Shaquille O’Neal teams with Kryoman to release first track as DJ Diesel

Renowned DJ CRAZE Embarks on a Highly Anticipated 2023 Australia and New Zealand Tour. The much-acclaimed DJ CRAZE is all set to embark on an electrifying tour across Australia and New Zealand this year. Known for his unparalleled skills on the decks and his unmatched ability to captivate audiences with his music, DJ CRAZE’s tour promises to be an unforgettable experience for music enthusiasts. The tour kicks off on September 8th with a special appearance at the Melbourne DMC Championships hosted at the esteemed Laundry Bar. Following this, DJ CRAZE will take over the stage at Laundry in Melbourne for another energetic performance on the same day. The momentum continues to build as he heads to Perth to headline the Rain Dance Festival on September 9th. The excitement spreads across the Tasman Sea as DJ CRAZE graces New Zealand with his dynamic performances. On September 15th, Queenstown will groove to his beats at Seek, and on September 16th, he takes the stage at Hide in Christchurch. Returning to Australia, DJ CRAZE is set to mesmerize the audience at the Beach Road Hotel Bondi in Sydney on September 21st. The tour then makes its way to Hobart’s Altar on September 22nd, followed by a captivating performance at The Mothership in Auckland, New Zealand, on September 23rd. DJ CRAZE is renowned globally for his unmatched turntablism skills and ability to transcend genres, captivating music aficionados of all tastes. His tour promises to deliver an extraordinary auditory experience, blending cutting-edge mixes, seamless transitions, and an infectious energy that only he can bring. This tour marks an exciting opportunity for fans across Australia and New Zealand to witness DJ CRAZE’s prowess in person and indulge in an unforgettable musical journey. Tickets for the tour are expected to sell out quickly, so fans are encouraged to secure their spots early and not miss the chance to witness a true legend in action. DC CRAZE Tour Dates September 8 – Melbourne, DMC Championships @ Laundry Bar September 8 – Melbourne, Laundry September 9 – Perth, Rain Dance Festival September 15 – Queenstown NZ, Seek September 16 – Christchurch NZ, Hide September 21 – Sydney, Beach Road Hotel Bondi September 22 – Hobart, Altar September 23 – Auckland NZ, The Mothership

Deadmau5 is set to release ‘We Are Friends 11’ compilation, featuring a new single from the artist himself. The compilation has been highly anticipated, following the release of ‘XYZ’ in the latter half of last year. Deadmau5, known for leading the mau5trap label, has worked with SHOTTY HORROH in the past to incorporate hip hop elements into his music. In his latest release, he teams up with YTCracker on a new single. “YTCracker is a formerly notorious computer hacker who stopped hacking everyone’s gibson and started rapping about it instead. Recognized as a forefather of the ‘nerdcore’ genre[…]” – deadmau5 The new collaboration with YTCracker exhibits many of the same sonic and rhythmic elements as deadmau5’s past work with SHOTTY, while also maintaining the unique, nerdy style that fans have come to adore. Deadmau5, whose real name is Joel Thomas Zimmerman, is a Canadian musician and producer known for creating a range of electronic music within the progressive house genre and beyond. The highly anticipated ‘We Are Friends 11’ compilation album arrives later this year. Keep an eye out for more information on the release date and track list. In the meantime, be sure to follow deadmau5 on social media to stay updated on all the latest news and releases. We can’t wait to hear what’s in store on this new album.

Maya Jane Coles releases the next project under her Nocturnal Sunshine alias, joining forces with mysterious rapper CHA$EY JON£S on brand-new EP ‘LDN’, out now. Growing up in west London in the mid-00s, much of Maya’s influences were within the rap and hip-hop worlds, something reflected in this latest EP, ‘LDN’ which offers fans a rarely-seen glimpse into what Maya might sound like if she hadn’t pursued a career in electronic music. Under the Nocturnal Sunshine moniker, Maya explores grittier musical themes and on ‘LDN’ has teamed up with rapper, actor (Top Boy, I May Destroy You), and childhood friend CHA$EY JON£S, to redress the balance. Having originally made music together while at school in London, ‘LDN’ represents a full circle moment for both artists. The pair previously connected on the 2019 Nocturnal Sunshine album Full Circle, on tracks such as ‘Fuck Fame’, ‘Dash’ and ‘Bandit’. A five-track release, ‘LDN’ is a slick, downbeat hip-hop record. Kicking things off, the title track immediately sets the tone, pairing smooth production with even smoother bars courtesy of Cha$ey. Continuing with this energy is ‘No Smoke’, while ‘Really Really’ brings darker, menacing energy. ‘Tralalala’ is the most maximalist track on the EP, before ‘CHA$EY’ ensures things close out on a memorable note. “It feels amazing to finally be able to share this EP with you all,” says Maya. “The Nocturnal Sunshine x CHA$EY JON£S project is something very close to my heart. I was producing hip-hop years before I ever got into electronic/club music, it was my first musical love. Not only that but Cha$ey and I used to make music together when we were 15 and we even started a rap duo back then. Years later, to be making music again with one of my best mates feels like magic. ‘LDN’ is a collection of the first tracks we made when we started working together again. We’ve been working on so much material and this is only the beginning of what’s to come.” It’s been more than ten years since British-Japanese artist Maya Jane Coles unleashed the modern house classic ‘What They Say’. She has since shifted the focus towards her Nocturnal Sunshine project, collaborating with the likes of Peaches, Miss Kittin and Young M.A. among others. Maya Jane Coles demonstrates her versatility as an artist with this slick collaborative EP released under her Nocturnal Sunshine alias.

After a whirlwind fourteen years in the dance music industry, famed Festival Trap founder Carnage has announced his retirement at the age of 31. Carnage’s groundbreaking work in the early 2010s helped usher in a new genre called “festival trap,” a thunderous, 808-heavy twist on the saturated electro music that dominated festivals at the time. Buoyed by a thriving SoundCloud community, festival trap quickly became a movement—and Carnage was its vanguard. While dance music was his primary focus, Carnage’s brushstroke painted a far more colorful mosaic in the music community. He operated as a prolific hip-hop producer, collaborating with a myriad of the world’s top rappers, such as Mac Miller, Migos, Rick Ross, Wiz Khalifa, Young Thug and Meek Mill, among many others. Lunar Electric is set to host the final two performances from Carnage after he announced his farewell to the dance music community earlier this month. Lunar Electric will take place in Parramatta Park in Sydney on June 4, followed by Doug Jennings Park on the Gold Coast on June 11, 2022. Also on the bill with Carnage’s history-making set is a heart-thumping lineup featuring the likes of Pendulum, Darude, Sunset Bros, Tigerlily, Enschway, Dimatik, Hooligan Hefs and many more. Thank You pic.twitter.com/RYkF5tiwT5— GORDO (@djcarnage) May 5, 2022 Lunar Electric 2022 Festival Dates Saturday June 4 – Parramatta Park, Sydney NSW Saturday June 11 – Doug Jennings Park, Gold Coast QLD Tickets – secure your tickets online here. DJ Carnage · BRICKS (feat. Migos) [Original] DJ Carnage · Hardwell – Spaceman (Carnage Festival Trap Remix) DJ Carnage · Carnage – WDYW Feat. Lil Uzi Vert, A$AP Ferg, Rich The Kid ZB the local boy · 7. Carnage – Break The Fucking Walls Down (BTFWD) Feat. Junkie Kid

Australia’s rising star Moss returns with a heavy-hitting follow up to ‘SABRE TEETH’, releasing ‘SPEED DIAL (feat. BRIA)’ via October Records. After making a splash with his triple j Unearthed DIY Supergroup winning track, Moss picks up where ‘SABRE TEETH (feat. Genesis Owusu)’ left off, introducing the single with subtle didgeridoo vibrations before the foot is pressed down on the sonic gas pedal. The Indigenous producer’s aptitude for utilising dynamic drums and powerful bass to evoke atmospheric and emotive narratives is on full display. He teams with Brisbane-based up-and-coming singer/songwriter BRIA who’s pertinent vocals centred around the uncertainty and instability of online dating, provide the perfect hook. Moss discusses the single and the direction of his sound saying, “I’ve teamed up on this record with powerhouse singer/ songwriter BRIA and we’ve built something very special. SPEED DIAL is the sonic infusion of the ups and downs of online dating – especially when they don’t text back. This single represents a development of my sound and I can’t wait for you to hear it. All gas, no brakes.” On the narrative behind the record, BRIA said, “The idea for SPEED DIAL came out of the 2020 Brisbane COVID lockdown. After everyone was exclusively online dating, I found hookup culture was more present than ever. Moss’ dramatic production was the perfect accompaniment for my narrator’s situationship.” Brisbane talent BRIA, who amassed a sizable online following across TikTok and Instagram, recently released her debut single ‘Taking It Off’. The track has seen airplay on triple j and acclaim from Declan Byrne, Tommy Faith, Abby Butler, and Dave Ruby Howe on triple j Unearthed. Embracing femininity and sensuality within her craft, she takes influences from the likes of Charli XCX, Lorde, and Caroline Polachek. Sydney-based producer, Moss rose to prominence earlier this year after taking out the triple j Unearthed DIY Supergroup competition, with his release ‘SABRE TEETH’, before announcing his signing to October Records. Sampling the likes of Alison Wonderland, Touch Sensitive, San Cisco, Vallis Alps, and Genesis Owusu, the latter of which jumped on as a feature artist, Moss crafted a very Australian moment, yet it was his iconic didgeridoo bass drop that impressed triple j presenters and listeners alike. The track went on to become one of the most played on the station, with Moss appearing on triple j’s Friday Mix, and Mix Up as part of NAIDOC week, while the single’s momentum carried it to the top of the Australian Shazam Chart. While ‘SABRE TEETH’ showcased Moss’ talent to a wider audience, the bass producer has been honing his craft with singles such as ‘From The Start’ and ‘Shimmer’ both of which premiered on triple j and rose the triple j Unearthed Electronic charts. Having already played alongside some of the heaviest hitters in the industry – Skrillex, RL Grime, Flosstradamus, Marshmello, just to name a few – Moss has positioned himself as a producer capable of rubbing shoulders with some of the world’s best.

EDC Thailand marks a new chapter for the electric sky, set to dazzle in just six months. EDC (Electric Daisy Carnival) is set to make its debut in Thailand, bringing its iconic festival experience to the stunning shores of Phuket. The inaugural EDC Thailand will take place on January 17, 18, and 19, 2025, at the picturesque Boat Avenue Lakefront. What began as a humble underground event in Los Angeles has grown into a global phenomenon. EDC now hosts festivals in major cities including Las Vegas, Orlando, Mexico City, Tokyo, and EDSEA, and Thailand is the latest addition to this illustrious list. Each EDC event uniquely combines top-tier electronic music, intricate light displays, massive art installations, and a profound sense of unity and love among attendees, who are affectionately known as Headliners. The announcement of EDC Thailand in early July sent waves of excitement through the EDM community. The official confirmation came via the creation of an Instagram account for the festival, with the first post stating, “Hello #EDCThailand. Hello Thailand. Stay tuned for official updates! EDCThailand.com.” Founder and CEO Pasquale Rotella had previously hinted at this new location during an interview for the EDC Las Vegas 2024 lineup announcement. He mentioned, “And then we toured around the world. I mean we’ve been to China, Thailand,” followed by a noticeable pause, realizing he had let slip this exciting news. The official dates were announced a month later, solidifying plans for the festival. “We’ve been all around the world and are excited to invite you to our next EDC chapter! Presenting #EDCThailand: Jan. 17+18+19, 2025 at Boat Avenue Lakefront, Phuket. We cannot wait to create unbelievable memories with all of YOU under the Electric Sky, Headliners!” read the post from EDC. As the countdown to January 2025 begins, fans from across the globe are eagerly making plans to attend this historic event, as reflected in the enthusiastic comments on the festival’s social media posts. The Thailand chapter promises to be a significant milestone in EDC’s storied history, offering an unforgettable experience for all attendees.

Ultra Japan has announced the first phase of its lineup for the festival’s 9th edition in Tokyo. Scheduled for September 14-15, Ultra Japan will bring some of the most sought-after acts in techno and house music to Odaiba Ultra Park. This year’s festival will feature two stages – the Ultra Main Stage and the Resistance Stage – both packed with electrifying performances by renowned dance music icons. The Ultra Main Stage will host trance legend Armin Van Buuren, electronic music stars Afrojack and Alesso, as well as Steve Aoki. Additionally, ISOxo and Knock2 will join forces once again, known for their unique blend of trap and bass house. The Resistance Stage, focusing on techno, will feature top-tier artists such as Eli Brown, Richie Hawtin, and Anfisa Letyago. Fans can also look forward to performances by Massano, known for his melodic techno, Hot Since 82, and progressive house artist Miss Monique. The lineup is further bolstered by Subtronics, Brennan Heart, and Disco Lines. Ultra Music Festival, a global leader in music events, hosts festivals in approximately 20 countries, including Brazil and Australia. Japan was added to the roster in 2014 and has attracted around 100,000 attendees in past years. With this initial lineup announcement, Ultra Japan 2024 promises to deliver two days of exceptional music and an unforgettable festival experience. Passes for Ultra Japan are now available. For more information and future lineup updates, visit the official website. In the meantime, prepare for an epic celebration of dance music and check out the festival’s official recap video. https://www.youtube.com/watch?v=FqdBBYwJRWQ  

Australian breakout drum and bass producer Luude today announces the launch of his new imprint No Instruction in partnership with his long standing management company Cloak, distributed by Virgin Music. The new imprint is about creating legitimate moments for artists using the live platform and global network of the team. Luude shares “we want to throw good parties, put out records we like from people we like and we want to have a good crack at doing all those things as best and big as possible.”  To mark the debut, No Instruction presents its first release, ‘Fun In The Sun,’ by Luude & Perth based producer Harry Bee. The left field club heater has quickly become one of Luude’s most requested songs of the year, with videos of the record posted across ID pages amassing over 3 million views and generating widespread anticipation. The track perfectly encapsulates the essence of No Instruction, it’s a bit weird and made for the dancefloor. Sharing his excitement about the release and the launch of the label, Luude shares “I’m really happy to be launching this imprint with a collab featuring one of my best mates from Australia – having an outlet to do things like this is sick. We’ve got some mental records coming from some of my favourite producers,  some parties around the world, we’re doing vinyl and just going back to doing things for the club, which is something I’ve wanted to do for a long time.” Cloak, the management team behind No Instruction, emphasises the label’s mission to embrace creativity and innovation, “people told us this was a stupid idea, launching a new imprint by releasing a collab with one of Luude’s mates from back home – with some pretty high-profile collaborations that could have been first. But being able to do things like this is what this label is about. The fact that it’s been one of the most requested tunes of the year for Luude is testament to the fact that buzzing records can come from anywhere.” In addition to its innovative approach to music, No Instruction will launch with a series of underground parties across the UK, Europe and Australia throughout 2024. The inaugural event, a secret pop up party at a very coveted London location, will kick off on July 31st, featuring performances by Luude, Bushbaby, Efan, Willo and Denham Audio. Australian producer Luude has firmly established himself on the global stage with back-to-back hits like ‘Down Under’ and ‘Big City Life,’ which have sold millions of copies and earned multi-platinum certifications worldwide. His achievements include an ARIA award for Best Dance Release, a nomination for the Michael Gudinski Breakthrough Artist award, “Best International Artist” at the 2022 Drum and Bass Awards, 3x BBC Radio 1 Hottest Records, and multiple platinum, gold, and silver certifications. Luude’s relentless touring and dynamic performances, including his recent sold out run with Chase & Status across Australia and New Zealand, have cemented his status as one of Australia’s most in-demand artists. Luude & Harry Bee’s new single ‘Fun In The Sun’ is out now on No Instruction. Follow No Instruction across socials for info on all upcoming shows and releases.

Roughly 100,000 people will experience Anyma’s unprecedented, six-night residency, delivering the Sphere’s first-ever electronic dance music shows. The acclaimed Italian DJ and producer will be the first electronic dance music artist to perform at the world’s largest spherical structure, the $2.3 billion Sphere. Following the announcement of a landmark New Year’s Eve headlining show, the venue added five additional events due to “incredible ongoing demand,” according to a press release. All six concerts, scheduled from December 27th to January 1st, sold out in less than 24 hours. Anyma, co-founder of the Afterlife label and touring brand, is renowned for his haunting and immersive visuals that push the boundaries of live electronic music. His residency at the Sphere will feature his signature blend of techno with innovative visual elements, utilizing the world’s largest and highest-resolution wraparound LED screen inside the giant orb. This residency marks a significant milestone for the Sphere, which has previously hosted only a few legendary rock and jam bands such as U2, Phish, Dead & Company, and The Eagles. As Anyma prepares to deliver an EDM-fueled spectacle in this iconic venue, he has promised “the best show” of his career. View this post on Instagram A post shared by Anyma (@anyma)

Cercle Odyssey to Offer a No-Phone Experience for Deeper Audience Connection The esteemed Parisian production company and event organizer, Cercle, is set to unveil an innovative concert series under the title “Cercle Odyssey.” Imagine entering a vast concert arena where you are encircled by enormous screens. These screens, towering up to 40 feet high and stretching as far as 180 feet, envelop the audience with high-definition visuals that harmonize seamlessly with the music. This setup is designed to make attendees feel as though they are part of the performance, rather than mere spectators. To enhance audience engagement and foster genuine connections, Cercle Odyssey will implement a strict no-phone policy. This decision aligns with a growing movement within the electronic dance music community, where many prominent artists and organizations are advocating for increased presence and interaction during live events. Scheduled to debut in 2025, Cercle Odyssey aims to bring its unique, immersive experience to dance music enthusiasts worldwide. According to Billboard, this 360° spectacle promises to draw fans closer to the distinctive experiences that Cercle is known for offering. “My current obsession is to create the shortest connection between the music played by the artist, the video narrative that we will present live on the screens, and the audience’s emotions,” said Derek Barbolla, Founder of Cercle. “I want to connect these three things together at the deepest level and I believe this is still underdeveloped in the entertainment industry. If, by the end of a Cercle Odyssey show, I see people on the dance floor literally moved to tears, then I will consider it a success.” For more information about Cercle Odyssey, watch the video below. https://www.youtube.com/watch?v=mMoaFnrCQQA