 15 – Queenstown NZ, Seek September 16 – Christchurch NZ, Hide September 21 – Sydney, Beach Road Hotel Bondi September 22 – Hobart, Altar September 23 – Auckland NZ, The Mothership

Deadmau5 is set to release ‘We Are Friends 11’ compilation, featuring a new single from the artist himself. The compilation has been highly anticipated, following the release of ‘XYZ’ in the latter half of last year. Deadmau5, known for leading the mau5trap label, has worked with SHOTTY HORROH in the past to incorporate hip hop elements into his music. In his latest release, he teams up with YTCracker on a new single. “YTCracker is a formerly notorious computer hacker who stopped hacking everyone’s gibson and started rapping about it instead. Recognized as a forefather of the ‘nerdcore’ genre[…]” – deadmau5 The new collaboration with YTCracker exhibits many of the same sonic and rhythmic elements as deadmau5’s past work with SHOTTY, while also maintaining the unique, nerdy style that fans have come to adore. Deadmau5, whose real name is Joel Thomas Zimmerman, is a Canadian musician and producer known for creating a range of electronic music within the progressive house genre and beyond. The highly anticipated ‘We Are Friends 11’ compilation album arrives later this year. Keep an eye out for more information on the release date and track list. In the meantime, be sure to follow deadmau5 on social media to stay updated on all the latest news and releases. We can’t wait to hear what’s in store on this new album.

Maya Jane Coles releases the next project under her Nocturnal Sunshine alias, joining forces with mysterious rapper CHA$EY JON£S on brand-new EP ‘LDN’, out now. Growing up in west London in the mid-00s, much of Maya’s influences were within the rap and hip-hop worlds, something reflected in this latest EP, ‘LDN’ which offers fans a rarely-seen glimpse into what Maya might sound like if she hadn’t pursued a career in electronic music. Under the Nocturnal Sunshine moniker, Maya explores grittier musical themes and on ‘LDN’ has teamed up with rapper, actor (Top Boy, I May Destroy You), and childhood friend CHA$EY JON£S, to redress the balance. Having originally made music together while at school in London, ‘LDN’ represents a full circle moment for both artists. The pair previously connected on the 2019 Nocturnal Sunshine album Full Circle, on tracks such as ‘Fuck Fame’, ‘Dash’ and ‘Bandit’. A five-track release, ‘LDN’ is a slick, downbeat hip-hop record. Kicking things off, the title track immediately sets the tone, pairing smooth production with even smoother bars courtesy of Cha$ey. Continuing with this energy is ‘No Smoke’, while ‘Really Really’ brings darker, menacing energy. ‘Tralalala’ is the most maximalist track on the EP, before ‘CHA$EY’ ensures things close out on a memorable note. “It feels amazing to finally be able to share this EP with you all,” says Maya. “The Nocturnal Sunshine x CHA$EY JON£S project is something very close to my heart. I was producing hip-hop years before I ever got into electronic/club music, it was my first musical love. Not only that but Cha$ey and I used to make music together when we were 15 and we even started a rap duo back then. Years later, to be making music again with one of my best mates feels like magic. ‘LDN’ is a collection of the first tracks we made when we started working together again. We’ve been working on so much material and this is only the beginning of what’s to come.” It’s been more than ten years since British-Japanese artist Maya Jane Coles unleashed the modern house classic ‘What They Say’. She has since shifted the focus towards her Nocturnal Sunshine project, collaborating with the likes of Peaches, Miss Kittin and Young M.A. among others. Maya Jane Coles demonstrates her versatility as an artist with this slick collaborative EP released under her Nocturnal Sunshine alias.

After a whirlwind fourteen years in the dance music industry, famed Festival Trap founder Carnage has announced his retirement at the age of 31. Carnage’s groundbreaking work in the early 2010s helped usher in a new genre called “festival trap,” a thunderous, 808-heavy twist on the saturated electro music that dominated festivals at the time. Buoyed by a thriving SoundCloud community, festival trap quickly became a movement—and Carnage was its vanguard. While dance music was his primary focus, Carnage’s brushstroke painted a far more colorful mosaic in the music community. He operated as a prolific hip-hop producer, collaborating with a myriad of the world’s top rappers, such as Mac Miller, Migos, Rick Ross, Wiz Khalifa, Young Thug and Meek Mill, among many others. Lunar Electric is set to host the final two performances from Carnage after he announced his farewell to the dance music community earlier this month. Lunar Electric will take place in Parramatta Park in Sydney on June 4, followed by Doug Jennings Park on the Gold Coast on June 11, 2022. Also on the bill with Carnage’s history-making set is a heart-thumping lineup featuring the likes of Pendulum, Darude, Sunset Bros, Tigerlily, Enschway, Dimatik, Hooligan Hefs and many more. Thank You pic.twitter.com/RYkF5tiwT5— GORDO (@djcarnage) May 5, 2022 Lunar Electric 2022 Festival Dates Saturday June 4 – Parramatta Park, Sydney NSW Saturday June 11 – Doug Jennings Park, Gold Coast QLD Tickets – secure your tickets online here. DJ Carnage · BRICKS (feat. Migos) [Original] DJ Carnage · Hardwell – Spaceman (Carnage Festival Trap Remix) DJ Carnage · Carnage – WDYW Feat. Lil Uzi Vert, A$AP Ferg, Rich The Kid ZB the local boy · 7. Carnage – Break The Fucking Walls Down (BTFWD) Feat. Junkie Kid

Australia’s rising star Moss returns with a heavy-hitting follow up to ‘SABRE TEETH’, releasing ‘SPEED DIAL (feat. BRIA)’ via October Records. After making a splash with his triple j Unearthed DIY Supergroup winning track, Moss picks up where ‘SABRE TEETH (feat. Genesis Owusu)’ left off, introducing the single with subtle didgeridoo vibrations before the foot is pressed down on the sonic gas pedal. The Indigenous producer’s aptitude for utilising dynamic drums and powerful bass to evoke atmospheric and emotive narratives is on full display. He teams with Brisbane-based up-and-coming singer/songwriter BRIA who’s pertinent vocals centred around the uncertainty and instability of online dating, provide the perfect hook. Moss discusses the single and the direction of his sound saying, “I’ve teamed up on this record with powerhouse singer/ songwriter BRIA and we’ve built something very special. SPEED DIAL is the sonic infusion of the ups and downs of online dating – especially when they don’t text back. This single represents a development of my sound and I can’t wait for you to hear it. All gas, no brakes.” On the narrative behind the record, BRIA said, “The idea for SPEED DIAL came out of the 2020 Brisbane COVID lockdown. After everyone was exclusively online dating, I found hookup culture was more present than ever. Moss’ dramatic production was the perfect accompaniment for my narrator’s situationship.” Brisbane talent BRIA, who amassed a sizable online following across TikTok and Instagram, recently released her debut single ‘Taking It Off’. The track has seen airplay on triple j and acclaim from Declan Byrne, Tommy Faith, Abby Butler, and Dave Ruby Howe on triple j Unearthed. Embracing femininity and sensuality within her craft, she takes influences from the likes of Charli XCX, Lorde, and Caroline Polachek. Sydney-based producer, Moss rose to prominence earlier this year after taking out the triple j Unearthed DIY Supergroup competition, with his release ‘SABRE TEETH’, before announcing his signing to October Records. Sampling the likes of Alison Wonderland, Touch Sensitive, San Cisco, Vallis Alps, and Genesis Owusu, the latter of which jumped on as a feature artist, Moss crafted a very Australian moment, yet it was his iconic didgeridoo bass drop that impressed triple j presenters and listeners alike. The track went on to become one of the most played on the station, with Moss appearing on triple j’s Friday Mix, and Mix Up as part of NAIDOC week, while the single’s momentum carried it to the top of the Australian Shazam Chart. While ‘SABRE TEETH’ showcased Moss’ talent to a wider audience, the bass producer has been honing his craft with singles such as ‘From The Start’ and ‘Shimmer’ both of which premiered on triple j and rose the triple j Unearthed Electronic charts. Having already played alongside some of the heaviest hitters in the industry – Skrillex, RL Grime, Flosstradamus, Marshmello, just to name a few – Moss has positioned himself as a producer capable of rubbing shoulders with some of the world’s best.

The Iconic Duo Reunite For Their Reimagined Version Of Classic Party Anthem “Get Low.” 2x-GRAMMY-nominated artist and producer Steve Aoki joins forces with GRAMMY-award-winning rapper and producer Lil Jon on their new collaboration “Get Lower.” The single pays homage to Lil Jon’s 2003 dominating chart-topping club record “Get Low,” which charted at #1 on Billboard Hot Rap Songs and #1 on Billboard Rap Airplay, featuring Aoki’s brand new electro-driven production and with new original recorded vocals by Lil Jon. “Get Lower” marks the fourth official collaboration between Steve Aoki and Lil Jon, dating back to their first record together “Turbulence,” which became a nightclub smash and a sports event staple. The two artists share a decades-long friendship and have performed all over the world together, including stages in Japan, at SXSW, Ultra Music Festival, and most recently, the mainstage at Tomorrowland 2023. Their adventures together in the studio and rocking global stages are captured in the brand new music video for “Get Lower,” out today. “Jon and I have been friends for years, and whenever we get together on a track, it’s a party. When we performed at Tomorrowland last year, the energy was off the charts, and we knew we had to create another festival anthem. ‘Get Low’ is one of the most hype tracks of all time, and it’s an honor to work with Jon to bring it back for the next generation.” – Steve Aoki “It’s crazy that Steve reached out to me about this song, especially considering it’s the 20th anniversary of the track this year! I’m grateful for our friendship over the years, and there’s no better way to honor this milestone for ‘Get Low.’” – Lil Jon “Get Lower” is Steve Aoki’s first single of 2024. The new release follows Aoki’s 8th studio LP HiROQUEST 2: Double Helix, which includes collaborations “Locked Up” with Akon, “Invitame A Un Cafe” with Ángela Aguilar, and “Us” featuring ERNEST. Steve Aoki has also remixed the NFL on CBS Theme song, which fans can hear throughout the Super Bowl this weekend. “Get Lower” follows Lil Jon’s recent singles “Bombón” with Daddy Yankee and El Alfa, “Let’s Get Crazy” with Don Omar “JUMPIN” with Pitbull, and “Till The Club Close” with Tiffany Haddish, and Fivio Foreign. The new track arrives nearly twenty years after Lil Jon changed the face of hip-hop and global music culture by releasing “Get Low.” “Get Low” peaked at #2 on the Billboard Hot 100 and is recognized as a pivotal track for propelling crunk music into the mainstream. https://www.youtube.com/watch?v=bwfU8p6NFfE  

ULTRA Worldwide will return to Australia in 2024, debuting a brand-new event in Gold Coast before returning to its hometown of Melbourne. For the very first time, ULTRA Beach Gold Coast will host its inaugural edition on Friday, April 12, at the picturesque Broadwater Parklands. The single-stage event will feature an impressive lineup of award-winning, international, chart-topping DJs and performers. On Saturday, April 13, ULTRA Australia will make its return to Melbourne for the festival’s fifth year. The one-day, three-stage event will feature the Main Stage, esteemed underground sounds of the RESISTANCE Stage, and the UMF RADIO Stage, which will showcase Australia’s leading local DJs. Tickets will go on sale this Thursday, 25 October at 11am AEDT for the Ultra Passport Members Pre-Release and Ticketek Members at www.ultraaustralia.com. In past years, over 40,000 Australian ULTRAnauts have witnessed world-class events from global chart-topping performers such as The Chainsmokers, Martin Garrix, Marshmello, Afrojack, DJ Snake, Deborah De Luca, Eric Prydz, Zedd, Tiger Lily and Will Sparks. ULTRA Worldwide continues to cement its status as the most international music festival brand, boasting active events on all six inhabited continents. The global festival brand is celebrated for delivering an unparalleled combination of top-tier electronic talent, cutting-edge technology and large-scale productions. Festival Dates Gold Coast When: Friday, 12 April 2024 Where: Broadwater Parklands Melbourne When: Saturday, 13 April 2024 Where: Flemington Racecourse Tickets Pre-Registration Tickets On Sale From 12pm, Thursday 26 October 2023 General Admission On Sale From 12pm, Friday 27 October At Secure tickets online here.

DLDK (Don’t Let Daddy Know) has in recent years, blossomed into a global phenomenon, drawing renowned artists and a legion of dedicated fans. Set to make its long-awaited Australian debut in January, DLDK’s first Australian tour promises to elevate the country’s already vibrant festival season. DLDK’s lineup is nothing short of explosive, with Grammy Award-winning DJ and producer AFROJACK leading the charge. AFROJACK is acclaimed for his groundbreaking track “Take Over Control” and high-profile collaborations with music icons like Martin Garrix, Steve Aoki, Ne-Yo, Pitbull and Nicki Minaj. Joining AFROJACK on DLDK’s inaugural Australian tour is the ever-popular festival sensation, Timmy Trumpet, whose high-energy sets have captivated audiences worldwide. Adding to the excitement is Danish DJ MORTEN, a pioneer of the ‘future rave’ genre, alongside his close friend and collaborator David Guetta. MORTEN’s electrifying stage presence has graced some of the world’s most prestigious festivals, and he notably held a residency with David Guetta in Ibiza in 2022. Returning to Australia for DLDK are Dutch hardstyle sensations Sub Zero Project, renowned for their exceptional productions and unique sound, making them a must-see act for EDM enthusiasts. DLDK is also shining a spotlight on local talent, including RESTRICTED, Dimatik, and Bobby Neon, who will add their distinctive flavors to the already impressive lineup. Beyond offering a thrilling day out, DLDK stands out as a passionate EDM platform, dedicated to showcasing cutting-edge talent and staying at the forefront of identifying rising stars in the industry. Pre-sales are scheduled to commence on Wednesday, October 11, with general ticket sales opening at 12 PM on Tuesday, October 17, available through Ticketek Australia. Don’t miss out on this historic event! Don’t Let Daddy Know Australia 2024 Lineup Afrojack Timmy Trumpet Morten Sub Zero Project Restricted Bobby Neon Dimatik Event Information Friday 12 January Qudos Bank Arena, Sydney Saturday 13 January Sidney Myer Music Bowl, Melbourne Sunday 14 January Eatons Hill Outdoors, Brisbane Tickets First Release: $159.90 Second Release: $169.90 Third Release: $179.90 DLDK Waitlist Pre-Sale: Wed 11 Oct 12pm – Fri 13 Oct 1pm (Local) WhattIsLively Pre-Sale: Fri 13 Oct 2pm – Mon 16 Oct 8am (Local) I Heart Radio, & Ticket Pre-Sale: Mon 16 Oct 9am – Tue 17 Oct 11am (Local) General Tickets On Sale: Tue 17 Oct 12pm (Local)

Ben Nicky & Example Sample Tag Team On New Festival Heater ‘There It Is.’ Ben Nicky, the acclaimed DJ/producer with a decade-long rise to fame, makes an impressive debut on Spinnin’ Records with his latest single “There It Is,” featuring the dynamic vocals of fellow UK artist Example. Co-produced by platinum-accredited producer James Angus and UK producer Callum Higby, the creative group masterfully incorporated the famous chorus line from Tag Team’s early 90s hit. Example’s distinctive vocal style adds fire to the mix, while Ben Nicky brings his signature rousing house beats, rhythmic piano chords, and powerful synth hooks, creating a mesmerizing climax destined to dominate festival stages worldwide throughout the year. With a string of club hits under his belt since the early 2010s, Ben Nicky has solidified his status as a multi-genre specialist, fusing house, progressive, techno, and hard dance influences to captivate audiences globally. His 2021 rework of Faithless’ “We Come 1” amassed over 1 billion views worldwide and received consistent radio airplay. Recent hits like “Thank You” and his reimagining of the classic “Adagio For Strings” continue to gain momentum. Additionally, Ben Nicky has collaborated with superstars such as Calvin Harris, Ellie Goulding, David Guetta, Diplo, Steve Aoki, Armin van Buuren, Timmy Trumpet, and legendary rock artist Sting. In a milestone collaboration, Ben Nicky joins forces with London’s notorious singer/rapper/songwriter, Example. Renowned for his flexible yet powerful vocal style, Example has been making waves since the mid-2000s, releasing anthems that bridge electronic, rap, and pop genres, earning platinum albums and headlining festivals like Glastonbury and Creamfields alongside Swedish House Mafia. “There It Is” showcases the distinct vibes of both artists. The track, fueled by infectious piano chords and a firm house beat, sees Example’s straightforward vocal style shine, with unique lyricism against the backdrop of the chorus line from Tag Team’s 1992 hit “Whoomp (There It Is).” The result is a brilliant piece of house music with an invigorating progressive vibe, expertly crafted by these two seasoned artists. Nicky Romero, Mike Williams, Blasterjaxx, Timmy Trumpet, and Lucas & Steve are just a few of the DJs who have already embraced “There It Is.” With its official release on Spinnin’ Records, the song is poised to dominate dancefloors worldwide, making it a must-hear anthem for this year’s festival season. Don’t miss out on experiencing the electrifying collaboration of these industry veterans. Catch “There It Is” as it sets dancefloors ablaze.

Hardwell, the renowned electronic music icon, makes a triumphant return with his latest track, ‘Anybody Out There.’ Following his world-beating tour and the highly acclaimed album REBELS NEVER DIE, Hardwell continues to push boundaries by combining his edgier production style from the album with a more vocal-driven sound. Teaming up with DJ/producer AZTECK and vocalist Alex Hepburn, ‘Anybody Out There’ captures the raw, unfiltered energy that has become synonymous with Hardwell’s recent work while infusing an undeniable pop sensibility that is poised to dominate both dancefloors and airwaves this summer. In Hardwell’s own words, “Although my new sound is much harder-edged and techier, I still love the beauty of vocal-based electronic music. Every genre, from house music and trance to electro and techno, has given the dancefloor magical moments through big vocal tracks. That feeling a big vocal song has on a festival crowd is hard to describe, but when that moment comes, it’s intoxicating.” The collaboration with AZTECK was a natural choice for Hardwell, given their previous work together. Recognized for his exceptional production skills and keen ear for captivating toplines, AZTECK’s recent successful releases attest to his talent. Hardwell shares his excitement about the collaboration, stating, “Azteck and I have known each other for a while, having previously worked together on music. As his recent run of form proves, he’s a great producer with a fantastic ear for a topline. So, I knew a big vocal collab with Azteck would be a fire release for the summer. But the track needed a specific type of voice to make it work, and the unique raspy quality of Alex’s voice made her the perfect fit for the distorted topline on ‘Anybody Out There’.” ‘Anybody Out There’ holds a special significance for Hardwell as it represents his desire to infuse his new style into a vocal-driven anthem that combines various elements of his sound to create a captivating hybrid track. Reflecting on the process, he explains, “This track is special to me because I’d been longing to repurpose my new style into a vocal-driven anthem that blended other elements of my sound to create a sort of hybrid track. It needed the right emotion in the track, the right chords, and perfect balance in arrangement to fit the current sound.” With its fusion of cutting-edge electronic music and infectious vocals, ‘Anybody Out There’ promises an unparalleled audio experience that pushes the boundaries of live performance. Hardwell’s creative vision, combined with the talents of AZTECK and Alex Hepburn, guarantees an unforgettable musical journey for listeners. ‘Anybody Out There’ signifies Hardwell’s evolution as an artist, showcasing his willingness to experiment and explore new sonic territories while staying true to his core essence. Prepare to be captivated by this edgy vocal anthem that seamlessly blends hard-hitting production and melodic hooks.

EDC Thailand marks a new chapter for the electric sky, set to dazzle in just six months. EDC (Electric Daisy Carnival) is set to make its debut in Thailand, bringing its iconic festival experience to the stunning shores of Phuket. The inaugural EDC Thailand will take place on January 17, 18, and 19, 2025, at the picturesque Boat Avenue Lakefront. What began as a humble underground event in Los Angeles has grown into a global phenomenon. EDC now hosts festivals in major cities including Las Vegas, Orlando, Mexico City, Tokyo, and EDSEA, and Thailand is the latest addition to this illustrious list. Each EDC event uniquely combines top-tier electronic music, intricate light displays, massive art installations, and a profound sense of unity and love among attendees, who are affectionately known as Headliners. The announcement of EDC Thailand in early July sent waves of excitement through the EDM community. The official confirmation came via the creation of an Instagram account for the festival, with the first post stating, “Hello #EDCThailand. Hello Thailand. Stay tuned for official updates! EDCThailand.com.” Founder and CEO Pasquale Rotella had previously hinted at this new location during an interview for the EDC Las Vegas 2024 lineup announcement. He mentioned, “And then we toured around the world. I mean we’ve been to China, Thailand,” followed by a noticeable pause, realizing he had let slip this exciting news. The official dates were announced a month later, solidifying plans for the festival. “We’ve been all around the world and are excited to invite you to our next EDC chapter! Presenting #EDCThailand: Jan. 17+18+19, 2025 at Boat Avenue Lakefront, Phuket. We cannot wait to create unbelievable memories with all of YOU under the Electric Sky, Headliners!” read the post from EDC. As the countdown to January 2025 begins, fans from across the globe are eagerly making plans to attend this historic event, as reflected in the enthusiastic comments on the festival’s social media posts. The Thailand chapter promises to be a significant milestone in EDC’s storied history, offering an unforgettable experience for all attendees.

Ultra Japan has announced the first phase of its lineup for the festival’s 9th edition in Tokyo. Scheduled for September 14-15, Ultra Japan will bring some of the most sought-after acts in techno and house music to Odaiba Ultra Park. This year’s festival will feature two stages – the Ultra Main Stage and the Resistance Stage – both packed with electrifying performances by renowned dance music icons. The Ultra Main Stage will host trance legend Armin Van Buuren, electronic music stars Afrojack and Alesso, as well as Steve Aoki. Additionally, ISOxo and Knock2 will join forces once again, known for their unique blend of trap and bass house. The Resistance Stage, focusing on techno, will feature top-tier artists such as Eli Brown, Richie Hawtin, and Anfisa Letyago. Fans can also look forward to performances by Massano, known for his melodic techno, Hot Since 82, and progressive house artist Miss Monique. The lineup is further bolstered by Subtronics, Brennan Heart, and Disco Lines. Ultra Music Festival, a global leader in music events, hosts festivals in approximately 20 countries, including Brazil and Australia. Japan was added to the roster in 2014 and has attracted around 100,000 attendees in past years. With this initial lineup announcement, Ultra Japan 2024 promises to deliver two days of exceptional music and an unforgettable festival experience. Passes for Ultra Japan are now available. For more information and future lineup updates, visit the official website. In the meantime, prepare for an epic celebration of dance music and check out the festival’s official recap video. https://www.youtube.com/watch?v=FqdBBYwJRWQ  

Australian breakout drum and bass producer Luude today announces the launch of his new imprint No Instruction in partnership with his long standing management company Cloak, distributed by Virgin Music. The new imprint is about creating legitimate moments for artists using the live platform and global network of the team. Luude shares “we want to throw good parties, put out records we like from people we like and we want to have a good crack at doing all those things as best and big as possible.”  To mark the debut, No Instruction presents its first release, ‘Fun In The Sun,’ by Luude & Perth based producer Harry Bee. The left field club heater has quickly become one of Luude’s most requested songs of the year, with videos of the record posted across ID pages amassing over 3 million views and generating widespread anticipation. The track perfectly encapsulates the essence of No Instruction, it’s a bit weird and made for the dancefloor. Sharing his excitement about the release and the launch of the label, Luude shares “I’m really happy to be launching this imprint with a collab featuring one of my best mates from Australia – having an outlet to do things like this is sick. We’ve got some mental records coming from some of my favourite producers,  some parties around the world, we’re doing vinyl and just going back to doing things for the club, which is something I’ve wanted to do for a long time.” Cloak, the management team behind No Instruction, emphasises the label’s mission to embrace creativity and innovation, “people told us this was a stupid idea, launching a new imprint by releasing a collab with one of Luude’s mates from back home – with some pretty high-profile collaborations that could have been first. But being able to do things like this is what this label is about. The fact that it’s been one of the most requested tunes of the year for Luude is testament to the fact that buzzing records can come from anywhere.” In addition to its innovative approach to music, No Instruction will launch with a series of underground parties across the UK, Europe and Australia throughout 2024. The inaugural event, a secret pop up party at a very coveted London location, will kick off on July 31st, featuring performances by Luude, Bushbaby, Efan, Willo and Denham Audio. Australian producer Luude has firmly established himself on the global stage with back-to-back hits like ‘Down Under’ and ‘Big City Life,’ which have sold millions of copies and earned multi-platinum certifications worldwide. His achievements include an ARIA award for Best Dance Release, a nomination for the Michael Gudinski Breakthrough Artist award, “Best International Artist” at the 2022 Drum and Bass Awards, 3x BBC Radio 1 Hottest Records, and multiple platinum, gold, and silver certifications. Luude’s relentless touring and dynamic performances, including his recent sold out run with Chase & Status across Australia and New Zealand, have cemented his status as one of Australia’s most in-demand artists. Luude & Harry Bee’s new single ‘Fun In The Sun’ is out now on No Instruction. Follow No Instruction across socials for info on all upcoming shows and releases.

Roughly 100,000 people will experience Anyma’s unprecedented, six-night residency, delivering the Sphere’s first-ever electronic dance music shows. The acclaimed Italian DJ and producer will be the first electronic dance music artist to perform at the world’s largest spherical structure, the $2.3 billion Sphere. Following the announcement of a landmark New Year’s Eve headlining show, the venue added five additional events due to “incredible ongoing demand,” according to a press release. All six concerts, scheduled from December 27th to January 1st, sold out in less than 24 hours. Anyma, co-founder of the Afterlife label and touring brand, is renowned for his haunting and immersive visuals that push the boundaries of live electronic music. His residency at the Sphere will feature his signature blend of techno with innovative visual elements, utilizing the world’s largest and highest-resolution wraparound LED screen inside the giant orb. This residency marks a significant milestone for the Sphere, which has previously hosted only a few legendary rock and jam bands such as U2, Phish, Dead & Company, and The Eagles. As Anyma prepares to deliver an EDM-fueled spectacle in this iconic venue, he has promised “the best show” of his career. View this post on Instagram A post shared by Anyma (@anyma)

Cercle Odyssey to Offer a No-Phone Experience for Deeper Audience Connection The esteemed Parisian production company and event organizer, Cercle, is set to unveil an innovative concert series under the title “Cercle Odyssey.” Imagine entering a vast concert arena where you are encircled by enormous screens. These screens, towering up to 40 feet high and stretching as far as 180 feet, envelop the audience with high-definition visuals that harmonize seamlessly with the music. This setup is designed to make attendees feel as though they are part of the performance, rather than mere spectators. To enhance audience engagement and foster genuine connections, Cercle Odyssey will implement a strict no-phone policy. This decision aligns with a growing movement within the electronic dance music community, where many prominent artists and organizations are advocating for increased presence and interaction during live events. Scheduled to debut in 2025, Cercle Odyssey aims to bring its unique, immersive experience to dance music enthusiasts worldwide. According to Billboard, this 360° spectacle promises to draw fans closer to the distinctive experiences that Cercle is known for offering. “My current obsession is to create the shortest connection between the music played by the artist, the video narrative that we will present live on the screens, and the audience’s emotions,” said Derek Barbolla, Founder of Cercle. “I want to connect these three things together at the deepest level and I believe this is still underdeveloped in the entertainment industry. If, by the end of a Cercle Odyssey show, I see people on the dance floor literally moved to tears, then I will consider it a success.” For more information about Cercle Odyssey, watch the video below. https://www.youtube.com/watch?v=mMoaFnrCQQA