Martin Garrix delivers ID-filled set at Tomorrowland Around The World

The Iconic Duo Reunite For Their Reimagined Version Of Classic Party Anthem “Get Low.” 2x-GRAMMY-nominated artist and producer Steve Aoki joins forces with GRAMMY-award-winning rapper and producer Lil Jon on their new collaboration “Get Lower.” The single pays homage to Lil Jon’s 2003 dominating chart-topping club record “Get Low,” which charted at #1 on Billboard Hot Rap Songs and #1 on Billboard Rap Airplay, featuring Aoki’s brand new electro-driven production and with new original recorded vocals by Lil Jon. “Get Lower” marks the fourth official collaboration between Steve Aoki and Lil Jon, dating back to their first record together “Turbulence,” which became a nightclub smash and a sports event staple. The two artists share a decades-long friendship and have performed all over the world together, including stages in Japan, at SXSW, Ultra Music Festival, and most recently, the mainstage at Tomorrowland 2023. Their adventures together in the studio and rocking global stages are captured in the brand new music video for “Get Lower,” out today. “Jon and I have been friends for years, and whenever we get together on a track, it’s a party. When we performed at Tomorrowland last year, the energy was off the charts, and we knew we had to create another festival anthem. ‘Get Low’ is one of the most hype tracks of all time, and it’s an honor to work with Jon to bring it back for the next generation.” – Steve Aoki “It’s crazy that Steve reached out to me about this song, especially considering it’s the 20th anniversary of the track this year! I’m grateful for our friendship over the years, and there’s no better way to honor this milestone for ‘Get Low.’” – Lil Jon “Get Lower” is Steve Aoki’s first single of 2024. The new release follows Aoki’s 8th studio LP HiROQUEST 2: Double Helix, which includes collaborations “Locked Up” with Akon, “Invitame A Un Cafe” with Ángela Aguilar, and “Us” featuring ERNEST. Steve Aoki has also remixed the NFL on CBS Theme song, which fans can hear throughout the Super Bowl this weekend. “Get Lower” follows Lil Jon’s recent singles “Bombón” with Daddy Yankee and El Alfa, “Let’s Get Crazy” with Don Omar “JUMPIN” with Pitbull, and “Till The Club Close” with Tiffany Haddish, and Fivio Foreign. The new track arrives nearly twenty years after Lil Jon changed the face of hip-hop and global music culture by releasing “Get Low.” “Get Low” peaked at #2 on the Billboard Hot 100 and is recognized as a pivotal track for propelling crunk music into the mainstream. https://www.youtube.com/watch?v=bwfU8p6NFfE  

ULTRA Worldwide will return to Australia in 2024, debuting a brand-new event in Gold Coast before returning to its hometown of Melbourne. For the very first time, ULTRA Beach Gold Coast will host its inaugural edition on Friday, April 12, at the picturesque Broadwater Parklands. The single-stage event will feature an impressive lineup of award-winning, international, chart-topping DJs and performers. On Saturday, April 13, ULTRA Australia will make its return to Melbourne for the festival’s fifth year. The one-day, three-stage event will feature the Main Stage, esteemed underground sounds of the RESISTANCE Stage, and the UMF RADIO Stage, which will showcase Australia’s leading local DJs. Tickets will go on sale this Thursday, 25 October at 11am AEDT for the Ultra Passport Members Pre-Release and Ticketek Members at www.ultraaustralia.com. In past years, over 40,000 Australian ULTRAnauts have witnessed world-class events from global chart-topping performers such as The Chainsmokers, Martin Garrix, Marshmello, Afrojack, DJ Snake, Deborah De Luca, Eric Prydz, Zedd, Tiger Lily and Will Sparks. ULTRA Worldwide continues to cement its status as the most international music festival brand, boasting active events on all six inhabited continents. The global festival brand is celebrated for delivering an unparalleled combination of top-tier electronic talent, cutting-edge technology and large-scale productions. Festival Dates Gold Coast When: Friday, 12 April 2024 Where: Broadwater Parklands Melbourne When: Saturday, 13 April 2024 Where: Flemington Racecourse Tickets Pre-Registration Tickets On Sale From 12pm, Thursday 26 October 2023 General Admission On Sale From 12pm, Friday 27 October At Secure tickets online here.

DLDK (Don’t Let Daddy Know) has in recent years, blossomed into a global phenomenon, drawing renowned artists and a legion of dedicated fans. Set to make its long-awaited Australian debut in January, DLDK’s first Australian tour promises to elevate the country’s already vibrant festival season. DLDK’s lineup is nothing short of explosive, with Grammy Award-winning DJ and producer AFROJACK leading the charge. AFROJACK is acclaimed for his groundbreaking track “Take Over Control” and high-profile collaborations with music icons like Martin Garrix, Steve Aoki, Ne-Yo, Pitbull and Nicki Minaj. Joining AFROJACK on DLDK’s inaugural Australian tour is the ever-popular festival sensation, Timmy Trumpet, whose high-energy sets have captivated audiences worldwide. Adding to the excitement is Danish DJ MORTEN, a pioneer of the ‘future rave’ genre, alongside his close friend and collaborator David Guetta. MORTEN’s electrifying stage presence has graced some of the world’s most prestigious festivals, and he notably held a residency with David Guetta in Ibiza in 2022. Returning to Australia for DLDK are Dutch hardstyle sensations Sub Zero Project, renowned for their exceptional productions and unique sound, making them a must-see act for EDM enthusiasts. DLDK is also shining a spotlight on local talent, including RESTRICTED, Dimatik, and Bobby Neon, who will add their distinctive flavors to the already impressive lineup. Beyond offering a thrilling day out, DLDK stands out as a passionate EDM platform, dedicated to showcasing cutting-edge talent and staying at the forefront of identifying rising stars in the industry. Pre-sales are scheduled to commence on Wednesday, October 11, with general ticket sales opening at 12 PM on Tuesday, October 17, available through Ticketek Australia. Don’t miss out on this historic event! Don’t Let Daddy Know Australia 2024 Lineup Afrojack Timmy Trumpet Morten Sub Zero Project Restricted Bobby Neon Dimatik Event Information Friday 12 January Qudos Bank Arena, Sydney Saturday 13 January Sidney Myer Music Bowl, Melbourne Sunday 14 January Eatons Hill Outdoors, Brisbane Tickets First Release: $159.90 Second Release: $169.90 Third Release: $179.90 DLDK Waitlist Pre-Sale: Wed 11 Oct 12pm – Fri 13 Oct 1pm (Local) WhattIsLively Pre-Sale: Fri 13 Oct 2pm – Mon 16 Oct 8am (Local) I Heart Radio, & Ticket Pre-Sale: Mon 16 Oct 9am – Tue 17 Oct 11am (Local) General Tickets On Sale: Tue 17 Oct 12pm (Local)

Ben Nicky & Example Sample Tag Team On New Festival Heater ‘There It Is.’ Ben Nicky, the acclaimed DJ/producer with a decade-long rise to fame, makes an impressive debut on Spinnin’ Records with his latest single “There It Is,” featuring the dynamic vocals of fellow UK artist Example. Co-produced by platinum-accredited producer James Angus and UK producer Callum Higby, the creative group masterfully incorporated the famous chorus line from Tag Team’s early 90s hit. Example’s distinctive vocal style adds fire to the mix, while Ben Nicky brings his signature rousing house beats, rhythmic piano chords, and powerful synth hooks, creating a mesmerizing climax destined to dominate festival stages worldwide throughout the year. With a string of club hits under his belt since the early 2010s, Ben Nicky has solidified his status as a multi-genre specialist, fusing house, progressive, techno, and hard dance influences to captivate audiences globally. His 2021 rework of Faithless’ “We Come 1” amassed over 1 billion views worldwide and received consistent radio airplay. Recent hits like “Thank You” and his reimagining of the classic “Adagio For Strings” continue to gain momentum. Additionally, Ben Nicky has collaborated with superstars such as Calvin Harris, Ellie Goulding, David Guetta, Diplo, Steve Aoki, Armin van Buuren, Timmy Trumpet, and legendary rock artist Sting. In a milestone collaboration, Ben Nicky joins forces with London’s notorious singer/rapper/songwriter, Example. Renowned for his flexible yet powerful vocal style, Example has been making waves since the mid-2000s, releasing anthems that bridge electronic, rap, and pop genres, earning platinum albums and headlining festivals like Glastonbury and Creamfields alongside Swedish House Mafia. “There It Is” showcases the distinct vibes of both artists. The track, fueled by infectious piano chords and a firm house beat, sees Example’s straightforward vocal style shine, with unique lyricism against the backdrop of the chorus line from Tag Team’s 1992 hit “Whoomp (There It Is).” The result is a brilliant piece of house music with an invigorating progressive vibe, expertly crafted by these two seasoned artists. Nicky Romero, Mike Williams, Blasterjaxx, Timmy Trumpet, and Lucas & Steve are just a few of the DJs who have already embraced “There It Is.” With its official release on Spinnin’ Records, the song is poised to dominate dancefloors worldwide, making it a must-hear anthem for this year’s festival season. Don’t miss out on experiencing the electrifying collaboration of these industry veterans. Catch “There It Is” as it sets dancefloors ablaze.

Hardwell, the renowned electronic music icon, makes a triumphant return with his latest track, ‘Anybody Out There.’ Following his world-beating tour and the highly acclaimed album REBELS NEVER DIE, Hardwell continues to push boundaries by combining his edgier production style from the album with a more vocal-driven sound. Teaming up with DJ/producer AZTECK and vocalist Alex Hepburn, ‘Anybody Out There’ captures the raw, unfiltered energy that has become synonymous with Hardwell’s recent work while infusing an undeniable pop sensibility that is poised to dominate both dancefloors and airwaves this summer. In Hardwell’s own words, “Although my new sound is much harder-edged and techier, I still love the beauty of vocal-based electronic music. Every genre, from house music and trance to electro and techno, has given the dancefloor magical moments through big vocal tracks. That feeling a big vocal song has on a festival crowd is hard to describe, but when that moment comes, it’s intoxicating.” The collaboration with AZTECK was a natural choice for Hardwell, given their previous work together. Recognized for his exceptional production skills and keen ear for captivating toplines, AZTECK’s recent successful releases attest to his talent. Hardwell shares his excitement about the collaboration, stating, “Azteck and I have known each other for a while, having previously worked together on music. As his recent run of form proves, he’s a great producer with a fantastic ear for a topline. So, I knew a big vocal collab with Azteck would be a fire release for the summer. But the track needed a specific type of voice to make it work, and the unique raspy quality of Alex’s voice made her the perfect fit for the distorted topline on ‘Anybody Out There’.” ‘Anybody Out There’ holds a special significance for Hardwell as it represents his desire to infuse his new style into a vocal-driven anthem that combines various elements of his sound to create a captivating hybrid track. Reflecting on the process, he explains, “This track is special to me because I’d been longing to repurpose my new style into a vocal-driven anthem that blended other elements of my sound to create a sort of hybrid track. It needed the right emotion in the track, the right chords, and perfect balance in arrangement to fit the current sound.” With its fusion of cutting-edge electronic music and infectious vocals, ‘Anybody Out There’ promises an unparalleled audio experience that pushes the boundaries of live performance. Hardwell’s creative vision, combined with the talents of AZTECK and Alex Hepburn, guarantees an unforgettable musical journey for listeners. ‘Anybody Out There’ signifies Hardwell’s evolution as an artist, showcasing his willingness to experiment and explore new sonic territories while staying true to his core essence. Prepare to be captivated by this edgy vocal anthem that seamlessly blends hard-hitting production and melodic hooks.

EDC Thailand marks a new chapter for the electric sky, set to dazzle in just six months. EDC (Electric Daisy Carnival) is set to make its debut in Thailand, bringing its iconic festival experience to the stunning shores of Phuket. The inaugural EDC Thailand will take place on January 17, 18, and 19, 2025, at the picturesque Boat Avenue Lakefront. What began as a humble underground event in Los Angeles has grown into a global phenomenon. EDC now hosts festivals in major cities including Las Vegas, Orlando, Mexico City, Tokyo, and EDSEA, and Thailand is the latest addition to this illustrious list. Each EDC event uniquely combines top-tier electronic music, intricate light displays, massive art installations, and a profound sense of unity and love among attendees, who are affectionately known as Headliners. The announcement of EDC Thailand in early July sent waves of excitement through the EDM community. The official confirmation came via the creation of an Instagram account for the festival, with the first post stating, “Hello #EDCThailand. Hello Thailand. Stay tuned for official updates! EDCThailand.com.” Founder and CEO Pasquale Rotella had previously hinted at this new location during an interview for the EDC Las Vegas 2024 lineup announcement. He mentioned, “And then we toured around the world. I mean we’ve been to China, Thailand,” followed by a noticeable pause, realizing he had let slip this exciting news. The official dates were announced a month later, solidifying plans for the festival. “We’ve been all around the world and are excited to invite you to our next EDC chapter! Presenting #EDCThailand: Jan. 17+18+19, 2025 at Boat Avenue Lakefront, Phuket. We cannot wait to create unbelievable memories with all of YOU under the Electric Sky, Headliners!” read the post from EDC. As the countdown to January 2025 begins, fans from across the globe are eagerly making plans to attend this historic event, as reflected in the enthusiastic comments on the festival’s social media posts. The Thailand chapter promises to be a significant milestone in EDC’s storied history, offering an unforgettable experience for all attendees.

Ultra Japan has announced the first phase of its lineup for the festival’s 9th edition in Tokyo. Scheduled for September 14-15, Ultra Japan will bring some of the most sought-after acts in techno and house music to Odaiba Ultra Park. This year’s festival will feature two stages – the Ultra Main Stage and the Resistance Stage – both packed with electrifying performances by renowned dance music icons. The Ultra Main Stage will host trance legend Armin Van Buuren, electronic music stars Afrojack and Alesso, as well as Steve Aoki. Additionally, ISOxo and Knock2 will join forces once again, known for their unique blend of trap and bass house. The Resistance Stage, focusing on techno, will feature top-tier artists such as Eli Brown, Richie Hawtin, and Anfisa Letyago. Fans can also look forward to performances by Massano, known for his melodic techno, Hot Since 82, and progressive house artist Miss Monique. The lineup is further bolstered by Subtronics, Brennan Heart, and Disco Lines. Ultra Music Festival, a global leader in music events, hosts festivals in approximately 20 countries, including Brazil and Australia. Japan was added to the roster in 2014 and has attracted around 100,000 attendees in past years. With this initial lineup announcement, Ultra Japan 2024 promises to deliver two days of exceptional music and an unforgettable festival experience. Passes for Ultra Japan are now available. For more information and future lineup updates, visit the official website. In the meantime, prepare for an epic celebration of dance music and check out the festival’s official recap video. https://www.youtube.com/watch?v=FqdBBYwJRWQ  

Australian breakout drum and bass producer Luude today announces the launch of his new imprint No Instruction in partnership with his long standing management company Cloak, distributed by Virgin Music. The new imprint is about creating legitimate moments for artists using the live platform and global network of the team. Luude shares “we want to throw good parties, put out records we like from people we like and we want to have a good crack at doing all those things as best and big as possible.”  To mark the debut, No Instruction presents its first release, ‘Fun In The Sun,’ by Luude & Perth based producer Harry Bee. The left field club heater has quickly become one of Luude’s most requested songs of the year, with videos of the record posted across ID pages amassing over 3 million views and generating widespread anticipation. The track perfectly encapsulates the essence of No Instruction, it’s a bit weird and made for the dancefloor. Sharing his excitement about the release and the launch of the label, Luude shares “I’m really happy to be launching this imprint with a collab featuring one of my best mates from Australia – having an outlet to do things like this is sick. We’ve got some mental records coming from some of my favourite producers,  some parties around the world, we’re doing vinyl and just going back to doing things for the club, which is something I’ve wanted to do for a long time.” Cloak, the management team behind No Instruction, emphasises the label’s mission to embrace creativity and innovation, “people told us this was a stupid idea, launching a new imprint by releasing a collab with one of Luude’s mates from back home – with some pretty high-profile collaborations that could have been first. But being able to do things like this is what this label is about. The fact that it’s been one of the most requested tunes of the year for Luude is testament to the fact that buzzing records can come from anywhere.” In addition to its innovative approach to music, No Instruction will launch with a series of underground parties across the UK, Europe and Australia throughout 2024. The inaugural event, a secret pop up party at a very coveted London location, will kick off on July 31st, featuring performances by Luude, Bushbaby, Efan, Willo and Denham Audio. Australian producer Luude has firmly established himself on the global stage with back-to-back hits like ‘Down Under’ and ‘Big City Life,’ which have sold millions of copies and earned multi-platinum certifications worldwide. His achievements include an ARIA award for Best Dance Release, a nomination for the Michael Gudinski Breakthrough Artist award, “Best International Artist” at the 2022 Drum and Bass Awards, 3x BBC Radio 1 Hottest Records, and multiple platinum, gold, and silver certifications. Luude’s relentless touring and dynamic performances, including his recent sold out run with Chase & Status across Australia and New Zealand, have cemented his status as one of Australia’s most in-demand artists. Luude & Harry Bee’s new single ‘Fun In The Sun’ is out now on No Instruction. Follow No Instruction across socials for info on all upcoming shows and releases.

Roughly 100,000 people will experience Anyma’s unprecedented, six-night residency, delivering the Sphere’s first-ever electronic dance music shows. The acclaimed Italian DJ and producer will be the first electronic dance music artist to perform at the world’s largest spherical structure, the $2.3 billion Sphere. Following the announcement of a landmark New Year’s Eve headlining show, the venue added five additional events due to “incredible ongoing demand,” according to a press release. All six concerts, scheduled from December 27th to January 1st, sold out in less than 24 hours. Anyma, co-founder of the Afterlife label and touring brand, is renowned for his haunting and immersive visuals that push the boundaries of live electronic music. His residency at the Sphere will feature his signature blend of techno with innovative visual elements, utilizing the world’s largest and highest-resolution wraparound LED screen inside the giant orb. This residency marks a significant milestone for the Sphere, which has previously hosted only a few legendary rock and jam bands such as U2, Phish, Dead & Company, and The Eagles. As Anyma prepares to deliver an EDM-fueled spectacle in this iconic venue, he has promised “the best show” of his career. View this post on Instagram A post shared by Anyma (@anyma)

Cercle Odyssey to Offer a No-Phone Experience for Deeper Audience Connection The esteemed Parisian production company and event organizer, Cercle, is set to unveil an innovative concert series under the title “Cercle Odyssey.” Imagine entering a vast concert arena where you are encircled by enormous screens. These screens, towering up to 40 feet high and stretching as far as 180 feet, envelop the audience with high-definition visuals that harmonize seamlessly with the music. This setup is designed to make attendees feel as though they are part of the performance, rather than mere spectators. To enhance audience engagement and foster genuine connections, Cercle Odyssey will implement a strict no-phone policy. This decision aligns with a growing movement within the electronic dance music community, where many prominent artists and organizations are advocating for increased presence and interaction during live events. Scheduled to debut in 2025, Cercle Odyssey aims to bring its unique, immersive experience to dance music enthusiasts worldwide. According to Billboard, this 360° spectacle promises to draw fans closer to the distinctive experiences that Cercle is known for offering. “My current obsession is to create the shortest connection between the music played by the artist, the video narrative that we will present live on the screens, and the audience’s emotions,” said Derek Barbolla, Founder of Cercle. “I want to connect these three things together at the deepest level and I believe this is still underdeveloped in the entertainment industry. If, by the end of a Cercle Odyssey show, I see people on the dance floor literally moved to tears, then I will consider it a success.” For more information about Cercle Odyssey, watch the video below. https://www.youtube.com/watch?v=mMoaFnrCQQA