PhaseOne Announces Highly Anticipated ‘Deadline’ EP

The Montreal-based duo and Mexico City’s dubstep powerhouse connect for a festival destroyer. Montreal-based duo Adventure Club and Mexico City native Jessica Audiffred are uniting for a festival-ready dubstep destroyer on Bassrush Records. “HERO” is a relentless rager that mixes classic reese bass builds with raucous riddim. The release marks Jessica’s fifth single on the label and follows her most recent collaboration “Dale” with Riot Ten. Primed for festival season domination, “HERO” is a weapon of track that fuses the talents of Adventure Club and Jessica Audiffred exceptionally. The revving reese basses set the tone, as breakbeat drums and pitched vocals enhance the excitement. As the tension hits its climax, the track descends into a cacophony of drilling industrial sound design, laser synths, punching percussion, and guttural low-end. The explicit out-of-breathe pre-drop vocals match the pace and intensity while distorted chants amplify the anthemic appeal. “HERO” is an impenetrable force with villainous undertones proving that, sometimes to overcome evil, you need to embrace it. Taking listeners on a rollercoaster riddled with heart-pumping highs and sinister drops, the collaboration is primed to take over the summer. Touching on the excitement of their new collab, Adventure Club says, “It’s incredibly exciting to have another release with Jessica! She’s so talented and we hope all our fans enjoy ‘HERO.’ Jessica Audiffred echoes their anticipation, stating, “The followup to our last collab, this one is a lot heavier than the last and very recognizable from our live sets. We already know you guys love it; excited to finally make it available to you all.” Adventure Club is a Grammy-nominated production duo hailing from Montreal. The pair first connected in a pop punk band before refining their vision in the electronic space. The duo have become internationally renowned for their expansive sound that ranges from festival-ready dubstep to melodic EDM. Adventure Club are hot off of their 25-stop ‘Heroes & Villains’ Tour and are gearing up for their headline show at LA Historic Park, as well as festival dates at EDC Las Vegas, Forbidden Kingdom, Beyond Wonderland at the Gorge, and Dancefestopia. Mexico’s crown jewel Jessica Audiffred has risen to the top of the ranks of the dubstep scene with her bass-heavy sound. Her music has gained support from some of the scene’s foremost tastemakers including Excision, Doctor P, Illenium, and Hekler. She is riding high off her debut headline show at Hollywood Palladium, as part of her immersive ‘Mad House’ Tour, and is sitting on a stacked run of festival dates including EDC Las Vegas, Forbidden Kingdom Festival, Beyond Wonderland at the Gorge, Bonnaroo, and Ubbi Dubbi. “HERO” is a destructive dubstep weapon that is built to take over the impending festival season.

The spiritual successor to “FRACTALS” arrives on February 16th, 2024. Subtronics, the maestro of bass music, has once again embarked on a journey into the realm of unstable particles with the announcement of his highly-anticipated sophomore album, “TESSERACT.” Following the success of his debut album, “FRACTALS,” released just over two years ago, Subtronics is gearing up to unveil the next chapter in his musical odyssey. Scheduled to drop on Friday, February 16th, “TESSERACT” not only shares its name with the bass music superstar’s current tour but also promises to redefine the boundaries of his sonic universe. The year 2024 has already proven to be a whirlwind for Subtronics, who recently announced his fourth Red Rocks takeover, “Cyclops Rocks,” and unleashed his second collaboration with Rezz, titled “Black Ice.” Reflecting on “TESSERACT,” Subtronics expressed his vision for the album as a pivotal moment in his artistic evolution. “I hope [TESSERACT] leaves a long-lasting impact on the listener and the dance music community as a whole. It is truly something I can look back on in 30 years and still be proud of because I know that this is the sound I am truly passionate about, and I really gave it my everything. This album is my second child, more than two years in the making, and I poured everything I could into it.” In conjunction with the album, the team behind Cyclops Recordings has meticulously crafted a bespoke audiovisual experience, perfectly complementing the otherworldly essence of “TESSERACT.” Commenting on the album’s sonic landscape, Subtronics elaborated, “Sonically speaking, I believe this wholly represents my personality and sound as best as I can thus far, with the things I have learned over the years, in conjunction with what I have recently been inspired by. ‘TESSERACT’ is a proper sequel to my first album ‘FRACTALS,’ and in the same sense, I once again aimed to demonstrate my range in style, sound, and emotion. Some songs are meant for the dancefloor, some are meant for the car, and some are meant to serenade you to sleep. I am trying as best I can to create an immersive alternative reality with a magical yet sci-fi-esque world of energy and feeling across the entire spectrum.” View this post on Instagram A post shared by Subtronics (@subtronics)  

Australia’s ShockOne announces third studio album ‘Organism Algorithm’ plus announces AU/NZ ‘Organism Algorithm’ Tour. Australian cultivator of bass ShockOne shares the exciting news that his third studio album ‘Organism Algorithm’ will soon be dropping alongside the announcement of his forthcoming ‘Organism Algorithm’ Tour. The album, slated for release via Dark Machine Records on the 23rd February 2024, is set to be a defining moment for ShockOne whose breadth of musical ability and epic live shows have seen him go from a pioneer of the drum & bass scene in Australia and New Zealand to growing his audience right around the globe. Featuring releases ‘Follow Me’, ‘Thinking About’ with Lee Mvtthews, recent single ‘Higher Rush’ with Freaks & Geeks and more, ShockOne’s ability to craft everything from ethereal vocal numbers to nuanced rhythmic heaters is on full display throughout this suite of sweltering anthems. Available to pre-save here. Soon to be hitting the road around Australia and New Zealand, ShockOne will kick off his ‘Organism Algorithm’ Tour on the 21st of February in Wellington, followed by dates in Auckland and Christchurch before he heads to Adelaide, Sydney, Perth and more. Joining him on some dates around Australia will be UK legends Charlie Tee, AC-13 and Issy Cross, plus local drum & bass producer on the rise Don Darkoe. Backing straight up, ShockOne then heads to the UK, taking the stage with Pendulum on their huge arena tour. Since the inception of ShockOne, he has built a dedicated audience of fans that have seen him perform at world renowned festivals including Let It Roll, Drop That, Liquicity, Rampage Open Air, Snow Machine, Spilt Milk, and more recently at Snack Festival in Perth, as well as his own national Dark Machine Warehouse tours. With the drop of ‘Organism Algorithm’ ShockOne is set to have crowds heaving once more with his raw energy and explosive bass weapons. Speaking about the upcoming tour ShockOne says “Having been out of Australia on tour for most of last year, it feels great to kick off 2024 by announcing my new album and an Australian headline tour. The Organism Algorithm tour is a completely new set full of new album material and I can’t wait to get out there performing it.” Perth artist ShockOne, Karl Thomas, has cemented his position as a cornerstone of Australian dance music. Igniting his career with the drum and bass classic ‘Polygon’ taken from the debut ‘ShockOne EP’ released on Viper records, ShockOne has gone from strength to strength as he has honed and refined his sound. Off the success of his critically acclaimed debut album ‘Universus’ in 2013, Karl relocated to London touring the album extensively throughout Europe and the UK, all the while producing a string of singles and remixes for the likes of DJ Snake, Dillon Francis, NGHTMRE & What So Not, to name a few. Non-stop on the move, ShockOne soon shared his sophomore album ‘A Dark Machine’ which saw significant streaming success, all before launching his own record label Dark Machine Records  home to many of his own expertly crafted creations as well as a roster of forward thinking bass music artists. Now with the release of his third studio album ‘Organism Algorithm’, ShockOne continues to push the boundaries of bass. ‘Organism Algorithm’ Tracklist: 1. ShockOne – Alone 2. ShockOne – Open Your Mind 3. ShockOne – Ready To Go feat. Bright Sparks 4. ShockOne – Organism Algorithm 5. ShockOne – Higher Rush feat. Freaks & Geeks 6. ShockOne – Thinkin About 7. ShockOne – Heart On Fire feat. Pauline Herr 8. ShockOne – Hey Boy Hey Girl 9. ShockOne – Follow Me 10. ShockOne – Say Woah 11. ShockOne – Hardwired 12. ShockOne – It’s All Over ORGANISM ALGORITHM TOUR DATES Wed 21st Feb – VUWSA O’Week – Wellington, NZ Fri 23rd Feb – Mothership – Auckland, NZ Sat 24th Feb – Electric Avenue Festival – Christchurch Fri 1st Mar – Hindley Street Music Hall – Adelaide, SA Sat 2nd Mar – ivy Courtyard – Sydney, NSW Sun 3rd Mar – Palm Lane – Perth, WA Fri 8th Mar – La La Land – Brisbane, QLD Sat 9th Mar – Mayberry – Darwin, NT Sun 10th Mar – Laundry Bar – Melbourne, VIC FURTHER 2024 DATES Sun 24th Mar – First Direct Arena – Leeds, UK Mon 25th Mar – Victoria Warehouse – Manchester, UK Tues 26th Mar – Utilita Arena – Cardiff, UK Thurs 28th Mar – Resorts World Arena- Birmingham, UK Fri 29th Mar – The O2 – London, UK Sun 31st Mar – Ovo Hydro – Glasgow, UK

Mark your calendars for an electrifying musical experience this March as Touch Bass, the largest bass music festival in Australia and New Zealand, returns to captivate audiences across Melbourne, Sydney, Adelaide, Perth, Brisbane, and Auckland. The festival, renowned for setting the pace in all things low-end, promises an unforgettable Easter weekend with a lineup that will reverberate through your bones. Headlining the 2024 edition is UK producer and DJ, Wilkinson. Known for his beat-thumping fusion of drum and bass, dubstep, and future jungle, Wilkinson is set to elevate the bass experience to new heights. Joining him from the UK are electronic maestro Kanine and grime sensation Flowdan. Fresh off an unforgettable late-night set at Meredith, Flowdan brings his heavy-hitting rhythms to the Touch Bass stage. Other notable artists on the lineup include Peekaboo, Infekt b2b Jessica Audiffred, SOTA, and Ren Zukii. With such a diverse array of talent, Touch Bass 2024 promises to cater to the varied tastes within the broad spectrum of bass music. “Bass music” is a comprehensive term encompassing various electronic music genres distinguished by their pronounced emphasis on bass frequencies. These genres typically feature deep, powerful basslines and have gained immense popularity in club and dance music scenes worldwide. Key subgenres under the umbrella of bass music include dubstep, drum and bass, trap, future bass, bass house, and grime. Each subgenre brings its own unique characteristics and contributes to the rich tapestry of bass-driven electronic music. As the electronic music landscape continues to evolve, new subgenres and styles consistently emerge within the realm of bass music. The genre remains dynamic, reflecting the creativity and innovation of artists as they push boundaries and redefine the sonic possibilities of bass-driven beats. Touch Bass 2024 not only promises a spectacular showcase of some of the finest talents in bass music but also invites attendees to immerse themselves in the ever-evolving world of electronic beats. Whether you’re a devoted fan or a newcomer to the genre, the festival offers a diverse and exhilarating experience that celebrates the rich tapestry of bass music. Secure your tickets and get ready to feel the bass in your bones at Touch Bass 2024. Touch Bass 2024 Dates March 24 – Shed 10, Auckland March 29 – Melbourne Pavilion, Melbourne March 29 – Entertainment Centre, Adelaide March 30 – Wellington Square, Perth March 31 – Eaton’s Hill Outdoors, Brisbane March 31 – Horden Pavillion, Sydney Ticket Information For ticket registrations, please head to the official website. https://www.youtube.com/watch?v=R7RCWmu5BqQ  

Prepare for a season of bass music euphoria as Sippy, the reigning powerhouse of the bass music scene, embarks on a homecoming tour this Christmas, electrifying stages across Australia and New Zealand. Having honed her craft at Los Angeles’ esteemed ICON Collective, Sippy epitomizes integrity and courage in her music. Having made her mark in Australia’s renowned clubs and festivals, Sippy’s journey catapulted her to global recognition, gracing some of the most illustrious bass music events in the United States. Transitioning from a supporting act for headliners like Zeds Dead and Excision to playing her own headline shows, Sippy is becoming a staple at the biggest bass music events in the US, performing at iconic venues such as Red Rocks Amphitheater and large-scale festivals including Lost Lands and HARD Summer. 
 She’s released on bass music’s most notable labels such as Deadbeats, UKF, while dishing out official remixes for A-list artists including The Chainsmokers, Zeds Dead, NERVO and more. Sippy counts the world’s biggest bass and EDM producers among her most avid and vocal supporters working with household names like Virus Syndicate and Marshmello for his Grammy-nominated album Shockwave. With a global audience and an energy that enchants any stage she sets foot on, Sippy is a force to be reckoned with. Sippy’s homecoming tour promises an unparalleled fusion of energy, bass, and unmatched stage enchantment. Brace yourself for a sonic adventure with Sippy this holiday season! Tour Dates December 22 – The Syndicate @ Amplifier bar, Perth December 23 – SHMEERE @ The Burdekin, Sydney December 29 – Rhythm & Vines Festival, NZ December 30 – Bass inferno @ Fat Controller, Adelaide December 31 – Rolling Meadows Festival, NZ January 1 – Eaton Hill Festival, Brisbane

EDC Thailand marks a new chapter for the electric sky, set to dazzle in just six months. EDC (Electric Daisy Carnival) is set to make its debut in Thailand, bringing its iconic festival experience to the stunning shores of Phuket. The inaugural EDC Thailand will take place on January 17, 18, and 19, 2025, at the picturesque Boat Avenue Lakefront. What began as a humble underground event in Los Angeles has grown into a global phenomenon. EDC now hosts festivals in major cities including Las Vegas, Orlando, Mexico City, Tokyo, and EDSEA, and Thailand is the latest addition to this illustrious list. Each EDC event uniquely combines top-tier electronic music, intricate light displays, massive art installations, and a profound sense of unity and love among attendees, who are affectionately known as Headliners. The announcement of EDC Thailand in early July sent waves of excitement through the EDM community. The official confirmation came via the creation of an Instagram account for the festival, with the first post stating, “Hello #EDCThailand. Hello Thailand. Stay tuned for official updates! EDCThailand.com.” Founder and CEO Pasquale Rotella had previously hinted at this new location during an interview for the EDC Las Vegas 2024 lineup announcement. He mentioned, “And then we toured around the world. I mean we’ve been to China, Thailand,” followed by a noticeable pause, realizing he had let slip this exciting news. The official dates were announced a month later, solidifying plans for the festival. “We’ve been all around the world and are excited to invite you to our next EDC chapter! Presenting #EDCThailand: Jan. 17+18+19, 2025 at Boat Avenue Lakefront, Phuket. We cannot wait to create unbelievable memories with all of YOU under the Electric Sky, Headliners!” read the post from EDC. As the countdown to January 2025 begins, fans from across the globe are eagerly making plans to attend this historic event, as reflected in the enthusiastic comments on the festival’s social media posts. The Thailand chapter promises to be a significant milestone in EDC’s storied history, offering an unforgettable experience for all attendees.

Ultra Japan has announced the first phase of its lineup for the festival’s 9th edition in Tokyo. Scheduled for September 14-15, Ultra Japan will bring some of the most sought-after acts in techno and house music to Odaiba Ultra Park. This year’s festival will feature two stages – the Ultra Main Stage and the Resistance Stage – both packed with electrifying performances by renowned dance music icons. The Ultra Main Stage will host trance legend Armin Van Buuren, electronic music stars Afrojack and Alesso, as well as Steve Aoki. Additionally, ISOxo and Knock2 will join forces once again, known for their unique blend of trap and bass house. The Resistance Stage, focusing on techno, will feature top-tier artists such as Eli Brown, Richie Hawtin, and Anfisa Letyago. Fans can also look forward to performances by Massano, known for his melodic techno, Hot Since 82, and progressive house artist Miss Monique. The lineup is further bolstered by Subtronics, Brennan Heart, and Disco Lines. Ultra Music Festival, a global leader in music events, hosts festivals in approximately 20 countries, including Brazil and Australia. Japan was added to the roster in 2014 and has attracted around 100,000 attendees in past years. With this initial lineup announcement, Ultra Japan 2024 promises to deliver two days of exceptional music and an unforgettable festival experience. Passes for Ultra Japan are now available. For more information and future lineup updates, visit the official website. In the meantime, prepare for an epic celebration of dance music and check out the festival’s official recap video. https://www.youtube.com/watch?v=FqdBBYwJRWQ  

Australian breakout drum and bass producer Luude today announces the launch of his new imprint No Instruction in partnership with his long standing management company Cloak, distributed by Virgin Music. The new imprint is about creating legitimate moments for artists using the live platform and global network of the team. Luude shares “we want to throw good parties, put out records we like from people we like and we want to have a good crack at doing all those things as best and big as possible.”  To mark the debut, No Instruction presents its first release, ‘Fun In The Sun,’ by Luude & Perth based producer Harry Bee. The left field club heater has quickly become one of Luude’s most requested songs of the year, with videos of the record posted across ID pages amassing over 3 million views and generating widespread anticipation. The track perfectly encapsulates the essence of No Instruction, it’s a bit weird and made for the dancefloor. Sharing his excitement about the release and the launch of the label, Luude shares “I’m really happy to be launching this imprint with a collab featuring one of my best mates from Australia – having an outlet to do things like this is sick. We’ve got some mental records coming from some of my favourite producers,  some parties around the world, we’re doing vinyl and just going back to doing things for the club, which is something I’ve wanted to do for a long time.” Cloak, the management team behind No Instruction, emphasises the label’s mission to embrace creativity and innovation, “people told us this was a stupid idea, launching a new imprint by releasing a collab with one of Luude’s mates from back home – with some pretty high-profile collaborations that could have been first. But being able to do things like this is what this label is about. The fact that it’s been one of the most requested tunes of the year for Luude is testament to the fact that buzzing records can come from anywhere.” In addition to its innovative approach to music, No Instruction will launch with a series of underground parties across the UK, Europe and Australia throughout 2024. The inaugural event, a secret pop up party at a very coveted London location, will kick off on July 31st, featuring performances by Luude, Bushbaby, Efan, Willo and Denham Audio. Australian producer Luude has firmly established himself on the global stage with back-to-back hits like ‘Down Under’ and ‘Big City Life,’ which have sold millions of copies and earned multi-platinum certifications worldwide. His achievements include an ARIA award for Best Dance Release, a nomination for the Michael Gudinski Breakthrough Artist award, “Best International Artist” at the 2022 Drum and Bass Awards, 3x BBC Radio 1 Hottest Records, and multiple platinum, gold, and silver certifications. Luude’s relentless touring and dynamic performances, including his recent sold out run with Chase & Status across Australia and New Zealand, have cemented his status as one of Australia’s most in-demand artists. Luude & Harry Bee’s new single ‘Fun In The Sun’ is out now on No Instruction. Follow No Instruction across socials for info on all upcoming shows and releases.

Roughly 100,000 people will experience Anyma’s unprecedented, six-night residency, delivering the Sphere’s first-ever electronic dance music shows. The acclaimed Italian DJ and producer will be the first electronic dance music artist to perform at the world’s largest spherical structure, the $2.3 billion Sphere. Following the announcement of a landmark New Year’s Eve headlining show, the venue added five additional events due to “incredible ongoing demand,” according to a press release. All six concerts, scheduled from December 27th to January 1st, sold out in less than 24 hours. Anyma, co-founder of the Afterlife label and touring brand, is renowned for his haunting and immersive visuals that push the boundaries of live electronic music. His residency at the Sphere will feature his signature blend of techno with innovative visual elements, utilizing the world’s largest and highest-resolution wraparound LED screen inside the giant orb. This residency marks a significant milestone for the Sphere, which has previously hosted only a few legendary rock and jam bands such as U2, Phish, Dead & Company, and The Eagles. As Anyma prepares to deliver an EDM-fueled spectacle in this iconic venue, he has promised “the best show” of his career. View this post on Instagram A post shared by Anyma (@anyma)

Cercle Odyssey to Offer a No-Phone Experience for Deeper Audience Connection The esteemed Parisian production company and event organizer, Cercle, is set to unveil an innovative concert series under the title “Cercle Odyssey.” Imagine entering a vast concert arena where you are encircled by enormous screens. These screens, towering up to 40 feet high and stretching as far as 180 feet, envelop the audience with high-definition visuals that harmonize seamlessly with the music. This setup is designed to make attendees feel as though they are part of the performance, rather than mere spectators. To enhance audience engagement and foster genuine connections, Cercle Odyssey will implement a strict no-phone policy. This decision aligns with a growing movement within the electronic dance music community, where many prominent artists and organizations are advocating for increased presence and interaction during live events. Scheduled to debut in 2025, Cercle Odyssey aims to bring its unique, immersive experience to dance music enthusiasts worldwide. According to Billboard, this 360° spectacle promises to draw fans closer to the distinctive experiences that Cercle is known for offering. “My current obsession is to create the shortest connection between the music played by the artist, the video narrative that we will present live on the screens, and the audience’s emotions,” said Derek Barbolla, Founder of Cercle. “I want to connect these three things together at the deepest level and I believe this is still underdeveloped in the entertainment industry. If, by the end of a Cercle Odyssey show, I see people on the dance floor literally moved to tears, then I will consider it a success.” For more information about Cercle Odyssey, watch the video below. https://www.youtube.com/watch?v=mMoaFnrCQQA